Rhonda Parrish has a theme to her anthologies, but she confesses that the stories that arrive in response to her call for submission often extend the concept beyond her imagination. This one certainly gave me some unexpected reading matter.
Inevitably, you aren’t going to enjoy every story in an anthology. This was certainly the case for me, and I think more so than in the last one. However, many of the works were absolutely brilliant, haunting, and very innovative. Stand-outs were Julia Heller’s Treasure of the Sea, Liam Kogan’s Mano Kanaka, and Marshall J Moore’s Nure-Onna, but I could continue and list more.
What surprised me about the collection is that with a subtitle Selkies, Sirens, and Sea Monsters, a surprisingly large number were not set in or near the sea (particularly near the beginning of the volume). Then I remembered one year when I did something about beaches for the A to Z, I got a lot of comments from people who had never seen the sea, or waded in it. So for me, the stories set in the middle of a continent that involved water were no less valid, and were as well written, they just didn’t appeal in the same way. And the title is Water, not Saltwater. I suppose that, living on an island, I have a different relationship with the sea than people who live in landlocked areas. Either that or I’m descended from selkies.