* Reviewed on October 17, 2025
** Some formats of my blog may not carry over to Goodreads. I've tried to clean it up, but I don't format my reviews to be posted here. This is a rare exception for an exceptional book.
==Foreward==
I've previously reviewed The Battle That Was Lost, and it (my review) wasn't any good. I was genuinely shocked when Author Michael S. Jackson reached out to me to review book 2, as I remembered my review sounding like incoherent babbling. I try to avoid spoilers, which sometimes makes it difficult to talk about a book. On top of that, I sometimes neglect to proofread my reviews, as I will ''literally'' spend hours rewording, re-arranging paragraphs, and re-reading my review until it drives me fucking crazy. I was the first person to submit a review for it, which I still think is pretty cool, though. I plan to re-review it, after I've finished book 2. The review will be located at Review: The Battle That Was Lost.
==World Building==
Unfortunately, I no longer remember much of the details of the story, I'm more or less going into The Path and the Way 'blind', so to speak. The very first thing that stood out to me was the language used and the world-building. Within the first chapter, it made me realize just how many fantasy stories sound too modern, like a bunch of characters at a medieval renfaire. Such as the character Kyira referring to a slaver, and saying she didn't know how anybody could "breed" with him. Or how Author Michael S. Jackson uses "paces" instead of steps, or "cycles" instead of years. It honestly made me wish for some sort of "Codex Fantasy" so the fantasy community could have our own language culture that people would be able to freely and willingly use. I was speaking to Author R.J. Hanson about the Bloodlines Reforged Saga and he mentioned how he thought about trying to think of a different way to name coffee, and describe it. But ultimately settled on coffee. I ''think'' there were similar cases in this story, such as "Tigre", "China", and "Coffee" being referred to as slight misspellings, or alluded to their names, so as not to sound out of place.
==Characters==
Aside from the world-building, I like the characters. As with the Bloodlines Reforged Saga, I had to find a way to describe them. The main characters aren't "main characters", they're just people living their lives, each with their own goals and ambitions, petty squabbles, and so on. The world doesn't revolve around them; they're not chosen ones. They're just a bunch of pawns on a greater chessboard, and the PoV just happens to be on them, at the moment. I like how characters will help one another in a moment of need, and then go back to being petty assholes to each other right afterwards. One scene is where Character A saves Character B's life, and B wakes up and essentially goes "Thanks for saving me, but also, fuck you." which made me laugh my ass off.
It makes them all feel very human. They lose loved ones, they're bitter, they really do feel like everyday people who woke up one day to a steaming pile of shit they didn't ask for, and now have no choice but to deal with it. There are a lot of moments where characters don't open up to each other right away; they will repeatedly touch upon the same subject multiple times before finally saying what's on their minds. Which is to say, they don't spew exposition to forward the plot. Things are said when they need to be said, in the context of the conversation and in relation to their disposition with one another.
Minor spoiler, skip this section if you'd rather avoid it. I'll also try to avoid spoiling it directly. One instance is when a character is killed, and it's later revealed to the killer that they were simply in the wrong place at the wrong time and were mistaken for something that they weren't. But this wasn't revealed to them until much later. The two parties had to get to know each other and have a few human moments together before this information was divulged.
==Pacing==
Pacing-wise, there are a good number of chapters at the start of the book where not much of consequence happens. It's mostly world-building and introductions. For example, the character Hassan is introduced early on, and then it head-hops for a pretty decent chunk of the book before we get to see his PoV again. He was introduced because his sister and father were looking for him, and we needed to know who he was and why we should care. And as I said, he's not the center of the universe, so once his presence was no longer needed, the focus went off to more important people for a while. It's not that the book is boring; it's simply explaining who these people are and why you should care about them. Or you might look at it as giving context. I bring this up, 'cause I know some people will say they give a book 100 pages to "capture" them, and if you're one of those people, I simply suggest that you give it the time needed to fully establish who these people are, 'cause it'll give you a reason to care when shit starts going sideways for them.
==Warnings==
There are scenes of death, torture is mentioned, and a cat is smacked off a table. A bunch of wild dogs are killed, which I'm sure will upset some people, but hear me out on this: they're dogs, and people of this story did their world a fucking favor. The cat thing upset me a bit, and there was a scene with a beetle that made me gag. I don't know if there's a b-word phobia, but if there is, I have it. 'Cause those things might be the only things more repulsive to me than a dog.
==Chapters==
Normally, I despise cliffhanger endings. Nothing says to me "I'm a shitty, hack writer!" like having to rely on unfinished business. That being said, the cliffhanger endings at the end of chapters are how it should be done. There were chapters that made my jaw drop, shit that made me set my Kindle down and go "Holy fucking shit, did that really just happen!!?!?" Absolutely fucking exquisite. I had to resist the urge to jump ahead to chapters. The twists and reveals in this story hit like a Mack truck sometimes. This book really is a masterwork of knowing when to reveal something and when to leave you guessing.
==Issues==
There are some issues with the version I'm reading. There are occasional commas that I think are missing, but maybe I simply pause too much when I speak. I genuinely don't know, though there are a few that made me feel like I was having a stroke. One line is from the character Hassan's PoV, and it said, "Unlike his father Hassan never learned to read." To me, it sounds like it's saying (character's) father's name is Hassan, as in "Unlike his father Hassan, (character) never learned to read." Thankfully, moments like that were few and far between. I'm writing this around 72% of the way through, give or take, and there were maybe 3 or 4 of those.
By fucking far the most annoying shit was wombs, stomach's and abdomens all being referred to as "Stomach". That shit annoys the mother-fuck out of me in books. If a mother has a baby in her stomach, it's because she's a fucking cannibal, and ate it, or she has a serious medical condition that's going to cost her—her life. If a character puts their hand on their stomach, it better be because they just got gored and are bleeding out. Below is my re-usable template for Stomach, 'cause this shit popped up so many times, I got sick of re-wording what I had to say.
One other instance of "Abdomen" being referred to as "Stomach". Your stomach is an internal organ, if a character was stabbed in the stomach, or has their hands on their stomach, they're beyond fucked. Nobody ever refers to a character resting their hands on their lungs instead of their chest, because that would be idiotic and absurd.
I've spoken to Author Michael S. Jackson about this, and he was talking about re-publishing it. So if you're reading this post-2025, and you purchase an eBook or a physical copy, it shouldn't be an issue and should only be a possible concern if you're reading an older physical copy. Fun fact, it wouldn't be the first time my fanatic ranting has caused an author to re-publish something, consider it, or me turning older versions of a book into a collector's item because of it. hahahahaha
==Narration==
Overall, the narration is pretty good. He does a great job of scene-setting; however, his 'feminine' voices are ... they're all male voices. On top of that, when characters talk to each other, they sound like the same person having a conversation with themselves, which can make it hard to follow who is speaking. It's strange, as he demonstrates numerous times that he's capable of giving characters distinct voices and personalities through their voices. When a character is supposed to be yelling, it doesn't sound like yelling; it sounds like fake-yelling, which is also unfortunate.
I take issue, as I always do, with ANYBODY who pronounces "envelope" as "onvelope". You don't "ontertain" guests at a party, you don't "onter" a room, and not a fucking soul says a room is "on-veloped" in darkness when you turn off its lights.
If I were to give the narrator himself a suggestion, it would be to get a lady-friend to do narrations with. Examples include Narrators Greg Patmore, and Bridget Thomas, who narrated the Weapon Takers Saga. Greg Patmore did the bulk of the narration, while Bridget Thomas would take over for the women. Another example includes Narrators Kai Kennicott and Wen Ross, who've done narrations for Ayla Asher's romance series, where I believe they alternated. (It's been a few years...) There's no shame in not being able to deepen your voice or do a softer voice, but ruining otherwise good stories with bad narrations pisses me off. While I wouldn't classify this one as ''bad'', per se, it is ''distracting''.
==Final Thoughts==
Ultimately, this may be one of my new favorite books. I say ''may'' because I generally wait a year or more when I encounter something I love, to see if I still feel about it as I did when it was new and exciting. I fucking wish I had an audiobook for this story, as I would honestly listen to it repeatedly (assuming the narration didn't suck) as I do with other favorites, such as the Bloodlines Reforged Saga and Weapon Takers Saga. I ultimately prefer audiobooks, as I've been reading this at work all throughout October, and I'm still not done with it. Chronic fatigue kicks my ass, and at home, I have YouTube, audiobooks, and wikis to distract me. I simply don't have the time to repeatedly re-read books I love as I used to. And this is definitely one of the better books I've read since I became a reviewer.
Note: I requested this eBook from Author Michael S. Jackson as a review copy, after he sent me a physical copy of book 2. (Below is my standard eBook Review Copy template.)
(eBook)
NOTE: This eBook was provided to me free of charge as a digital review copy. The opinions stated in this review are mine and mine alone, I was not paid or requested to give this book a certain rating, suggestion, or approval.
(Audiobook)
NOTE: This audiobook was provided to me free of charge as a digital review copy. The opinions stated in this review are mine and mine alone, I was not paid or requested to give this book a certain rating, suggestion, or approval.