Short, spare, and unsentimental. Nwapa depicts a few days in the life of a family on the Biafran side of the Nigerian civil war. They flee one city under attack; those in the city tell them that fleeing makes them saboteurs, while the people in the town they flee to insist that there never was any attack, that the city is still standing. They stay in the town briefly, then leave for the country, knowing an attack on that town is imminent. In the country, they hear that their troops prevailed and the town is safe, but they don’t know if they can believe the news. They live in fear of being branded disloyal for saying what they know: that major cities have fallen, that the Biafran forces are fighting off automatic weapons with sticks and stones. Everyone around them makes speeches about the need to stay and fight to the last man, then races to be the first out of town. It’s funny, in a surreal way, cut with moments of bitter pathos like a woman going into premature labor during the stampede out of a town under attack.