The Tucker women are up early to prepare a very important meal, or at least that's what Mama says. As the day wears on, the little dramas that always take place in the kitchen boil over, making a mess of everything. STEW explores the substance of that special stuff passed between kinswomen and how the secrets we keep from our mothers eventually become the secrets we keep from ourselves.
Stew has a lot going on; it is a complex play in a lot of ways. There is a fair bit of subtext that I was picking up on, but would take a second or third meaning to really grasp the meaning of. Howard's use of overlapping dialog is imaginative, and I love her flowery stage descriptions.
I did get bogged down a little bit with some of the repetitive dialog with regard to the various characters bossing others around, and the directions in making the stew. I felt like this could have been trimmed a little to tighten up the play, but it's so hard to judge these things in the reading only. I'm sure the actors bring nuance & more subtext when performed.
Zora Howard's strength is dialogue, which is so natural while still maintaining rhythm and excitement. Character conflict occasionally felt a bit forced for how day-in-the-life the play wants to feel, but it is easy to forgive when the characters themselves are engaging and funny. The ending is moving, too, for the way it reveals how our parent's issues and conflicts carry on to us - without ending us or defeating us. Would recommend to most!
Good play on words in the title. I confess I found the ending a bit confusing. I *think* I know what the pop-pop-pop sounds are, but I'm not entirely sure.