Surly koala Tom Scharpling, The Elizabeth Egotist, The Hackensack Homunculus, The Nutley Ninny, foists his whitewashed hogwash on an indifferent public, a doomed attempt to rebrand himself as a wise and kindly elder statesman to the younger generation. This is a highly edited version of his original 1,000 page manuscript, a full accounting of his trials and triumphs, more exhaustive in scope than Robert Caro's biography of LBJ. The period at the end of this sentence represents your troubles in comparison to Tom's innumerable sufferings. You got that? The title is taken from a comment scribbled on top of the banker's box containing his MS, which was found in a dumpster behind his publisher's building. The following excerpt is purportedly from the planned first volume, which entails his New Jersey boyhood [Suicide Hotline: 1-800-273-8255]-
Hot tears ran down my ruddy cheeks as I curled up on my bed, candy wrappers piled around me, my neck brace beginning to chafe. (You see, I was born with macrocephaly, or, a baby born with an adult-sized head. I have had the same hat size since the age of one, needing a brace to support my fragile neck until I was 16. I made the best of it though, decorating it with stickers and clever designs made with magic marker). That day I had just suffered my worst day as a seventh grader at Kuklinski Junior High. I had always been devoted to music, or rather, I have always been devoted to judging those who make music, and I was eager to present my findings on an intensive study of contemporary music to my social studies class. I informed them that all good music has one thing in common, and that is that it sounds like the theme song to "The Banana Splits." Any music which does not resemble the ur-song is to be thrown in the trash. My major discovery was met with glazed eyes and yawns. Teacher cut me off before I got through my first stack of records, and I had to skulk back to my desk in silence. Even Dawn Weiner turned up her nose at me. They should have carried me back on their shoulders! True, I always gave the same presentation no matter the subject (it was to be my senior thesis), but still. In time I was able to pull myself together; brushing my silken tresses, and putting on some ABBA, I felt transported. Man, I could really boogie down. This led to some healthy self-exploration and gentle probing before din-din. Let my almost superhuman resilience be an inspiration to you. As this will be required reading in schools, I will now say this: Your future leaders, your gifted wordsmiths, your renowned musicologists, your arbiters of taste--treat them with the utmost care!
After that outrage, I began hanging out with the sixth graders. This was not a case of my cultivating friendships with those more talented than I, but of assembling a crew of inferiors to do my bidding. They could never hope to reach my level, but I was able to pass on some basic precepts. I gave them a list of cartoons and TV shows of which I approved, as well as sheaves of xeroxes of liner notes which they needed to commit to memory. I sent them throughout the town to sing my praises and attack my enemies. I took away their lunch money and gave it to those he deemed more worthy (which included myself). I would have further opportunity to instruct them as I was kept behind that year, teacher and I having different priorities. Yes, I would rule this town of grotesques, this cynosure of bad taste, until such time as I was prepared to take my place on the national stage. Yes, I would bring my punk rock ethos to the bland comedy genre. That is, until the ungrateful monsters turned on me one day after school, surrounding me, delivering a roundelay of slaps, kicks, and punches known as a "New Jersey How-Do-You-Do." It was wrong of Principal Schmidlap to cheer them on, shouting, "Upper cut! Bitch slap! Keep up the rhythm, boys!" I sprang into Victim Mode. "It's just my persona!" I bleated, to no avail;Their tiny fists continued on their vicious work. All I could do was to alternate between covering my face and crotch with my quivering hands. Once they began to tire, I saw my chance to break free, and, with the greatest effort, escaped into the tall, dun-colored weeds which bounded the school, my arms flailing. After what seemed like hours but probably only minutes, I came across a vacant lot strewn with rusty steel drums, a common sight throughout the town and indeed the entire state. I found one which wasn't on fire and hid in it until dark. Once home, I found my pants, my favorite pair of red velour bellbottoms, to be irreparably soiled. No matter, I reasoned; I had outgrown them anyhow, the hem being two inches too short, the seams straining, and the seat shiny with wear. My indomitable spirit almost left me on those dark days, to be truthful. I would remain in my sanctuary for two weeks, recuperating and planning my revenge, my fame being the ultimate rebuke. I was checked out at school after that. My education would be found in the record stores, the arcades, the streets.
(I have kept a careful inventory of my bedroom and its marvelous contents, the posters, the toys, the priceless music, the stacks of notebooks, the wall of TV Guides with my annotations. The Smithsonian is sure to recreate this cultural milestone as an exhibit as soon as they figure out how to handle the crowds.)
The second volume recounts his days as a writer for a basic cable television series, the height of his career, but which he has since disavowed. Mawkish and twee, the show was popular with the elderly. Upon the series' conclusion Tom solemnly observed, "A few people laughed. Some cried. Most were silent. I remembered the lines of The Monkees: 'Now I am become a believer.'"
In this period he also begins his long running stint as a volunteer at a radio station. Here he found "this thing, this special thing" with which he could dominate other people to his heart's content. He calls each show "pieces," as in a Piece of Art, surely the funniest thing he's ever said, or anyone else, for that matter.
To hear him tell it, every week his mind and body would be pushed to their limits. He is convinced he has left a body of work, scrupulously PG-13, so that youngsters can begin to enjoy and learn from on to middle age, a refuge of joy in their humdrum lives. Timothee Chalamet should play him in the Netflix series, Tom is quite insistent on that point.
The third volume would go unfinished, due to his precipitous slide into dementia. Patti Smith, in her application for an Order of Protection, refers to him as "Mr. Insistent Askimo-Man." Then, wearing a "WOKE AF" T-shirt and Andrea Dworkin's old overalls (she found the back flap most convenient for relieving herself wherever and whenever. Like a Trappist monk, it would be the last article of clothing he would wear, and be buried in it.), Tom crashes the Poddy Awards. Bellowing, "The Poets and The Artists make their stand!" he snatches away the black, egg-shaped statuettes from the delicate hands of the male winners and presents them to the nearest female on one knee (and keeping a couple for himself). When Security takes him down with their tasers, his keening wail fills the banquet hall of the Newark Airport Sheraton.
After a short stay in a state facility, he is put into a group home, which the Kearney Kourier calls, " a house of horrors," where the residents make bets on the spread of black mold across the ceiling tiles. Tom is appalled, for although he has always been a champion of the proletariat, he belonged with the Highest Caste.
Always voted down in the TV room, he can only go back, livid, to his own room, which he shares with the delightful Gordon Heftel. Bedridden but ever cheerful, the gentle giant spends his days feasting on salami, kielbasa, raw onions, all the varieties of wursts, and the choicest cuts of beef, necessitating daily fundament-al assistance. A bit of a prankster, he would roll around a greasy link in the dust bunnies under his sagging bed, and, with his grabber, carefully slide it into his roomie's mouth as he sleeps.
The aides ignore his every entreaty, although they do let him massage their swollen feet:
"All men are rapists, Miss Yolanda."
"Hush, Tom. Now wipe that chocolate off your chin[s]."
Tom has lead a clean life, so he will live to be a hundred, staring at the same dingy walls, with zero influence, zero authority, he will be forgotten and insane. Stone deaf, he is unable to enjoy his cherished Power Pop, the only thing which brings a toothless smile to his face and set his bony fingers a' snappin.’ He becomes lost in his intricate fantasies of revenge, only to be thwarted by some unseen phantom at every turn.
One wonders if, in his last moments, he realizes his true worth, that of a toenail clipping. Or, will he still imagine throngs of fans beyond counting, dressed as their favorite Newbridge character, hanging on his every word, eager to learn about his process.
As the man always said: "Mmmph. Ooh. Oh. I don't like it,"