Fiona Cummins has established herself as a crime writer with strong elements of creepiness, menace and horror. All these elements are present in this standalone psychological thriller, set in Essex, where a serial killer, dubbed 'The Dollmaker' by the media, has claimed a fifth victim discovered in Blatches Wood, next to The Avenue. The police team are led by DCI Clive 'Mac' Mackie, under severe pressure and under the threat of being removed from the inquiry. With tensions growing in the team, the investigation has stalled and there are no fresh leads, and the latest victim is one of their own. DS Wildeve Stanton had a traumatic childhood and is struggling with grief and a devastating sense of loss with the latest tragedy, it has also fired inside her a strong motive and determination to chase down the killer, no matter what it costs.
Garrick and Olivia Lockwood, and their two children, 9 year old Evan and teenager, Aster, are moving into 25 The Avenue, securing the house at a knockdown price, given that a serial killer lurks in the area. They are hoping to patch their marriage together after recent stresses, although there are festering and fraught emotions that threaten to spill over. The family are going to regret ever having moved to The Avenue, surrounded by neighbours with secrets, strange disappearances and deceptions. All the victims share the same MO, dressed with immaculate care, painted faces, with eyes removed and substituted with glass eyes, just like dolls. However, the police have failed to identify the direct cause of death, despite the cardiac arrest and respiratory failure. Young Evan is drawn to the treehouse in the garden, despite his mother forbidding him from going there. Aster is resentful at having to move and in seeking to belong, gets involved with a local group of boys. There are a host of suspects, including Trefor Lovell, who runs a doll shop on the street.
Cummins gives us different timelines and insights into the killer's life and mind in this chilling read. There are numerous misdirections and twists, and a compelling police officer in DS Wildeve Stanton, with a strong personal drive to seek the truth and identify the killer. However, I must admit it took me a long time to immerse myself and emotionally engage in the story and the characters. In fact, it was only in the last 20 per cent that I finally invested in the book, finding it hugely gripping from that point on. Do not get me wrong, I was definitely interested in the unfolding tale, more than sufficiently to keep me reading. Fans of Fiona Cummins previous novels and those who enjoy chilling crime reads will enjoy this. Many thanks to Pan Macmillan for an ARC.