Wick Welker’s, Refraction, published April of this year, 2021, is a FIT 2B Read, scifi debut novel for the author.
I received this novel directly from the author, with the intent to provide an authentic objective review. While Welker has published other novels, this is his first foray into science fiction. I intend to continue reading his work, as I found Refraction highly enjoyable.
I understand he has a new release that is either out now or coming out very soon. I expect to move it up on my TBR following this enjoyable reading experience.
This being a 2021 release with some similarities to Andy Weir’s Project Hail Mary (attempting space travel, recruitment to service or calling themes), it’s worth briefly comparing the two novels . They are very different plots, of course, but in terms of enjoyability, they are on the same playing field. Hail Mary, for me, had great dialogue and character interactions. Refraction was very enjoyable and the more unputdownable.
As with all of my reviews, I will begin with a spoiler free review, character analysis, and plot summary. Following that summary, I will write my 5 likes and 5 dislikes that will include spoilers.
Refraction, splits its chapters and points of view among three timelines, Mid and late 1980s, 2098, and 2155. This immediately sets a quick pace that serves the story well. The novel is 450 pages, and split among three timelines, a lot needs to get done, and get done quickly.
The first main character the reader meets is a physicist and college professor Timothy Strauss. The year is 1986, and while Strauss is clearly a brilliant physicist, his brilliance is enhanced by the voices he hears in his head. With the “aid” of these not quite clear, voices or directions, Strauss attempts to invent warp drive propulsion. Strauss refers to the project as a Casimir Drive. Because he hears voices and is not clear if they are real or just psychosis, his emotional and physical stability are impacted.
Strauss is so prone to be noticeably affected by this, that the chair of his department at the University, Dr. Van Wert, takes preemptive measures to respond to eventual episodes and frequently sits in on Strauss’s lectures.
The early set up in this timeline conditions the reader to examine the relationship between Strauss and his wife, his child, his students, and Van Wert. Welker builds suspense with each trial and error in building the space-warping drive and cultivates strong sense of mystery about what the voices are and where they are coming from. The reader is also introduced to ideas around nuclear conflict.
The 2098 timeline introduces main character Cal Stanger and his friends Jelena and Benedito. Cal and his friends are space cadets at Central Cell Air Academy preparing for their Senior Year final exam, the Jupiter Run.
This time line also introduces us to Cal’s mother Minzy Stanger, a socialite and apparently important citizen of Central Cell. Central Cell is presented as a sensible post apocalyptic future earth society.
Like Strauss in the late 80’s timeline, Cal hears voices. While we, the readers find suspenseful and care about the Jupiter run, we are more interested, again, in the mystery of the voices. Our curiosity is also piqued about the world of Central Cell and how things run there. One of the things that survives an apocalypse is wealth disparity and the opportunities for the haves vs the have nots.
Jumping forward in time to 2155, this timeline features Custos, the sentient robot Mayor of New Athens, the first colony on Mars. When Custos is first introduced, he seems to have been riding a wave of support and enjoys high job-approval rating. This Mayor has a knack for making enlightened decisions in governing and is an effective time-binder, meaning he understands and has learned from the failures of governments of the past and is not bound to make the same mistakes in the future.
This timeline would, of course, not be that interesting without conflict or mystery. Welker gives us both here. There are politicians that may think Custos is too calm, cool, and collected and we also have, surprise surprise, mysterious messages.
Unlike the other timelines, the focus on the mysterious messages comes in a different form. Custos navigates the political terrain while at the same time, enlists the help of government scientists to attempt to decipher and find the point of origin of the cryptic messages.
Having three story lines is a great device for keeping the story fast-paced and filled with a number of familiar themes. The feel of the novel is at times dystopian and alternate history, at times thriller, with small bits of horror, hard sci fi and military scifi.
There may have been some sacrifice of meaningfulness in some of the themes, as there was great set-up and interesting resolutions, but some of the stuff in between was absent. The story does offer resolution to the mysteries presented in the first half, and the reveals are all satisfying.
While the Mars colony is not written to be a deep dive into philosophy, it is exciting to think about a not too distant future settlement on a nearby terraformed planet, knowing what we know now, and thinking about how we might have the chance to start from scratch, with leaders who potentially have learned from the past.
This is definitely a book to recommend to readers looking for an accessible science fiction read with good doses of space, science, and action with original ideas, suspense, and mystery that wraps up with a worthwhile and enjoyable conclusion.
Refraction is a very fun read. The novel is original and a great FIT 2B Read first entry into the scifi genre for WIck Welker. Most effective is that the story is well told and features suspenseful mysteries with satisfying surprises and reveals. To avoid telegraphing too many spoilers, I’ve saved those for now, and my 5 likes and 5 dislikes segment.
L1.
Right from the get go, Strauss is an interesting character. Being the quirky genius is nothing new, but Welker introduces us to the quirks in novel ways. I especially like Strauss reaching out his hand to shake Jia’s hand while she is far across the room.
DL1.
Because I enjoyed the book so much, I wish there weren't so many minor interruptions in believability in the anarchy storyline. While it otherwise might have slowed pacing, Jelana's willingness to join with Cal and Raz was too instantaneous. Of course she was motivated by saving her parents, but, with little hesitation, she was fully on board to become a fighter pilot for the anarchists. Then there are “bricks” and the story about the financial system of Central Cell and the meaning of the name. The story may have benefitted from spending more time earlier in the book setting up the world in such a way that the reader wouldn't be questioning if it made sense that these 3 prominent students were completely ignorant about the meaning of the name of their government. Then the big one is the reveal of the giant 150 story tower in the center of it all with fighter jets, turrets, and an armed military. The way it is presented as, "you know that big gray tower..." appears to diminish the scale and scope of it. It also reinforces the cadets as less informed. There are a number of other smaller moments as well, and any one of them is explainable or acceptable, but each is still a stutter, stumble, or pause in the flow of the story, even if the pace is still strong and the action still enjoyable.
L2. Good world building. Welker doesn't rush into the Mars story without taking the time to establish the setting, allowing the reader to establish grounding on this foreign, tho somewhat familiar world.
DL2. A lot of interesting things are thrown at us, and I mean really feel like they are thrown at us. Credit to the author because those things build the world and the story, but some of these ideas would be better served with more page time. Occasionally, big reveals like the board of trustees that run central cell, needed more than just a few paragraphs. In two or three pages, we were given all of the description of the tragic conditions of the world outside of Central cell, what happens to central cell citizens who can't afford health care, the copper mines, economics, and the philosophy of the ruling class of central cell. Those topics together could be several chapters instead of a few pages. This isn't to say it didn't serve its purpose, because the way its presented is consistent with the pace of the rest of the book. The missing bits, though, is where I add the words “kind of” when calling it dystopian.
DL3.
There were a few really great moments that I would have liked to have seen a little more prose wrapped around. The moment when Cal cradled the dying man's head and was stroking his hair, was a great revealing moment for this character. Its because it is such a great moment, that I bring it up now, because I feel there was an opportunity to have made the moment even more special. The characters are well written, but there was room for improvement. This moment might have been one to exploit.
We also find out Cal, who we also know as the Copperhound, was stuck suffering in the copper mines. Please tell me more, please elaborate and make me feel his pain, distress, fear, desolation, etc. There were opportunities in the book that could have been used to make some characters even more dynamic . Cal’s sort of validating or coming to recognize Raz’s/Custos actions was likewise short-changed at the end of the book. I will say though, If I had 6 likes, I’d list Copperhound at #6 as a badass villain name.
Expanding further on the characters side of things, Jo, Strauss’ wife, is well written. She is a minor character, but she displays strength and depth in subtle ways. The nuance is refreshing. I was at times confused if I liked or didn’t like her or if I thought she was right or wrong. She was not black or white. I could see a mind at work.
DL4.
At times character voices feel as though they could be interchangeable. Especially on mars.
L3.
Martian political focus respecting the value of a robot’s ability to time bind and the benefit that that provides to society. Avoiding making the mistakes of the past because the past is learned from and not forgotten only to be repeated with the same disastrous effects.. Custos cites corporate trustees running a nation and comparing it to Roman history and goes into election and voting reform, etcetera.
I like that a utopian idea presented, during Custo’s conversation with Dev, is the idea of freeing the human mind to pursue any creative output. The untapped potential and ingenuity of the human mind, speaking about benefits of automation and not from the perspective of profit hoarding and cost cutting.
DL5.
I alluded to this in the non spoilers segment...Agent Starkens dialogue with Cal feels very author's voice. Using her in a not subtle way to share backstory with the reader. The attempt to disguise this by having the pace be quick and confrontational is not an adequate distraction from the plate of information pie we are being served.
We get similar treatment one section later when Strauss is talking to his 2yr old son. The dialogue again lacks subtlety and Strauss delivers an unnatural feeling speech to his child, things us readers are meant, I believe, to think about..if we haven't done so like we are supposed to. In each case, it feels like the information being told is information the reader should gain elsewhere.
It happens again when custos is talking to Dev about automation. Its of course important for the reader to get this information, but sometimes character conversations become just too convenient a vehicle for this. It takes me out of the story if I am finding a conversation is happening only for the purpose of telling me something I should be able to pick up on in other ways.
Finally, we get this treatment when Custos is discussing gravitational waves and at times when Strauss is speaking to his research assistant.
L4.
I was considering for a dislike, to call out the idea that, even in the filth and despair people lived in, there would still exist some form of culture that included art or play of some sort, even if as a coping mechanism. The existence of those things would not make the world any less dark or dismal, and could perhaps add a layer that adds to the misery of the situation. Humanity adapts even if it doesn't thrive. Welker, however, paints the visual of a place so beaten down, with sewage running through the middle of town and thousands of the dead stacked in piles. It still feels there are pieces to the picture that are missing, like something has got to give. But for sure ,Welker is selling the tragic environment, even if, as I just mentioned, I wanted more.
L5.
Great pacing, the pace at the beginning is patient without being boring, little by little we get more world building and small bits of action. 2/3 thru the book, everything is well set up and all three story lines get riveting at the same time.
Not quite rising to the level of a dislike, I have a few nit picks as well...
NIT PICK #1 . The class at the very beginning of the book is something I can't shake. Strauss starts the class, has 2 or 3 exchanges, has an episode and then announces he is ending the class a few minutes early. The class could not have been more than 5 or minutes long. I think, overlooked, was incorporating something that could be inferred as passage of time so people like me wouldn't nit pick this, but the way it is written, there's not really room to consider the class was more than a few minutes long from the point the class filled in and the class was dismissed.
NIT PIC 2. I like the idea of the exchange with Dr. FAR, dev, and custos and how impressive custos’ knowledge is. Farr is impressed as well, and even quips, "Astrophysics is one of your passing interests?" I like the exchange if its between two humans. The fact that Custos is a sentient robot with basically (as far as she knows) an advanced computer brain in a highly technological future, the exchange with this other expert doesn't feel quite right. The humorous surprise Far expresses, doesn't feel right.
* Food for thought. ...when raz is discussing mirrors to explain multiple dimensions to cal, I can't help but question if in all the other realities, cals and razzes have similar discussions and then consider, have the razzes in these other dimensions used the same refraction vision to make decisions on high probability outcomes in other realities? If they are all doing the same thing in each reality...looking to other realities, which razzes in which realities are actually making the high probability for success actions that the other razzes are copying? Whos copying who? Which came first?
The obvious answer would seem to suggest that you would have to go to further-out realities to find dimensions where Razzes are not aware of the refraction and are simply just making decisions. Where that fails though is that if you get further out from the prime or native reality to find a raz that is authentically acting rather than observing other realities, that raz has to be completely different from a raz that has been using refraction. Unfortunately tho Raz is specifically stressing that they need to observe similar realities not the more distant ones that veer so far away. The idea of refracting is way to significant to be absent in a similar reality that could provide the strategy based on a spontaneous action by a version of yourself not watching another version of your similar self