This book is just absolutely pure fun, with no slow parts at all. It's what I wish all thrillers would be: taut, lean, and running with its proverbial hair on fire.
Winters' writing skills have been honed to a fine point. With eight other books under his belt, he is coming into his prime. I've seen the same trajectory with authors like Silvia Moreno-Garcia and N. K. Jemisin: they started out really good, and steadily emerged into something greater. It's so satisfying to witness.
The author has tackled many genres, from post-apocalyptic/police procedural, to speculative fiction based on alt-history, to courtroom family drama, to the dangers of greed and gentrification. The thing I have noticed again and again in Winters' books, is that he takes such tender care with his characters. It's such an endearing way to balance out the hair-raising events in which the poor souls find themselves. The author believes that redemption is possible, even for the deeply flawed, and he persuades the reader to believe it, too. But, he reminds us that atonement isn't something directly in our path; we have to turn toward it in order to receive it.
We think of Big Time as famous, heralded, or powerful. What we don't tend to think of is time itself, which is a much more salient and slippery subject. We tend not to think of time as a commodity, but then the adage "time is money" comes to mind. We've been monetizing time for centuries. If there is any way to further bank time, someone will discover it.
The story begins with a startling sequence of events, and that's just the prologue. This first section is quick and efficient at setting the scene. The next three sections comprise three days: Wednesday, Thursday, and a very long Friday, which is followed by an epilogue, six months down the road. Now that we know the novel's essential structure, it should come as no surprise that we begin the next section from the periphery, with an additional central character, and work our way back towards the original subject. It reminds me of how smart investigative TV shows do the same thing. The shifts in perspective set the urgency of narrative tone.
Throughout, the characters consider the nature of time, through individual and shared experience, and in a scientific sense. There are two generally different ways of experiencing time: "life comes at you fast" or "is this all there is?" And we have just been introduced to both types. A persistent nagging feeling suggests to us that there may be a third way. We always hear from smart people that "time is a construct." But if we can construct it, shouldn't that mean that we can capture it? I'm envisioning a cosmic 3D printer, only a more elegant version.
I have to say that I liked Allie from the start. I love the way her mind works, the way she fills in the blanks with endless possibilities, when she doesn't have the answers. A math teacher obsessed with variables is obviously in touch with her right brain as well as her left, and it makes her immensely likeable, and relatable.
Right now, Allie is up against the clock. So is everyone else in the story, each in their own way.
Grace, the other central character in the book is also generally relatable in her frazzled "never enough time or enough coffee" state and also specifically resonant in the way even very intelligent people have to wrestle with the concepts and ideas presented by physics. I like that the author presents Grace to us like a mirror.
What do people want to do most with time? The goal to manipulate time is inextricably linked to the desire to manipulate mortality. That's the creepy core of this thriller. I got that exact same feeling in Blade Runner, when the replicants realized that their memories were not their own. It's a feeling like falling, except inside your own head.
It's unusual for me, to get completely hooked by a scifi/tech thriller, but this story of ordinary people finding themselves in surreal and extraordinary adrenaline-inducing situations, really captured my entire attention.
Thank you to NetGalley and to Mullholland Books/Little, Brown and Company of the Hachette Book Group, for providing an advance reader's copy of this novel.