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Noche tótem: antología poética
Spanish
- GenresPoetry
224 pages, Paperback
First published July 1, 1994
3 people are currently reading
192 people want to read
About the author
Oliverio Girondo
45 books111 followersBorn of a wealthy family in Buenos Aires in 1891, Oliverio Girondo spent his early years in Argentina and Europe, traveling to the Universal Exhibition in Paris in 1900, when he was only nine, and where he later claimed to have seen Oscar Wilde stalking the streets with sunflower in hand. After spending some time at the Lycée Louis le Grand in Paris and Epsom School in England, he made an agreement with his family to attend law school in Buenos Aires if they would send him each year to Europe for the holidays. For the next several years, Girondo explored the continent, even traveling to find the source of the Nile.
Meanwhile, back at home he had begun writing avant-garde plays, which caused a stir in the theater world of Argentina. In 1922 he published, in France, his first volume and verse, 20 Poems to Be Read in a Trolley Car, which shows the influence of Guillaume Apollinaire and the Parisian scene. Only in 1925, with the second printing of this book, did Girondo receive attention in Argentina. By this time, the ultraists, lead by Jorge Luis Borges, had become a major force the scene, and Girondo continued his own humorous exploration of the aesthetic in his second volume, Decals. In the same period he became involved with the avant-garde journal Martin Fierro, which brought together younger poets such as Girondo and Borges with more established figures such as Ricardo Güiraldes and Macedonion Fernández.
After a five year period of traveling again, Girondo returned to Buenos Aires, publishing two of his major works, Scarecrow (1932) and Intermoonlude (1937). A new book, Our Countryside, appeared in 1946, the same year he married the poet Nora Lange. In this new work he moved away from the ultraist ideas, playing with elaborate metaphoric language. As Borges moved toward his more fantasist works, and a new generation of poets arose, Girondo was increasingly described as a humorous or even frivolous poet, but his 1956 work, Moremarrow stood as a darker summation of his career, a work that bears comparison with the great Chilean writer Vicente Huidobro's Altazor. Many readers, however, feel that Girondo went further in his linguistic explorations. During that same period Girondo revived the journal Contemporánea.
In 1964 Girondo was hit by a car, and for the several years suffered terrible pain before dying of those injuries in 1967. His last works were gathered by the surrealist poet Enrique Molina.
Meanwhile, back at home he had begun writing avant-garde plays, which caused a stir in the theater world of Argentina. In 1922 he published, in France, his first volume and verse, 20 Poems to Be Read in a Trolley Car, which shows the influence of Guillaume Apollinaire and the Parisian scene. Only in 1925, with the second printing of this book, did Girondo receive attention in Argentina. By this time, the ultraists, lead by Jorge Luis Borges, had become a major force the scene, and Girondo continued his own humorous exploration of the aesthetic in his second volume, Decals. In the same period he became involved with the avant-garde journal Martin Fierro, which brought together younger poets such as Girondo and Borges with more established figures such as Ricardo Güiraldes and Macedonion Fernández.
After a five year period of traveling again, Girondo returned to Buenos Aires, publishing two of his major works, Scarecrow (1932) and Intermoonlude (1937). A new book, Our Countryside, appeared in 1946, the same year he married the poet Nora Lange. In this new work he moved away from the ultraist ideas, playing with elaborate metaphoric language. As Borges moved toward his more fantasist works, and a new generation of poets arose, Girondo was increasingly described as a humorous or even frivolous poet, but his 1956 work, Moremarrow stood as a darker summation of his career, a work that bears comparison with the great Chilean writer Vicente Huidobro's Altazor. Many readers, however, feel that Girondo went further in his linguistic explorations. During that same period Girondo revived the journal Contemporánea.
In 1964 Girondo was hit by a car, and for the several years suffered terrible pain before dying of those injuries in 1967. His last works were gathered by the surrealist poet Enrique Molina.
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Displaying 1 - 7 of 7 reviews
March 20, 2024
5 mil quinientas cincuenta estrellas para este libro. Como decir cualquier cosa, como volver a hablar igual después de que Girondo puso lápiz en papel.
March 12, 2014
No soy yo quien escucha
ese trote llovido que atraviesa mis venas.
No soy yo quien se pasa la lengua entre los labios,
al sentir que la boca se me llena de arena.
No soy yo quien espera,
enredado en mis nervios,
que las horas me acerquen el alivio del sueño,
ni el que está con mis manos, de yeso enloquecido,
mirando, entre mis huesos, las áridas paredes.
No soy yo quien escribe estas palabras huérfanas.
Ese fue el primer poema que leí de Girondo, llegó a mis manos en uno de esos separadores que te dan en las librerías cuando comprás libros. Y me fascinó. Hoy, ese fragmento, es mi favorito sobre muchos otros que leí.
ese trote llovido que atraviesa mis venas.
No soy yo quien se pasa la lengua entre los labios,
al sentir que la boca se me llena de arena.
No soy yo quien espera,
enredado en mis nervios,
que las horas me acerquen el alivio del sueño,
ni el que está con mis manos, de yeso enloquecido,
mirando, entre mis huesos, las áridas paredes.
No soy yo quien escribe estas palabras huérfanas.
Ese fue el primer poema que leí de Girondo, llegó a mis manos en uno de esos separadores que te dan en las librerías cuando comprás libros. Y me fascinó. Hoy, ese fragmento, es mi favorito sobre muchos otros que leí.
March 19, 2019
Oliverio es uno de mis poetas favoritos.
Sus poemas son audaces, imaginativos, sensuales, críticos ... uno no sabe por dónde le llevarán.
Referente además de varios medios, como por ejemplo de la película "El lado oscuro del corazón", en la que se inicia con uno de sus poemas más famosos.
Sus poemas son audaces, imaginativos, sensuales, críticos ... uno no sabe por dónde le llevarán.
Referente además de varios medios, como por ejemplo de la película "El lado oscuro del corazón", en la que se inicia con uno de sus poemas más famosos.
January 25, 2024
Este es un volumen que atesoraré para siempre. La primera mitad me ha parecido magnífica, la segunda mitad me ha parecido buena o muy buena; pero eso fue, tal vez, porque venía de una lectura que sobrepasó todo lo que yo esperaba y, tal vez, eso tío cierta ingerencia en mi concepto. También debo tener en cuenta que los libros de la segunda mitad ya los había leído, no así los de la primera parte. Como sea, el resultado final fue de placer mayúsculo; es decir: ¡Un libro para atesorar!
September 5, 2025
Precioso prólogo de Enrique Molina a modo de análisis de la obra poética de Oliverio Girondo. "Su aparición fue recibida con el silencio".
April 30, 2014
Este libro me lo regalaron de cumpleaños y hoy por hoy es uno de los pocos libros de poesía que considero ¨Pillow book¨. Es simplemente maravilloso, un domador de letras salvajes. Más allá de todo halago, no hay nada que pueda escribir que pueda hacerle honor a la destreza literaria de Girondo.
Displaying 1 - 7 of 7 reviews