This is a somewhat dated story from the 1960s, or so it feels reading it 60+ years on. Deighton prefaces each chapter with a dark, disturbing “nursery rhyme”, I suppose to set the mood/reflect the Cold War era: a London that is even darker and grittier than before or during the war. (It is a London where housing was still affordable, however: one could find a starter home in Hampstead with a £10,000 mortgage.)
The hero is an unnamed middle-aged British spy for hire. In the book’s Introduction, Deighton states that this unnamed spy became known as Harry Palmer after the first novel in the series—“The Ipcress Files”—was made into a (wildly popular) film starring Michael Caine. “Despite his many faults the readers liked the hero, …. And Michael Caine’s brilliant depiction of him did a great deal to effect that.”
““Harry” then (to say “the unnamed spy” or “Mr. X” repeatedly would be awkward) likes to smoke Gauloise cigarettes and has an office on the second floor of a building on Charlotte Street, North London, that he calls “an ancient, creaking slum”. The ground floor is occupied by “Acme Films. Cutting Rooms“, and the third by “B Isaacs Theatrical Tailor’, the sign for which Harry initially found quite amusing. (There is humor here so dry it could spontaneously combust.)
We first meet Harry in the office with Jean, his tall, effortlessly beautiful secretary whom he asked to a party the night before but then abandoned her there to joke around with his mates. (Real classy, Harry.)
There were times when I thought that I was in love with Jean and there were times when I thought that she was in love with me, but somehow these times never coincided.” Ha—Because he is never quite serious enough. When he asks if she enjoyed the party last night, she says
‘You seemed to…. When I left you were drinking a pint of bitter while standing on your head.’
‘You do exaggerate. Why did you go home alone?’
“I have two hungry cats to support. Two thirty is definitely my bedtime.” Then:
’Going with you to a party is to be there alone. You plant me down, go around chatting with everyone, then wonder why I haven’t met them all.’
‘Tonight,’ I said, ‘we’ll go to some quiet place for dinner. Just us.’
‘I’m taking no chances. Tonight I’m cooking you a birthday feast at the flat. I’ll give you all your favourite things.’
‘You will?’
‘To eat.’
‘I’ll be there,’ I said.
‘You’d better be.’
She gave me a perfunctory kiss – ‘Happy birthday’ – and leaned across and put a glass of water and two Alka Seltzer tablets and a glass of water on his blotter.
”Why not put the tablets into the water?’ I asked.
‘I wasn’t sure if you could bear the noise.’ (Bada-boom.)
After while Harry invites Jean to birthday lunch at a favorite Italian restaurant where they drink Pol Roger “between shots of Strega”. When they finally roll back into the office at 3:45 pm, Harry’s boss Dawlish (“who looked like an Edwardian coroner“) ‘rewards’ him by sending him to Finland—tomorrow—in the deep dark of winter to question Finnish journalist Olaf Kaarna, who plans to publish a story about a British global spy network in Northern Europe. Harry is to thwart publication by any means possible. He objects to being chosen for the mission, citing his lack of Finnish language or country knowledge. Quel dommage. He is sent on his way to Whitechapel for a fake passport from Sonny Sontag, who gives him the cover name Liam Dempsey, born in Cork, Ireland. Liam/Harry’s stats: 5', 11", blue eyes, dark-brown hair, dark complexion.
American spy Harvey Newbegin, who was a minor character in Deighton’s “Funeral in Berlin“, has a bigger role here, part of a double-act with Harry. Harvey “had been with the US Defense Department for four years before transferring to the State Department.” Harry had “tried to get him working for his organization at one time”, but Dawlish “had failed to obtain authority” for it.
Each becomes a love interest for statuesque blonde Finnish beauty Signe Laine who tells Liam in perfect English that Professor Kaarna works for her—though she is only 18 years old. She first tells Liam that she works for British Intelligence, but he learns the truth much later in New York City. She seems strangely naive at times but has no problem hopping into bed with married Yank Harvey Newbegin, who is in love with her. Harvey is a “short, thickset man with thinning brown hair”, but who is also an excellent dancer. When Signe brings Liam to a bar to meet Harvey, they find him practicing the rumba alone with drink in hand. ‘Well, you old Limey sonuvabitch. I knew it was you,’ then proceeds to waltz Signe around the room. Harvey recruits Harry for a “quick job that pays well”: carrying a bioweapon (virus) for CIA. The British and the Soviets are also desperate to claim possession of the virus that is incubating inside live unhatched eggs.
Confused yet? Well, just wait. Between the multiple Yank agencies, the British War Office and the small, independent spy agency Harry works for, there is Porton Down (British CBW research facility), two mad scientist brothers, one of whom created the virus, both of whom Harry chases; then Soviets chase Harry and Harvey across snowy, frozen Finland to the USSR border once they are in possession of the viral eggs. Last but not least, an American megalomaniac multimillionaire from Texas named “General” Midwinter (snow and ice appear everywhere in this story) is funding a private army of “patriotic Americans”. (Sounds like Trump’s MAGA Republicans—or, more frighteningly, like his “2025” organization.)
The book gets its title from Midwinter’s super-brain computer that messages workers with their assignments. It gives the novel a futuristic/sci-fi vibe yet retro at the same time (being 1960s analog), a bit more realistic than Austin Powers, but not by much from the vantage point of digital 2024.
The story becomes much more complicated because Harvey and Signe are involved with Midwinter, as well as with each other. Then Harvey’s wife gets in on the action, too. It gets to be a veritable circus of characters. All the while Harry/Liam’s mandate grows ever larger as Dawlish adds more and more tasks.
The novel is worth reading for the dry humor and the retro Cold War, James Bond-ish vibe.