I truly believe, in the most visceral part of my soul, that there is no place for torture porn in this world. I don’t much care if anyone disagrees.
I am left questioning the anthropological, sociological, and psychological reasons for the existence of this market. I am no fool to not comprehend the nuances of kink or trauma-related engagement; in fact, I am intimately versed in them. It is from this comprehension that I express my critiques for this work and the many like it.
These works seek to paint the objectification, degradation, dehumanization, and violation of women as something titillating and sensual. Even categorizing the events of this work under the four labels listed above feels as though it is an under-exaggeration. This work contains some of the most truly horrifying depictions of sexual assault and dehumanization with no promise of any positive outcome. At every opportunity to allow for some sort of progression of the main character into a consenting member, some shift takes place that ensures only the vilest of happenings will be presented. It is as though the author does not wish for the character to enter any sort of willing state.
I feel it almost unnecessary to point out the dangerous implications of spreading this sort of message.
What’s more, it is almost laughable that the author expects the readers to genuinely assent that the main character will become a consenting member and fall in love with the male characters. With sexual assault at every turn for this character, how the author insists she begins to feel anything but the deepest loathing is beyond me. The most nonsensical of matters is how the murder they committed is even still a reason for the smallest remains of hatred, as though the violation and dehumanization of her very being is nothing more than a footnote.
Where it concerns kink, it is blatantly apparent how this would not conform. Consent, conversation, and collective understanding are all key parts in kink, especially as it applies to CNC. Where it concerns trauma-related engagement, I can assure you this does not provide the sought after effect. The continuous and unrelenting progression of the assaults does not provide the umbrella of safety that is sought for this reason.
There remains nothing more than those who have been deeply programmed by the patriarchy, by the “first world” societies that have told us to not just expect but appreciate these kinds of vile acts from men. While people sit here and read these novels, pretending in their mind that they are experiencing these violations for personal pleasure, real people are living it. I find it to be a disgusting display of privilege that these works and the market they provide for exists.
I can promise anyone who finds this type of work to be anything but a psychological horror, they are doing nothing but damaging your psyche, your relationships, and your ability to create them.
And, truly and honestly, if you are going to write such an unfathomably horrific novel, have the decency to ensure your main character isn’t a two-dimensional, walking cardboard cut-out of a person. That, and your male characters aren’t the most infuriatingly contradicting “morally grey villain”. Like, really, if you’re going to write a bad guy, don't be a coward and pretend they aren't. That, or accept that the entire work is a big joke with how much hypocrisy and, I am fully serious, homoeroticism these dudes express.
If Knox wanted to jerk his friends off, he didn’t need to subject Nim to sexual assault to do it.
In all seriousness, you can't have rape/torture porn and terrible writing in the same work. Pick a struggle.