Junji Itō (Japanese: 伊藤潤二, Ito Junji) is a Japanese cartoonist and illustrator, best known for his horror manga. Ito was born in Gifu Prefecture, Japan in 1963. He was inspired to make art from a young age by his older sister's drawing and Kazuo Umezu's horror comics. Until the early 1990s he worked as a dental technician, while making comics as a side job. By the time he turned into a full time mangaka, Ito was already an acclaimed horror artists. His comics are celebrated for their finely depicted body horrors, while also retaining some elements of psychological horror and erotism. Although he mostly produces short stories, Ito is best known for his longer comic series: Tomie (1987-2000), about a beautiful high school girl who inspires her admirers to commit atrocities; Uzumaki (1998-1999), set in a town cursed with spiral patterns; Gyo (2001-2002), featuring a horde of metal-legged undead fishes. Tomie and Uzumaki in particular have been adapted multiple times in live-action and animation.
I didn't know Junji Ito can make a good political story. At first I think it will be a dull and boring storyline. But, it is way better than that. I can feel some intensity while reading this.
a new change of pace by Junji Ito. really enjoying the political storytelling in this series, even though I don't understand or grasp the complexity of the topic fully. the series supposedly discusses the political and international affairs of Japan and Russia, told through the POV of the MC, Yuki Mamoru, and his indictment and arrest as a traitor and diplomat of Japan.
while i never had much interest in reading about politics and historical political novels, so i have trouble following the storyline, but the manga itself is very interesting and thought-provoking; particularly about the nature of personal relationships in an international political setting - personal relationships between diplomats can either make you or break you in your career in espionage.
overall, i'll be continuing this series, since it's a breath of fresh air in terms of content and storyline for me. it helps that i love junji ito's work, and his beautiful renderings definitely moves the story forward in ways that words can have difficulty conveying.
Junji Ito. A mi todo lo que hace este hombre me parece maravilloso. Y eso que el género de terror nunca me ha gustado (este manga no lo es). Es tremendo como sabe llevar una historia por más estática que sea, y podemos decir que esta que representa la pelea entre un funcionario diplomático y un fiscal lo es a niveles supinos.
Este manga es raro. Es raro de cojones. Y en su rareza todavía estoy navegando, pero me gustan estas aguas. La tensión se mantiene ahí arriba y los dibujos vaya si ayudan (ya me compré el segundo número). Y los acontecimientos diplomáticos que se describen son de lo más interesante, no tenía ni idea de todo eso. No quiero mirar nada todavía para no spoilearme pero me imagino que pasaron más o menos así en la realidad. Realmente intrigante todo.
Remarkably boring. At some point every word started to seem like gibberish to me. I guess I’m just not the political drama type? Finished the first volume and I’m unofficially marking the others as DNF, because this just wasn’t my cup of tea whatsoever tbh!
Ra ra Rasputin Lover of the Russian queen There was a cat that really was gone Ra ra Rasputin Russia's greatest love machine It was a shame how he carried on
I can never get enough of Junji Ito's art. So of course I had to pick this up when I saw it. But I was biased and thought this would be a horror/thriller story. Which it isn't. But it was still fun to read. I've learned a couple history facts along the way which was a bonus. I'm not sure if I want to pick up the next one tho, since it isn't usually the type of story I like to read and don't care that much for it .
Un manga unico nel suo genere: politico, coraggioso e controverso. I disegni di Ito poi regalano quel che di weird e grottesco che rende tutto più divertente.