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48 pages, Hardcover
First published January 1, 2021

Written by Jo Ellen Bogart and illustrated by Maja Kastelic, Anthony and the Gargoyle is a wordless early fiction title with a tremendous amount of heart and wonder. The story begins with panels that show a home filled with family photos, including one of a young child wearing a bib and happily holding an oval rock. Readers meet the child in question- Anthony, who is now a bit older!- and see that he still has this beautifully shaped rock in his room. But when Anthony wakes up the next morning, the rock has cracked wide open, and is completely hollow. As Anthony discovers the tiny stone-coloured, sweet-faced friend who escaped from his egg, a second layer to the story is folded in. A family emergency brings Anthony and his family (and Anthony’s newfound company) to Paris- a place where not only a beloved member of Anthony’s family awaits, but also where a very lonely family member of Anthony’s tiny friend patiently sits. Kastelic’s (a former art restorer!) illustrations are a breathe of fresh air, light yet precise and meaningful, with explosions of architectural grandeur as the story settles in Paris and readers get to see iconic landmarks such as Arc de Triomphe and Notre-Dame. Referring to a book as a gem can perhaps be an overused turn of phrase- but please trust me when I say Bogart and Kastelic’s children’s title is an endearing, highly appealing gem! The graphic novel-like paneling to tell the wordless story makes for welcoming reading, while the crux of the story is just so heartfelt and cozy (and the artwork is a standout). Heartfelt and cozy, it might be argued, are not descriptors typically associated with certain aspects of French gothic architecture, and that makes the story all the more special. Readers who enjoy the work of authors and/or illustrators such as Aaron Becker, Isabelle Arsenault, or John Sobol and Dasha Tolstikova’s Friend or Foe? might especially adore this tender story.