NOTE: This review was rejected by amazon for violating the Amazon Community Guidelines
Justin Marriott, the UK’s leading expert on mass market paperbacks, returns with another publication devoted to Anglophone popular culture. ‘Battling Britons’ focuses on the substantial library of war comics published in the UK from the 1960s to the 2000s.
Interestingly, unlike the smaller sizing usually deployed for Marriott’s ‘bookzines’, ‘Battling Britons’ opts for a 8 ½ x 11 inch sizing.
Like Marriott’s bookzines, ‘Battling Britons’ is print-on-demand, so for me, as a Virginia resident, ordering the book from amazon took only a couple of days to complete.
Mindful that a substantial part of the readership is likely to be America, ‘Britons’ includes an introductory assay describing the publishing history of war comics in the UK. The bulk of these comics were (and still are) issued as 64-page, black-and-white ‘pocket’ books, similar to the comics digests published in the USA.
The digest titles, which include the venerable ‘Commando’, usually presented two panels per page, and took advantage of their length to offer more in-depth storytelling and characterization.
In 1974, Scottish publisher D. C. Thompson launched the anthology series ‘Warlord’, which adhered to the A4 sizing (8 ¼ x 11 ¾ inches) used in the UK for weekly comic books. ‘Warlord’ was a major success and prompted rival publisher IPC to issue its own weekly war anthology, ‘Battle Picture Library’.
Although printed in black-and-white on a rougher grade of paper, and with their stories limited to four-page installments each week, the weeklies managed to gain a substantial following among UK readers well into the 1980s.
Within its 162 pages, ‘Battling Britons’ provides more than 200 reviews of war comics that appeared in either the digest or weekly formats. A ‘grenade’ rating system, from 1 grenade (don’t bother) to 5 grenades (a classic that belongs in every fan’s hands) is given to each review. The bulk of the reviews are authored by Marriott, with additional reviews from veteran contributors to Marriott’s publications: Steve Myall, Jim O’Brien, and James Reasoner.
There are copious illustrations throughout the book, and while there is no denying the fact that the printing processes used in the comics issued during the profiled era were decidedly ‘low-resolution’, still, it’s possible to see that many titles featured work by accomplished artists, and Marriott and his co-contributors make note of this in their reviews.
A ‘Sources’ section of the book provides information on how one can obtain copies or reprints of the profiled war comics; The Treasury of British Comics, an imprint maintained by Oxford publisher Rebellion, is an obvious first stop, as it has issued compilations of such renowned titles as ‘Charley’s War’, ‘Death Squad’, ‘Major Eazy’, and ‘Battler Britton’.
Thumbing through the pages of ‘Battling Britons’ surely will spark nostalgia among Brits of the Baby Boomer era. For Americans, the material will of course be less familiar, emphasizing as it does the British perspective on World Wars I and II (although other conflicts, such as the Napoleonic Wars, receive treatment). But if you are an American Baby Boomer who enjoyed the war comics of Charlton, DC, and Marvel, then you’re certainly going to find some intriguing and worthwhile content in ‘Battling Britons’.