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Alex Clayton Art Mystery #3
The Shifting Landscape
Art dealer Alex Clayton travels to Victoria's Western District to value the MacMillan family's collection. At their historic sheep station, she finds an important and previously unknown colonial painting - and a family fraught with tension. There are arguments about the future of the property and its place in an ancient and highly significant indigenous landscape.
When the family patriarch dies under mysterious circumstances and the painting is stolen, Alex decides to leave; then a toddler disappears and Alex's faithful dog Hogarth goes missing. With fears rising for the safety of both child and hound, Alex and her nest friend John, who has been drawn into the mystery, join searchers scouring the countryside. But her attempts to unravel the MacMillan family secrets have put Alex in danger, and she's not the only one. Will the killer claim another victim? Or will the landscape reveal its mysteries to Alex in time?
When the family patriarch dies under mysterious circumstances and the painting is stolen, Alex decides to leave; then a toddler disappears and Alex's faithful dog Hogarth goes missing. With fears rising for the safety of both child and hound, Alex and her nest friend John, who has been drawn into the mystery, join searchers scouring the countryside. But her attempts to unravel the MacMillan family secrets have put Alex in danger, and she's not the only one. Will the killer claim another victim? Or will the landscape reveal its mysteries to Alex in time?
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Published September 24, 2020
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Displaying 1 - 30 of 33 reviews
February 22, 2024
This is turning out to be a very enjoyable Australian series featuring Alex Clayton, art dealer, and her magnificent partner, Hogarth, Irish Wolfhound.
Alex is visiting an historic sheep station in Victoria and she has only been there a short time when she identifies a truly exciting painting which could be worth as much as a million dollars. There is a murder, a missing child, and a totally dysfunctional family. And of course there is Hogarth who steals every scene he is in.
I like Alex very much. She is organised, sensible and intelligent - all the best characteristics for a main character. I am not so sure about John, the love interest. He needs to improve his decision making and be a bit stronger or Alex will move on.
I enjoyed the book very much and look forward to reading more about Alex and the delightful Hogarth.
Alex is visiting an historic sheep station in Victoria and she has only been there a short time when she identifies a truly exciting painting which could be worth as much as a million dollars. There is a murder, a missing child, and a totally dysfunctional family. And of course there is Hogarth who steals every scene he is in.
I like Alex very much. She is organised, sensible and intelligent - all the best characteristics for a main character. I am not so sure about John, the love interest. He needs to improve his decision making and be a bit stronger or Alex will move on.
I enjoyed the book very much and look forward to reading more about Alex and the delightful Hogarth.
April 16, 2020
Alex Clayton was excited by her upcoming job. She was an art dealer and had been commissioned to travel to the Western Districts of Victoria in an area just south of Hamilton to value the McMillan collection. The artwork had been in the family for decades and apart from some fire damaged paintings which were stored in one of the sheds, there was more throughout the homestead. Alex lived in Melbourne with her beloved wolfhound, Hogarth, but was used to the travel for various commissions. She wondered what this one would bring.
On her arrival, Alex met Mac, the family patriarch, for a tour of the property. The breathtaking painting she saw had her excited and astounded and after telling Mac of the painting’s approximate value, he asked Alex not to mention it to his family. The tension between family members was shown to Alex that night over dinner, constant bickering and arguments over the property, Kinloch. It was uncomfortable for Alex to say the least…
After calling her best friend and art restorer John, in Melbourne to join her, then Mac’s unexpected and sudden death, Alex decided that she and John would return to Melbourne. But events stopped that for some time and as Alex, John and Hogarth became deeply involved in everything that was going on, she realized there was an element of danger surrounding them. Hogarth went missing, along with a three-year-old child – the McMillan family dynamics and secrets were causing more tension and danger than anyone wanted to face. What would be the outcome for the people on Kinloch?
The Shifting Landscape is the 3rd in the Alex Clayton Art Mystery series by Aussie author Katherine Kovacic and I really enjoyed it. Set on land which originally belonged to the Gunditjmara people, Kinloch homestead featured dominantly. I know the area of Hamilton and the road Alex took through Ballarat and Dunkeld to get there, having travelled on it many times myself, and it was great to visualize the trip Alex was taking. The nearby mountains, the beautiful landscape, the intriguing mystery which threaded its way through the book – and Hogarth! What a marvel of a dog! I definitely need a cuddle 😉 Highly recommended.
With thanks to Echo Publishing for my ARC to read in exchange for an honest review.
On her arrival, Alex met Mac, the family patriarch, for a tour of the property. The breathtaking painting she saw had her excited and astounded and after telling Mac of the painting’s approximate value, he asked Alex not to mention it to his family. The tension between family members was shown to Alex that night over dinner, constant bickering and arguments over the property, Kinloch. It was uncomfortable for Alex to say the least…
After calling her best friend and art restorer John, in Melbourne to join her, then Mac’s unexpected and sudden death, Alex decided that she and John would return to Melbourne. But events stopped that for some time and as Alex, John and Hogarth became deeply involved in everything that was going on, she realized there was an element of danger surrounding them. Hogarth went missing, along with a three-year-old child – the McMillan family dynamics and secrets were causing more tension and danger than anyone wanted to face. What would be the outcome for the people on Kinloch?
The Shifting Landscape is the 3rd in the Alex Clayton Art Mystery series by Aussie author Katherine Kovacic and I really enjoyed it. Set on land which originally belonged to the Gunditjmara people, Kinloch homestead featured dominantly. I know the area of Hamilton and the road Alex took through Ballarat and Dunkeld to get there, having travelled on it many times myself, and it was great to visualize the trip Alex was taking. The nearby mountains, the beautiful landscape, the intriguing mystery which threaded its way through the book – and Hogarth! What a marvel of a dog! I definitely need a cuddle 😉 Highly recommended.
With thanks to Echo Publishing for my ARC to read in exchange for an honest review.
January 30, 2024
Melbourne-based art director Alex Clayton returns in the 3rd novel in this highly engrossing series by Katherine Kovacic. Her life has settled back into an easy routine now that the excitement from Painting In the Shadows has died down.
A vital part of Alex’s job is to carry out art appraisals for people who are thinking of selling their collection or for people who are curious about how much a certain found art piece may be worth. And when Alistair (call me Mac) McMillan invites her to carry out an appraisal housed at Kinloch, his sheep station in Western Districts of Victoria, she agrees to take the job. It promises to be an overnight affair so she decides to take her Irish Wolfhound companion Hogarth with her.
When she arrives at the homestead she quickly comes to realise that, as well as Mac, there are his four adult children and their partners staying there. It’s clear that Mac runs the house and that there is some dissatisfaction within the family dynamic.
Not expecting terribly much in the way of valuable art, she’s surprised to find the collection is quite reasonable with a particularly valuable painting depicting Kinloch itself by renowned artist Eugene von Guérard proving to be the showpiece. Among the works are a number of fire damaged paintings, one of which, if properly restored, could be brought up to fetch a significant sum. She suggests to Mac that she contacts her friend and conservator John Porter to come out to do the restoration work.
But it’s not long before the McMillan household is facing a family tragedy with a potentially fatal fall severely injuring Mac. This is quickly followed by the disappearance of the most valuable painting in the collection and then, the more pressing disappearance of a three year old boy. To top things off, Alex suddenly can’t find Hogarth.
We’re given a lot to focus on in a relatively short period of time. The McMillan family immediately start bickering over the estate, the police are on hand to start an investigation into the fall and then the wider community arrives to help in the search for the little boy. Meanwhile, Alex is going spare over losing Hogarth fearing all kinds of fate that could befall a dog on a massive farming property.
As well as the expected examination of the various artworks that she comes across as part of her job, there is another important theme that’s explored in The Shifting Landscape. The plight of the indigenous owners of the land that Kinloch sits on, the Gunditjmara people and the way they were treated is a sadly oft-told tale. As Alex learned more about their cultural identity, I did too and have noted once again our regrettable past.
The easy banter between Alex and John continues to lift the tone of every scene they share. And it was also very pleasing to get a little bit more Hogarth in our lives with the obedient hound playing a much more prominent role in this dramatic pastoral setting.
Another beautifully constructed drama that also manages to showcase Australian artists in a subtle way that gently compels you to want to find out more. Katherine Kovacic has found the perfect balance between historical commentary, fine arts and a compelling murder mystery.
A vital part of Alex’s job is to carry out art appraisals for people who are thinking of selling their collection or for people who are curious about how much a certain found art piece may be worth. And when Alistair (call me Mac) McMillan invites her to carry out an appraisal housed at Kinloch, his sheep station in Western Districts of Victoria, she agrees to take the job. It promises to be an overnight affair so she decides to take her Irish Wolfhound companion Hogarth with her.
When she arrives at the homestead she quickly comes to realise that, as well as Mac, there are his four adult children and their partners staying there. It’s clear that Mac runs the house and that there is some dissatisfaction within the family dynamic.
Not expecting terribly much in the way of valuable art, she’s surprised to find the collection is quite reasonable with a particularly valuable painting depicting Kinloch itself by renowned artist Eugene von Guérard proving to be the showpiece. Among the works are a number of fire damaged paintings, one of which, if properly restored, could be brought up to fetch a significant sum. She suggests to Mac that she contacts her friend and conservator John Porter to come out to do the restoration work.
But it’s not long before the McMillan household is facing a family tragedy with a potentially fatal fall severely injuring Mac. This is quickly followed by the disappearance of the most valuable painting in the collection and then, the more pressing disappearance of a three year old boy. To top things off, Alex suddenly can’t find Hogarth.
We’re given a lot to focus on in a relatively short period of time. The McMillan family immediately start bickering over the estate, the police are on hand to start an investigation into the fall and then the wider community arrives to help in the search for the little boy. Meanwhile, Alex is going spare over losing Hogarth fearing all kinds of fate that could befall a dog on a massive farming property.
As well as the expected examination of the various artworks that she comes across as part of her job, there is another important theme that’s explored in The Shifting Landscape. The plight of the indigenous owners of the land that Kinloch sits on, the Gunditjmara people and the way they were treated is a sadly oft-told tale. As Alex learned more about their cultural identity, I did too and have noted once again our regrettable past.
The easy banter between Alex and John continues to lift the tone of every scene they share. And it was also very pleasing to get a little bit more Hogarth in our lives with the obedient hound playing a much more prominent role in this dramatic pastoral setting.
Another beautifully constructed drama that also manages to showcase Australian artists in a subtle way that gently compels you to want to find out more. Katherine Kovacic has found the perfect balance between historical commentary, fine arts and a compelling murder mystery.
March 30, 2020
The Shifting Landscape is the third book in the Alex Clayton Art Mysteries series by Australian author, Katherine Kovacic. When art dealer Alex Clayton, accompanied by her faithful wolfhound, Hogarth, heads out to a south-western Victorian sheep station to do an appraisal at the Kinloch homestead, she’s not sure what to expect: it could be a handful of mediocre paintings, but there’s always the chance of a real find. Before meeting Alasdair McMillan (Mac), she takes a look through the shed and uncovers some works with potential, if they are cleaned and restored: she’ll need her friend and skilled art conservator, John Porter to give an opinion.
When Mac takes her on a tour of the house, Alex spots other works of some value, but it’s the landscape in the formal sitting room that takes her breath away: a stunning depiction of Kinloch by Eugene von Guérard, with a small indigenous family at the side. An extremely valuable painting in excellent condition, this alone makes her trip worthwhile.
Dinner with the McMillan family: Mac, three sons, a daughter-in-law, a daughter and a son-in-law, ought to be a relaxed affair, but the tension between the family members is palpable. Still, Alex is here to appraise, nothing more. But things get a bit more complicated when, later that evening, she and Hogarth stumble on a fatally-injured Mac.
Except that John is already en route, Alex stands ready to leave, but the family members urge her to complete her appraisal. Matters are then complicated with the disappearance, in fairly short succession, of said painting, the three-year-old future McMillan heir and one wolfhound. As they try to deduce who at the homestead has a motive for murder and/or for art theft, the banter between Alex and John is, as always, a delight. As matters develop, Alex finds herself facing the wrong end of a firearm more than once, while Hogarth ultimately proves himself a hero.
In this instalment, Kovacic touches on succession planning, the myth of the land’s traditional owners as nomadic hunters, and land rights. Her extensive knowledge of art history is apparent in every chapter: she manages to subtly include a wealth of art-related and historical information that is bound to pique the interest of the reader in historical indigenous aquaculture, architecture and agriculture, and perhaps prompt a visit to a certain indigenous site. This is probably Kovacic’s best yet, and more of Alex, John and Hogarth will be eagerly anticipated.
This unbiased review is from a copy provided by Echo Publishing.
When Mac takes her on a tour of the house, Alex spots other works of some value, but it’s the landscape in the formal sitting room that takes her breath away: a stunning depiction of Kinloch by Eugene von Guérard, with a small indigenous family at the side. An extremely valuable painting in excellent condition, this alone makes her trip worthwhile.
Dinner with the McMillan family: Mac, three sons, a daughter-in-law, a daughter and a son-in-law, ought to be a relaxed affair, but the tension between the family members is palpable. Still, Alex is here to appraise, nothing more. But things get a bit more complicated when, later that evening, she and Hogarth stumble on a fatally-injured Mac.
Except that John is already en route, Alex stands ready to leave, but the family members urge her to complete her appraisal. Matters are then complicated with the disappearance, in fairly short succession, of said painting, the three-year-old future McMillan heir and one wolfhound. As they try to deduce who at the homestead has a motive for murder and/or for art theft, the banter between Alex and John is, as always, a delight. As matters develop, Alex finds herself facing the wrong end of a firearm more than once, while Hogarth ultimately proves himself a hero.
In this instalment, Kovacic touches on succession planning, the myth of the land’s traditional owners as nomadic hunters, and land rights. Her extensive knowledge of art history is apparent in every chapter: she manages to subtly include a wealth of art-related and historical information that is bound to pique the interest of the reader in historical indigenous aquaculture, architecture and agriculture, and perhaps prompt a visit to a certain indigenous site. This is probably Kovacic’s best yet, and more of Alex, John and Hogarth will be eagerly anticipated.
This unbiased review is from a copy provided by Echo Publishing.
May 29, 2021
This was a thoroughly enjoyable audiobook. The story was great, I enjoyed Alex Clayton, art dealer, every bit as much as I did in the last one and the narrator was perfect. Casey manages to bring Alex to life even better than I think my own imagination could.
This story was different to the last one, here Alex is summoned to an old Australian property by it's patriarch to evaluate the artwork. She finds some lovely pieces (and I happily googled the artists I did not recognise as we went) but them comes across the star of the collection; a previously unknown painting by Eugene von Guérard. Now I had a vague memory of this artist, but Kovacic brings him and his paintings to life as colourfully as she does Alex, Hogarth and John. Noted for painting estates and the Australian landscape, he also painted a few notable paintings of Native people and Kovacic ties in some early colonial history of the worst sort, where Aborigine tribes were slaughtered and disenfranchised, as part of the narrative. She does it very skilfully indeed, in my opinion.
Great book, much enjoyed.
This story was different to the last one, here Alex is summoned to an old Australian property by it's patriarch to evaluate the artwork. She finds some lovely pieces (and I happily googled the artists I did not recognise as we went) but them comes across the star of the collection; a previously unknown painting by Eugene von Guérard. Now I had a vague memory of this artist, but Kovacic brings him and his paintings to life as colourfully as she does Alex, Hogarth and John. Noted for painting estates and the Australian landscape, he also painted a few notable paintings of Native people and Kovacic ties in some early colonial history of the worst sort, where Aborigine tribes were slaughtered and disenfranchised, as part of the narrative. She does it very skilfully indeed, in my opinion.
Great book, much enjoyed.
April 12, 2020
*https://mrsbbookreviews.wordpress.com
From where we standing all I can see is a reflection of sky, an artist’s experiment with negative space and perspective.’
Ned Kelly Award shortlisted author Katherine Kovacic presents another spellbinding art crime novel in her Alex Clayton series. The Shifting Landscape is a remarkable and consuming novel, detailing an art heist, family secrets and criminal intent, which is all set to a spectacular Australian country stage.
The Shifting Landscape reacquaints the reader with art dealer Alex Clayton and her loveable sidekick Hogarth. When Alex’s work gains the attention of the patriarch of the McMillan family, she called to their country mansion in the south west of Victoria to view the family’s art collection. When she arrives at Kinloch, Alex uncovers a lucrative painting owned by the family from the colonial era. As Alex makes plans for this painting to be valued, she witnesses family tensions and she learns more about the tragic history of dispossession relating to the traditional owners of the land in which Kinloch is located. No sooner has Alex called on her loyal colleague John to assist her in this posting, when the head of the family is found fatally injured. This is quickly followed by the disappearance of the prized painting Alex is working on, along with a young child, then Alex’s dog Hogarth. This leads Alex and John on a search across the sprawling surrounds of Kinloch in search of the young boy and Hogarth. This dangerous search puts Alex’s life in jeopardy. The answer to this perplexing family case may be found in the surrounding landscape of Kinloch.
The Shifting Landscape was my saving grace this week. I have struggled of late to stay connected to the books that I am reading, but this sensational novel managed to maintain my full and undivided attention for the whole length of the unfolding tale. I have a great deal of respect for Katherine Kovacic. I just adore Kovacic’s unique blend of art, history and crime, which is all set to a strong Australian backdrop. The Shifting Landscape is book three in Kovacic’s Alex Clayton series and it is the best of the trio in my opinion.
If you haven’t been introduced to enigmatic lead Alex Clayton before, or John her loyal colleague and not forgetting the star of this novel, Hogarth the dog, Kovacic makes the audience feel right at home. I think The Shifting Landscape is such a powerful novel, that it easily stands on its own two feet. However, Kovacic extends upon her characters and places them in situations in this novel that will test them to their very limits. I really appreciated this focus and the interplay between the returning cast, along with the dynamics that play out with the new protagonists of The Shifting Landscape.
The extensive knowledge Kovacic possesses of the art world is astounding. I just loved these insertions within the text. I do have an appreciation for art and the art world, so this aspect of the novel definitely impressed me. The references to Australian art history was my favourite portion of the text and I consumed every single mention of an artist or painting. I think even if you are a novice to the Australian and international art scene, you will find this area of The Shifting Landscape absolutely riveting.
The Shifting Landscape is without a doubt an addictive family crime novel. The fight between the McMillan clan over entitlement and possessions is unmistakable. Through Alex’s assignment to the Kinloch property, the reader is also thrown into the chaos this bequest ensues. From a family at war, through to a suspicious fatality, a missing child, gunshots and of course a stolen painting, there is plenty for the reader to contend with. The pace is strong and even, ensuring that the audience is completely involved. I was committed to solving this case from the onset, just like Alex and sidekick John.
It was wonderful to see Hogarth the dog have his turn in the spotlight and shine even more in this issue of the series. Hogarth is such a big character and I opened up my heart to his heroic antics. Even if you are not a dog lover, this delightful canine will be sure to win you over!
I feel it is important to mention some of the sub themes that circulate around this novel. Although there is a focus on family secrets and the missing painting, I do feel as though Kovacic did a brilliant job of drawing our attention to rights of the traditional owners of the land, who occupied this region of Victoria in years past. We also receive a glimpse into colonialism and the treatment of the indigenous, through the guise of an artist’s impression. Kovacic also takes her central protagonists on a meaningful sojourn to a local sacred site, which reveals a great deal of cultural history about the tribes who occupied this land and their practices, such as eel farming. I found this very educative.
Passionately told, The Shifting Landscape displays Katherine Kovacic’s deep respect for the art world and her vivid recreation of Australia’s distinct landscape. Intertwining a complex family mystery within the realms of a fascinating art history tale, has resulted in this high-class addition to the Alex Clayton series.
*Thanks extended to Echo Publishing for providing a free copy of this book for review purposes.
The Shifting Landscape is book #40 of the Australian Women Writers Challenge
From where we standing all I can see is a reflection of sky, an artist’s experiment with negative space and perspective.’
Ned Kelly Award shortlisted author Katherine Kovacic presents another spellbinding art crime novel in her Alex Clayton series. The Shifting Landscape is a remarkable and consuming novel, detailing an art heist, family secrets and criminal intent, which is all set to a spectacular Australian country stage.
The Shifting Landscape reacquaints the reader with art dealer Alex Clayton and her loveable sidekick Hogarth. When Alex’s work gains the attention of the patriarch of the McMillan family, she called to their country mansion in the south west of Victoria to view the family’s art collection. When she arrives at Kinloch, Alex uncovers a lucrative painting owned by the family from the colonial era. As Alex makes plans for this painting to be valued, she witnesses family tensions and she learns more about the tragic history of dispossession relating to the traditional owners of the land in which Kinloch is located. No sooner has Alex called on her loyal colleague John to assist her in this posting, when the head of the family is found fatally injured. This is quickly followed by the disappearance of the prized painting Alex is working on, along with a young child, then Alex’s dog Hogarth. This leads Alex and John on a search across the sprawling surrounds of Kinloch in search of the young boy and Hogarth. This dangerous search puts Alex’s life in jeopardy. The answer to this perplexing family case may be found in the surrounding landscape of Kinloch.
The Shifting Landscape was my saving grace this week. I have struggled of late to stay connected to the books that I am reading, but this sensational novel managed to maintain my full and undivided attention for the whole length of the unfolding tale. I have a great deal of respect for Katherine Kovacic. I just adore Kovacic’s unique blend of art, history and crime, which is all set to a strong Australian backdrop. The Shifting Landscape is book three in Kovacic’s Alex Clayton series and it is the best of the trio in my opinion.
If you haven’t been introduced to enigmatic lead Alex Clayton before, or John her loyal colleague and not forgetting the star of this novel, Hogarth the dog, Kovacic makes the audience feel right at home. I think The Shifting Landscape is such a powerful novel, that it easily stands on its own two feet. However, Kovacic extends upon her characters and places them in situations in this novel that will test them to their very limits. I really appreciated this focus and the interplay between the returning cast, along with the dynamics that play out with the new protagonists of The Shifting Landscape.
The extensive knowledge Kovacic possesses of the art world is astounding. I just loved these insertions within the text. I do have an appreciation for art and the art world, so this aspect of the novel definitely impressed me. The references to Australian art history was my favourite portion of the text and I consumed every single mention of an artist or painting. I think even if you are a novice to the Australian and international art scene, you will find this area of The Shifting Landscape absolutely riveting.
The Shifting Landscape is without a doubt an addictive family crime novel. The fight between the McMillan clan over entitlement and possessions is unmistakable. Through Alex’s assignment to the Kinloch property, the reader is also thrown into the chaos this bequest ensues. From a family at war, through to a suspicious fatality, a missing child, gunshots and of course a stolen painting, there is plenty for the reader to contend with. The pace is strong and even, ensuring that the audience is completely involved. I was committed to solving this case from the onset, just like Alex and sidekick John.
It was wonderful to see Hogarth the dog have his turn in the spotlight and shine even more in this issue of the series. Hogarth is such a big character and I opened up my heart to his heroic antics. Even if you are not a dog lover, this delightful canine will be sure to win you over!
I feel it is important to mention some of the sub themes that circulate around this novel. Although there is a focus on family secrets and the missing painting, I do feel as though Kovacic did a brilliant job of drawing our attention to rights of the traditional owners of the land, who occupied this region of Victoria in years past. We also receive a glimpse into colonialism and the treatment of the indigenous, through the guise of an artist’s impression. Kovacic also takes her central protagonists on a meaningful sojourn to a local sacred site, which reveals a great deal of cultural history about the tribes who occupied this land and their practices, such as eel farming. I found this very educative.
Passionately told, The Shifting Landscape displays Katherine Kovacic’s deep respect for the art world and her vivid recreation of Australia’s distinct landscape. Intertwining a complex family mystery within the realms of a fascinating art history tale, has resulted in this high-class addition to the Alex Clayton series.
*Thanks extended to Echo Publishing for providing a free copy of this book for review purposes.
The Shifting Landscape is book #40 of the Australian Women Writers Challenge
April 11, 2021
The Shifting Landscape is the third book in the Alex Clayton Art Mysteries series by Australian author, Katherine Kovacic. The audio version is narrated by Casey Withoos. When art dealer Alex Clayton, accompanied by her faithful wolfhound, Hogarth, heads out to a south-western Victorian sheep station to do an appraisal at the Kinloch homestead, she’s not sure what to expect: it could be a handful of mediocre paintings, but there’s always the chance of a real find. Before meeting Alasdair McMillan (Mac), she takes a look through the shed and uncovers some works with potential, if they are cleaned and restored: she’ll need her friend and skilled art conservator, John Porter to give an opinion.
When Mac takes her on a tour of the house, Alex spots other works of some value, but it’s the landscape in the formal sitting room that takes her breath away: a stunning depiction of Kinloch by Eugene von Guérard, with a small indigenous family at the side. An extremely valuable painting in excellent condition, this alone makes her trip worthwhile.
Dinner with the McMillan family: Mac, three sons, a daughter-in-law, a daughter and a son-in-law, ought to be a relaxed affair, but the tension between the family members is palpable. Still, Alex is here to appraise, nothing more. But things get a bit more complicated when, later that evening, she and Hogarth stumble on a fatally-injured Mac.
Except that John is already en route, Alex stands ready to leave, but the family members urge her to complete her appraisal. Matters are then complicated with the disappearance, in fairly short succession, of said painting, the three-year-old future McMillan heir and one wolfhound. As they try to deduce who at the homestead has a motive for murder and/or for art theft, the banter between Alex and John is, as always, a delight. As matters develop, Alex finds herself facing the wrong end of a firearm more than once, while Hogarth ultimately proves himself a hero.
In this instalment, Kovacic touches on succession planning, the myth of the land’s traditional owners as nomadic hunters, and land rights. Her extensive knowledge of art history is apparent in every chapter: she manages to subtly include a wealth of art-related and historical information that is bound to pique the interest of the reader in historical indigenous aquaculture, architecture and agriculture, and perhaps prompt a visit to a certain indigenous site. This is probably Kovacic’s best yet, and more of Alex, John and Hogarth will be eagerly anticipated.
When Mac takes her on a tour of the house, Alex spots other works of some value, but it’s the landscape in the formal sitting room that takes her breath away: a stunning depiction of Kinloch by Eugene von Guérard, with a small indigenous family at the side. An extremely valuable painting in excellent condition, this alone makes her trip worthwhile.
Dinner with the McMillan family: Mac, three sons, a daughter-in-law, a daughter and a son-in-law, ought to be a relaxed affair, but the tension between the family members is palpable. Still, Alex is here to appraise, nothing more. But things get a bit more complicated when, later that evening, she and Hogarth stumble on a fatally-injured Mac.
Except that John is already en route, Alex stands ready to leave, but the family members urge her to complete her appraisal. Matters are then complicated with the disappearance, in fairly short succession, of said painting, the three-year-old future McMillan heir and one wolfhound. As they try to deduce who at the homestead has a motive for murder and/or for art theft, the banter between Alex and John is, as always, a delight. As matters develop, Alex finds herself facing the wrong end of a firearm more than once, while Hogarth ultimately proves himself a hero.
In this instalment, Kovacic touches on succession planning, the myth of the land’s traditional owners as nomadic hunters, and land rights. Her extensive knowledge of art history is apparent in every chapter: she manages to subtly include a wealth of art-related and historical information that is bound to pique the interest of the reader in historical indigenous aquaculture, architecture and agriculture, and perhaps prompt a visit to a certain indigenous site. This is probably Kovacic’s best yet, and more of Alex, John and Hogarth will be eagerly anticipated.
July 4, 2022
I've enjoyed all the Alex Clayton art mysteries so far, for different reasons, but I think this one might be my favourite. While Alex is a great character on her own - a smart, funny, independent, professional woman - her offsiders, namely Hogarth and John, make up the rest of an engaging and memorable trio. In this story Hogarth is more prominent than ever before, and really earns his stripes as a canine super sleuth. Yes, Hogarth is Alex's adorable wolfhound!
Leaving Melbourne for Victoria's Western District, Alex and Hogarth are headed for the MacMillan family's sheep station to catalogue and value an art collection built up over several generations. Discovering a number of pieces damaged by fire, she gains permission to summon her best friend and colleague, John, who we know to be one of the country's foremost art restorers. But when the patriarch is found dead in questionable circumstances, it looks like John won't be needed and Alex herself might be heading back to the city. Then, with the family in disarray, a valuable painting, a toddler and a dog all go missing! A search party is quickly formed and sent out to find the child.
As with the previous instalment, this one is a very quick and satisfying read. The mystery is exciting and clever, and enables Kovacic to show off her knowledge of the fascinating world of fine art. But at its heart is the relationships between Alex and John, and of course Alex and Hogarth. I really, really hope Kovacic has more ideas bubbling away to continue this series.
I listened to the audiobook edition narrated by Casey Withoos, who is without doubt my favourite Australian performer. Another gold star for Ms Withoos.
Leaving Melbourne for Victoria's Western District, Alex and Hogarth are headed for the MacMillan family's sheep station to catalogue and value an art collection built up over several generations. Discovering a number of pieces damaged by fire, she gains permission to summon her best friend and colleague, John, who we know to be one of the country's foremost art restorers. But when the patriarch is found dead in questionable circumstances, it looks like John won't be needed and Alex herself might be heading back to the city. Then, with the family in disarray, a valuable painting, a toddler and a dog all go missing! A search party is quickly formed and sent out to find the child.
As with the previous instalment, this one is a very quick and satisfying read. The mystery is exciting and clever, and enables Kovacic to show off her knowledge of the fascinating world of fine art. But at its heart is the relationships between Alex and John, and of course Alex and Hogarth. I really, really hope Kovacic has more ideas bubbling away to continue this series.
I listened to the audiobook edition narrated by Casey Withoos, who is without doubt my favourite Australian performer. Another gold star for Ms Withoos.
August 6, 2020
The third book in the Alex Clayton Art Mystery series sees a shift of setting to the Western District of Victoria and one of those big pastoral leases that were such a part of the landscape down there. The title of the novel "The Shifting Landscape" is quite cleverly pitched referring as it does to the way that farming has changed in recent years, the way that succession creates issues for so many of those generational farming families, and the way that changing perceptions of the landscape are finally starting to come about.
Along with the main thread, that of the suspicious death of the MacMillan patriarch when Alex is visiting to assess the family's extensive art collection, there is a sub-thread through this novel referring to the imposition of pastoral leases on ancient indigenous lands. There is a revealing visit to areas in that location that are stunning and informative, explaining a lot more about Aboriginal society and land management than we were allowed to understand in years past. The tensions within the family about the future of the property and succession are cleverly pitched, something that many of us who grew up on family-owned properties have experienced, or seen close by.
As always, Alex is present at the scene due to her artistic expertise, and in this case, the cataloguing of an extensive collection has thrown up an astonishing find, but when that painting disappears, and then a toddler goes missing, along with Alex's much loved dog Hogarth, the threat starts to be targeted towards Alex as well. As always her colleague and best friend, art restorer John, is there to help, even as his own personal life lurches from drama to disaster.
A really strong series, it would be possible to read the three Alex Clayton novels out of sync if you're new to them, but really it would work better in order, to get a handle on Hogarth, John and Alex's background, and how they all fit together. THE SHIFTING LANDSCAPE takes them out of past familiar territory in and around the streets of Melbourne, and into the plains and rolling vista of Western Victoria, all of which felt spot on in the way it was depicted, and this reader was particularly pleased to have the indigenous aspect respectfully, but pointedly included. Good characters, believable mysteries, enough threat to keep you engaged, with a strong sense of place, this third novel serves as a timely reminder that this is good, solid, entertaining crime fiction, with an informative element built in.
https://www.austcrimefiction.org/revi...
Along with the main thread, that of the suspicious death of the MacMillan patriarch when Alex is visiting to assess the family's extensive art collection, there is a sub-thread through this novel referring to the imposition of pastoral leases on ancient indigenous lands. There is a revealing visit to areas in that location that are stunning and informative, explaining a lot more about Aboriginal society and land management than we were allowed to understand in years past. The tensions within the family about the future of the property and succession are cleverly pitched, something that many of us who grew up on family-owned properties have experienced, or seen close by.
As always, Alex is present at the scene due to her artistic expertise, and in this case, the cataloguing of an extensive collection has thrown up an astonishing find, but when that painting disappears, and then a toddler goes missing, along with Alex's much loved dog Hogarth, the threat starts to be targeted towards Alex as well. As always her colleague and best friend, art restorer John, is there to help, even as his own personal life lurches from drama to disaster.
A really strong series, it would be possible to read the three Alex Clayton novels out of sync if you're new to them, but really it would work better in order, to get a handle on Hogarth, John and Alex's background, and how they all fit together. THE SHIFTING LANDSCAPE takes them out of past familiar territory in and around the streets of Melbourne, and into the plains and rolling vista of Western Victoria, all of which felt spot on in the way it was depicted, and this reader was particularly pleased to have the indigenous aspect respectfully, but pointedly included. Good characters, believable mysteries, enough threat to keep you engaged, with a strong sense of place, this third novel serves as a timely reminder that this is good, solid, entertaining crime fiction, with an informative element built in.
https://www.austcrimefiction.org/revi...
April 27, 2020
Alex Clayton is contacted by Alasdair McMillan and asked to come to stay at the family property Kinloch in Victoria's Western District to value paintings that the family has accumulated over the years. In storage, among paintings damaged by a fire decades earlier, she finds one which will need restoration. She invites her friend conservator John Porter to join her at Kinloch the next day.
Dinner that night is a very tense affair as the family try to work out why Alex has been called in to asses the paintings. When Mac storms out at the end of the meal, it is the last time Alex will see him alive.
Events move quickly. Before John arrives next day Alasdair McMillan is dead, and the family is beginning to bicker over who will inherit what, in particular the very valuable painting that hangs in the sitting room. The police are called in, and the contents of Mac's will are revealed, triggering a rapid series of events.
An assured piece of writing which I thoroughly enjoyed. Circumstances have led to me reading #3 in the series before getting my hands on #2, which I'm sure I'll regret.
April 11, 2020
I met Melbourne author Katherine Kovacic at the BAD Sydney Crime Writers' Festival in late 2019. Her first book, The Portrait of Molly Dean was a finalist for Australia's premier crime-fiction award, The Ned Kelly Awards.
I'd heard of the book but as I'd assumed it was historical non-fiction I hadn't read it (usually preferring to chew off my arm than read either historical fiction or non-fiction). But after meeting Kovacic and learning more about the book, I bought it and was enchanted.
Read my review here: https://www.debbish.com/books-literat...
I'd heard of the book but as I'd assumed it was historical non-fiction I hadn't read it (usually preferring to chew off my arm than read either historical fiction or non-fiction). But after meeting Kovacic and learning more about the book, I bought it and was enchanted.
Read my review here: https://www.debbish.com/books-literat...
April 18, 2021
4.5 stars. More in my next Good Reads blog at www.sandiwallace.com/blog/.
July 11, 2022
The third book I’ve read in the series and I have enjoyed them all. Although they all have a common thread they are quite different from each other.
May 25, 2020
A good tale. I enjoyed connection to country elements and descriptions of eel farming. And I liked Hogarth the dog/hound
April 6, 2022
I really enjoyed Katherine Kovacic's 'The Shifting Landscape', not least because it was set in the Western District of Victoria, Australia - a place with which I am very familiar. I discovered that this was the third in her series about art historian Alex Clayton, but you don't have to have read these previous works to understand the story. I liked the characters, the plot, her lovely dog, and, of course, the setting. Underpinning the plot of the murder of the head of a farming dynasty and the various machinations of family members who want to inherit the land, is the heartbreaking story of the Gunditjmara people whose land was taken from them when white settlers moved in in the mid-1800s. Alex had been called in to evaluate the family's art and discovers a moving painting of the homestead with a group of Aborigines in the corner of the painting. She knows little of their history and I enjoyed her journey of discovery. And, of course, she's on hand to solve the murder. The plot moved fairly briskly and luckily there was no dual narrative!
August 26, 2024
I enjoy Kovacic’s blend of art, history and crime in her Alex Clayton series. Landscape is important to me and the Hamilton property where this novel is set is an area I am familiar with. The Shifting Landscape is book three in Kovacic’s Alex Clayton series but it’s relatively uncomplicated plot and narrative structure appealed to me less than her first novel in the series. Now book three - only Hogarth, the Irish Wolfhound’s character has developed.
Having read the Alex Clayton novels in order, you learn some useful understandings of the main trio, however none of this is essential for progressing the plot. The indigenous sub theme was tacked into the narrative, but could have quite easily have been removed. More powerful was the theme of primogeniture, but this too was given a cursory glimpse. The art references, on the other hand, and the landscape were more authentic ingredients. I’m passing on this series. Enjoyed the first book - quality fiction. The second & third - good plane reads.
Having read the Alex Clayton novels in order, you learn some useful understandings of the main trio, however none of this is essential for progressing the plot. The indigenous sub theme was tacked into the narrative, but could have quite easily have been removed. More powerful was the theme of primogeniture, but this too was given a cursory glimpse. The art references, on the other hand, and the landscape were more authentic ingredients. I’m passing on this series. Enjoyed the first book - quality fiction. The second & third - good plane reads.
July 6, 2020
I love Australian landscapes, connecting to country, large families, colonial architecture, farming, art, a good mystery, and a friends-to-lovers trope. This book has it all! What starts as a promising art evaluation job for impulsive Alex turns into a murder mystery and family feud in a very Australian way. At first I was disappointed that there was no very early mention of the traditional land owners or Australia's dark history, but I only had to continue a few more pages and eventually this book more than delivered in recognising dispossession and the complexity within indigenous and non indigenous families who have worked alongside each other for generations, on the same land. Hogarth the hound added character and a unique perspective. A great read to break a reading slump.
This entire review has been hidden because of spoilers.
November 29, 2020
Set in Australia in the present time. Alex Clayton is asked to evaluate an art collection belonging to the McMillan family in the Western District of Victoria.
I loved the description of landscape and life on a historic sheep station. Before Alex can evaluate the families art collection the owner of the collection dies and a valuable painting is stolen.
Alex and her friend John get caught up in the family dispute.
I loved the description of landscape and life on a historic sheep station. Before Alex can evaluate the families art collection the owner of the collection dies and a valuable painting is stolen.
Alex and her friend John get caught up in the family dispute.
January 27, 2020
The cover sums it up. Mystery. Rural Australia. Art. Crime.
An enjoyable read, with enough elements of mystery and crime to hold attention throughout. Not being an art lover, those sections didn't mean a lot to me, but always like a rural setting and the elements of the indigenous history of the area were a highlight of the book for me.
An enjoyable read, with enough elements of mystery and crime to hold attention throughout. Not being an art lover, those sections didn't mean a lot to me, but always like a rural setting and the elements of the indigenous history of the area were a highlight of the book for me.
September 15, 2020
This third instalment of the Alex Clayton series is enjoyable but not as strong as the second book in my opinion. I will read any further books though as I enjoy the characters and the relationship that is building between Alex and John.
March 6, 2021
Compelling murder-mystery novel set in regional Victoria, Australia. Not only is it a thoroughly entertaining read but the author also manages to sneak in a history lesson on indigenous heritage and famous artwork that is reminiscent of “real-life” dramas.
October 12, 2022
Excellent art and Aussie country house mystery. Alex, John and Hogarth the dog are very likeable protagonists and, as always, I learned a lot about Aussie art. I liked that the indigenous owners of the land the country house was built on weren't forgotten in the telling of the story.
August 8, 2025
The rural setting leads to a more substantive, higher-stakes mystery, albeit one deepened by the strategic overlooking of at least two obvious lines of inquiry. Withoos’ audiobook reading captures the Australian flavour, while Hogarth the Irish Wolfhound again brings plenty of heart.
May 2, 2020
Alex Clayton is very likeable and everyone would love a Hogarth and John in their lives. Coupled with a story set in the Western District of Victoria and its history, the novel makes a great read.
May 15, 2022
Loved the historic details about the area, and also loved the snippets about the art world. Alex and John's relationship was a bit odd, and could be interesting reading in a future book.
November 6, 2022
It was a thoroughly enjoyable read, apart from too much Hogarth.
March 25, 2023
Easy to read, superficial Australian crime. Hogarth the wolf hound the most interesting character.
May 17, 2023
I will read more from this author
September 2, 2023
The best in the series, Alex Clayton mysteries are an intriguing read.
February 12, 2024
I want that doggo.
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