"I had crossed the line, and I was straying into madness" (p. 212).
But not, one should note, not before punching a princess in the face, gouging out the eyes of her ceremonial knights, unleashing feral creatures of the forest onto the city, and thereby commencing a long-overdue plot to wreak havoc upon the lives of those who dared betray his trust and goodwill.
Is Kaito Ukei a psychopath? For the most part, yes. Absolutely. He's not entirely without empathy for human suffering. However, having endured torture, betrayal, bigotry, and the subsequent butchery of his emotions at the hands of those he once considered allies, Kaito is over being the hero. In THE HERO LAUGHS WHILE WALKING THE PATH OF VENGEANCE A SECOND TIME #1, Kaito is resurrected following his death at the hands of the people who summoned him to defeat a regional demon lord. It took him four years of arduous work to accomplish such a task, but it only took the Orollea Kingdom a few weeks to turn its back on him.
Kaito's vengeance burns deep. His resurrection may be due to happenstance, as is often the case in isekai adventures, but the young man's new quest to rectify old wrongs will be anything but. THE HERO LAUGHS…#1 is the first whetting of a blade thirsty for its prey. In the protagonist's past life, his adventure party turned its back on him. The whole kingdom turned its back on him. But now that Kaito's back in form? After their betrayal? After their scheming? Vengeance shall be his.
Antiheroes have been painted all swaths of colors, but such efforts often obscure the cruelty and baseness of the characters' actions. One might argue this articulation is primarily a western affectation. Nevertheless, in the current novel, readers discover a justifiable path of vengeance as tread by a young man whose skill, knowledge, and endurance know no limit. And in a fantasy realm complete with monsters, magic, and mayhem, Kaito's trade as a blademaster and his experience crushing foes of incalculable strength make him a man to be feared.
THE HERO LAUGHS…#1 endeavors to strike a peculiar balance between a fanciful role-playing game turned upside-down, and separately, a bloody quagmire that was never truly anything else. The author pulls readers into this realm of magical combat by emphasizing character status pages, voluminous descriptions of special items, historical worldbuilding notes, and layered background info. The author also punches-up the drama by exhibiting numerous torture scenes, garish lurches for power, greed made normal, and bigotry made law. In the Orollea Kingdom, violence, prejudice, and political chicanery are the norm.
In narrative terms, the book's extraordinarily high level of careless gore and vacant, psychopathic optimism is held in focus as the true pathos of note. But the author hasn't quite discerned how to best interweave Kaito's earnest need for payback with his reckless thirst for blood. The two are interrelated, but the book's plotting progresses in fits and starts, meaning the drama of one is occasionally detrimental to the drama of the other.
In worldbuilding terms, some of the fault rests squarely in how this novel serves as an introduction to everything all at once. The author lays out all of the relevant characters, their motives, and their pathologies, and pushes forward. There is no time for rest. Readers will be grateful for the energy taken to frame Kaito's experiences (e.g., slaying the demon lord) and the detail afforded the suffering he endured (e.g., betrayal by the royal princess), all of which now feeds his revenge quest. Readers will not, however, feel particularly grateful for the seesawing info dumps and flashbacks that yank them from scene to scene. A dozen-plus mystical soul blades? Each with its own arcane story? First-person point-of-view flashbacks? For every character? It's all rather exhausting.
One moment, Kaito uses a mythical blade to carve his name into the flesh of his victim (e.g., drafting a letter of intent), the next moment, he's whistling indecisively about the quality of his lagging MP (e.g., gazing languidly at a status screen). One moment, Kaito is out to purchase a slave to help him carry out his work, then, in the next moment, readers are neck-deep in the backstory of a beastfolk girl named Minnalis, whose personal lust for revenge makes her an apt slave-candidate. The narrative disassociation between showing readers Kaito as a murderous avenger and Kaito as a kid in a fantasy adventure is poorly balanced and weakens the simple but effective thrill of brandishing a psychopath as a protagonist.
Nevertheless, as a tome of fantasy violence, THE HERO LAUGHS…#1 certainly has promise. The author isn't afraid to dismember an errant street tough. The author isn't afraid of wayward chatter on how to make use of flesh-eating insects. The author isn't afraid of wielding poison or of entreating disembowelment to make a point. Right now, the rhythm simply isn't there, but with time, one suspects it will be.
And the novel's all-or-nothing approach to exposing its characters to their fates could pay big dividends, too. Kaito has already lived his life once, so he knows well the traits and idiosyncrasies of every character of consequence. However, now that Kaito has shifted his story from one of a hero's conquest to one of a rebellious antihero, he's tweaked the calculus in a way he cannot fully predict. The princess is a power-hungry bigot, yes, but what will happen now that she no longer has to fake her decency? Kaito may be prepping for revenge, but he, too, might not like what's coming his way.
THE HERO LAUGHS…#1 does risk desensitizing readers to violence before the actual revenge killing gets underway. In much of this book, what is shocking in one scene may quickly translate as tacky and boorish in another. The author attempts to offset these irksome fragments of overeager ego with humor (e.g., Minnalis is clever, but plays up the ditzy-girl act; Kaito throws a gargoyle at a security guard, accidentally ripping off the head) and shifting points of view (e.g., POV-pivoting chapters), but the results are ultimately inconclusive. In the end, this novel is heavily invested in sinking its boots into the muddiest waters available to a young man unafraid of the consequences of his actions.