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352 pages, Paperback
First published December 7, 2021
“And I suppose I know how we do that. By poking our noses into places we aren’t supposed to go and asking questions no one wants to answer.”
(ARC received in exchange for honest review at www.netgalley.com)
‘The Rebels of Vanaheim’ is the latest entry in Marvel’s ongoing ‘Legends of Asgard’ series. Richard Lee Byers takes the reins in his second outing, having written the first instalment, ‘The Head of Mimir’, before stepping aside for C.L. Werner’s sequel, ‘The Sword of Surtur’. Byers was a superb choice to introduce the series, his previous work on the ‘Forgotten Realms Series’ standing him in good stead to write equally exciting tales under Marvel’s banner. Our story follows the hero Heimdall and his close friend, the Valkyrie Uschi, on what they intended to be a quick trip home to Vanaheim to see their folks. Alas, when the dead walk and their families seem curiously preoccupied with whispered secrets, Heimdall and Uschi find themselves caught up in the seed of a rebellion nobody knew was coming. However, a series of prophetic dreams and the appearance of ominous, rune-laden swords suggests that there may be more to the story than anyone could have imagined…
Media franchise novelisations can be a bit hit and miss. For instance, some knock it out of the park, like Eric S. Nylund’s astounding take on the Halo series in ‘The Fall of Reach’, whilst others are just plain insulting. Thankfully, ‘The Rebels of Vanaheim’ is an absolute highlight, working just as well on its own as it does with the Marvel Universe at its back. It’s immediately clear that Byers is an excellent writer, striking a fine balance between humanising his characters and packing scenes with the drama and action we expect from the comics and movies. Heimdall and Uschi are both well realised and therefore rather endearing, though Heimdall’s tendency to rely on his own thoughts and disregard his companion’s advice is clearly a point of contention for Uschi. While she’s determined to uncover the truth of what’s happening in Vanaheim, she’s all too often placated and ignored by Heimdall, who frustrates in his insistence on single-mindedly pursuing surface-level leads and disregarding underlying oddities we see become central to the narrative. This becomes ever more apparent as the story progresses as an underlying tension between the two, before Byers rewards readers in the final third as Heimdall realises he must acknowledge his flaws and change. It’s small snippets of character growth like this that really lend gravity to the story, and Byers’ world-building is an immaculately dressed stage on which he can play out these more thoughtful scenes. With this in mind, Byers leans much more heavily into Fantasy and Mythology than some of the Sci-Fi found in other corners of the Marvel Universe, and as a result his depictions of Vanaheim and Nidavellir are gorgeous, both rich with detail and teeming with life. In addition, Byers maintains a tight pace that keeps his writing snappy and his story moving, which is especially impressive given the breadth of content he covers.
That’s not to say that ‘The Rebels of Vanaheim’ is entirely flawless, however. Although I largely enjoyed the fluidity and cadence of Byers’ prose, I found his sentences ran on a little too long occasionally, which made certain paragraphs less comprehensible than I’m sure he intended. Some of the language he uses is a little unusual, too, with a slant towards the over-complicated that has much the same result as his run-on sentences. Regardless, these issues crop up infrequently enough as not to pose too much of an issue. My primary issue was Byers’ choice to frame his narrative as a story within a story, namely the story of an adult telling the tale to a child, long after the events supposedly occurred. We only briefly see these characters at the beginning and end of the novel, and I couldn’t help but feel that the story concluded nicely without the prologue, which felt saccharine sweet and fairytale-like when it started harping on about lessons learned. These chapters are vastly different in tone to everything else on offer and feel rather jarring, to such a degree that I’m still not entirely sure what their purpose was. That being said, they have no impact at all on the meat of the novel and you can safely ignore them, making them only trivially detrimental to the book.
In conclusion, ‘The Rebels of Vanaheim’ is a fantastic literary take on Marvel’s Asgard, and further, it’s an excellent novel on its own. Byers’ experience in fantasy really shows here, his structure holding everything together and allowing him to show off a little with some well-earned sentiment, a well-realised world and a story that twists and turns without feeling overly cliché or too improbable to invest in. I strongly recommend you give this a look if you’re already a Marvel fan of Marvel, but I’d also suggest that Fantasy fans in general give it a chance - it just might surprise you.
“Her sorrow was like a lump of lead in her chest. Along with it was a feeling of unreality.”
About Marvel Entertainment
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For more information visit marvel.com. © 2020 MARVEL
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