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台风眼
正经版文案：
梁思喆回想自己当上影帝的历程，大抵算是命运垂青，而曹烨是他命运里不可或缺的一环。
不靠谱版文案：
某天，曹烨煞有介事地宣布了一个爆炸新闻，他跟影帝梁思喆在一起了！
然而他的狐朋狗友们却一个也没有表示震惊。
友人A：全世界只有你们俩才刚刚知道这个消息好不好？
友人B：你俩之前居然都不叫在一起？
友人C：你们是不是反应迟钝？居然才醒过味儿来。
友人D：哦，我以为你们已经分分合合八百次了。
娱乐圈，浪子x妖孽，互攻，慢热。
少年和成年两条线交替进行，章节名中N=现在，P=过去
文名相关：
台风眼，即台风中心，是发生在热带海洋上的强烈天气系统，从外围到中心最初逐步增加，然后迅速增加，但到了直径数十公里的中心区域内，风力迅速减小，降雨停止，出现了白天可看到阳光夜晚可见到星星的少云天空。（摘自百度百科）
梁思喆回想自己当上影帝的历程，大抵算是命运垂青，而曹烨是他命运里不可或缺的一环。
不靠谱版文案：
某天，曹烨煞有介事地宣布了一个爆炸新闻，他跟影帝梁思喆在一起了！
然而他的狐朋狗友们却一个也没有表示震惊。
友人A：全世界只有你们俩才刚刚知道这个消息好不好？
友人B：你俩之前居然都不叫在一起？
友人C：你们是不是反应迟钝？居然才醒过味儿来。
友人D：哦，我以为你们已经分分合合八百次了。
娱乐圈，浪子x妖孽，互攻，慢热。
少年和成年两条线交替进行，章节名中N=现在，P=过去
文名相关：
台风眼，即台风中心，是发生在热带海洋上的强烈天气系统，从外围到中心最初逐步增加，然后迅速增加，但到了直径数十公里的中心区域内，风力迅速减小，降雨停止，出现了白天可看到阳光夜晚可见到星星的少云天空。（摘自百度百科）
1807 pages, ebook
First published June 1, 2019
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Displaying 1 - 13 of 13 reviews
June 20, 2026
This novel is so beautiful and so perfect! I'm crying so hard! 台风眼 / Typhoon Eye / The Eye of the Storm is an incredibly tender, patient, and emotionally intelligent novel about love, memory, healing, and finding your way back to someone after so many long years. 10 years! Rather than relying on shocking twists or overwhelming angst, 潭石 /Tan Shi built the emotional weight through countless quiet moments that accumulate until they become impossible to ignore. When I say that the slowburn here is slow, IT REALLY BURNS. It's a gentle flame that you will not notice until you're already fully engulfed. Every single thing carried meaning. I'm so glad I don't know anything about this book because every single thing hit me on the right spot. By the end, not emotional simply because Liang Sizhe and Cao Ye finally ended up together but because I had watched two people slowly learn how to forgive themselves, understand each other, and finally believe that they deserved to be loved. I feel like I've known them my whole life. THEY'RE SO PRECIOUS, I'M GONNA DIE!
One of the things I admired most was Tan Shi's writing itself. The story constantly moves between the past and the present, but the transitions are so seamless that I never felt like I was reading two separate timelines. Every flashback arrives exactly when it's needed, answering an emotional question raised in the present, and every return to the present carries a completely different weight because of what we've just learned. It feels very cinematic, fittingly so for a novel centered around filmmaking. The past never exists simply to explain events because it breathes life into the present, allowing every revelation to land at exactly the right moment. It reminded me that memories don't appear in chronological order; they surface when our hearts are finally ready to confront them. It's just so good.
What amazed me even more was how intimate this novel feels despite having so little physical intimacy (they only got together very much later, and they're so HOT). There are head pats, quiet conversations, shared meals, running lines together, watching movies side by side, greeting each other, and simply existing in each other's presence. Somehow those moments feel far more romantic than countless kisses in other stories. Every interaction is built on understanding rather than possession, on remembering rather than demanding. Their relationship convinced me that intimacy isn't measured by how often two people touch each other, but by how completely they see one another. My bones were aching from so much feelings! And reading this honestly felt like I was courting Liang Sizhe and Cao Ye while, somehow, they were also courting me. I don't even know how to explain that feeling properly, it was as if every chapter quietly invited me to fall in love with them alongside each other.
“He hadn’t had a drink, yet he felt a bit drunk. He had to try his best to stay sober. Quit smoking, quit drinking, quit you. It was too hard.”
The yearning throughout this novel is almost UNBEARABLE. The slowburn was really burning for ten whole years! Every missed opportunity, every preserved photograph, every hidden birthday message, every unsent confession, every remembered sentence, every lingering glance slowly accumulates until the confession feels less like the beginning of their love and more like permission to finally say aloud what had always existed. Even the people around them was surprised because they thought that they've been just breaking up and getting back together over and over again, they love each other so much everyone knows it except themselves. But I never found those years frustrating because the novel carefully shows why they couldn't have been together any earlier. They were becoming people capable of loving each other without destroying themselves first. Those ten years really hurt, but every second of that waiting made the eventual reunion infinitely more heart-wrenching to me.
“That cloud has drifted over.”
I didn't know a simple line could make me cry so hard! The symbolism throughout the novel is equally breathtaking. I especially loved the recurring imagery of clouds. How they both wait for it to drift over; for each other to meet. Likewise, birthdays become much more than celebrations. Every birthday reminds them that time continues moving forward, but love quietly waits until both people are finally ready. And Yinsi Street completely broke me. It isn't simply the place where they met, it becomes another character in the story, holding the happiest parts of their youth and everything they shared before life pulled them apart.
“If he took another step forward, would even this last bit of warmth in his life be taken away by the heavens because of his greed? Cao Ye said he would help him win another Best Actor award, but even if he won ten more, what meaning would it have for him?”
I also adored how filmmaking itself becomes another language of love. Liang Sizhe and Cao Ye don't simply work in cinema, it shapes the way they understand each other. Liang Sizhe expresses truths through documentaries when words aren't enough. Cao Ye records memories because he cannot bear the thought of losing them. Acting, directing, scripts, cameras, and films become extensions of their emotions. And honestly, every film here (Thirteen Days; Ren Men, Red Women; River of No Return; The Darkest Choice; Liang Sheng's Dream of Zhu, etc.) created had their own wonderful and convincing plot, that adds significant to the story. I feel like Tan Shi is a genius like Cao Xiuyuan, everything pulls you inside the novel.
“Happy 17th birthday, to the other Xiao Man in the world. You will always be the most beautiful boy.”
This book is ultimately a story about healing, remembrance, forgiveness, and choosing someone over and over again despite fear, trauma, distance, and time. Everything about this book is just so beautifully done, I am torned between wishing for more or letting my tear ducts rest. I'm so affected! Somehow, this book reminds us that sometimes the greatest act of love isn't changing someone's past, but gently changing the story they've been telling themselves about it. Liang Sizhe loves Cao Ye with such quiet, unwavering devotion that he reshapes the way Cao Ye understands his own existence, while Cao Ye, with all his warmth and sincerity, becomes the one person who finally teaches Liang Sizhe that success no longer has to be lonely. Ten years, bro!!! So much yearning!! So much love! And every single second of that journey was so worth it. I feel like a proud parent. Their love languages to each other is so amazing to me, especially Liang Sizhe's! My god! I can't help but cry, they deserve to be happy together.
⊹₊ ⋆˚ ༘ ೀ⋆｡˚
.·°՞(っ-ᯅ-ς)՞°·.
Spoilers below! Beware! I want to explore some things I've noticed about the story, so there will be spoilers below. Not really big spoilers but still, read at your own risk.
⊹₊ ⋆˚ ༘ ೀ⋆｡˚
“Liang Sizhe had no idea that Cao Ye had filmed so much back then—Caesar, Xiao Bai, the fruit shop across the street, Old Du’s Noodle House, and Xiao Ke’s Video Hall down the street were all captured by his lens. Besides that, it was all Liang Sizhe.”
Liang Sizhe has easily become one of my favorite male leads of all time. On the surface, he's calm, composed, talented, and effortlessly mature, but underneath that composure is someone who has quietly carried loneliness, longing, and restraint for years. What makes him unforgettable isn't simply how deeply he loves Cao Ye, but the way he chooses to love him. Nearly everything Liang Sizhe does is ultimately for Cao Ye's sake. He spends years creating a documentary, interviewing people and piecing together memories, not to redeem Cao Ye's father, but to free Cao Ye from the guilt he has carried since childhood. He worries about paparazzi because he wants Cao Ye to continue living freely. He notices every insecurity before Cao Ye ever voices it and gently reassures him without asking for recognition. Even when Cao Ye offers him the script of Thirteen Days—something that transformed Liang Sizhe's career—he quietly places it back into Cao Ye's hands because protecting Cao Ye's innocence matters more to him than his own success. Liang Sizhe never tries to possess Cao Ye or rush him toward answers. His love is patient, observant, and incredibly selfless. He remembers birthdays for ten years, carries hard drives filled with memories, preserves DVDs, learns absinthe tricks, and quietly builds bridges back to Cao Ye even while believing Cao Ye may never cross them. He even stopped acting for two years and directed a film for Cao Ye and his own salvation! His patience isn't passive; it's an active expression of unwavering love.
“The way you’ve grown up now is what proves how precious this day was 26 years ago.”
And then there's Cao Ye, my precious boy, who completely stole my heart. He spends so much of the novel believing that his very existence was a mistake, carrying shame and guilt that never belonged to him, yet despite everything, he remains unbelievably warm, sincere, optimistic, and kind. He loves instinctively, giving without calculating what he'll receive in return. He remembers other people's happiness while forgetting his own birthday, preserves Yinsi Street because he believes memories deserve somewhere to live, and quietly carries Liang Sizhe in his heart long before he understands what those feelings truly mean. Watching him gradually realize that he was born from love rather than regret absolutely shattered me. Liang Sizhe doesn't simply tell him that his mother loved him, he spends years gathering proof because he knows Cao Ye would never believe empty reassurance. The documentary Liang Sizhe gave him redeems his existence. It gives him permission to stop apologizing for being born. One of my favorite aspects of his development is that he slowly stops defining himself by what he's trying to escape. At the beginning, every important decision he makes comes from avoidance: avoiding Liang Sizhe, avoiding Yinsi Street, avoiding memories, avoiding birthdays, avoiding cameras, avoiding his feelings, and avoiding becoming like his father. By the end, he's finally choosing what he wants instead. He wants to stay beside Liang Sizhe, make films together, grow old together, and build a future instead of running from the past. That growth felt so deeply earned. My precious boy!
“That was the most vivid and vibrant scene of his youth.”
Also, Cao Ye preserving a part of Yinsi Street by creating Burn there felt also like one of the purest expressions of love I've ever read. He wasn't preserving buildings; he was preserving the place where Liang Sizhe existed beside him, where their happiest memories were born. It feels so unmistakably like Cao Ye: to quietly protect a place because it once held someone precious. The novel constantly reminds us that places themselves aren't what we miss. We miss who we were and who we loved when we stood there.
I also appreciated how the novel handled Cao Ye's internalized homophobia and hints of compulsory heterosexuality with remarkable nuance. It never portrays him as someone who believes loving another man is inherently wrong. Instead, his feelings are deeply intertwined with childhood trauma. The only same-sex relationship he ever witnessed was through Cao Xiuyuan, and in Cao Ye's mind, loving a man became inseparable from betrayal, scandal, and the destruction of his family. His fear isn't really about being gay, it is about becoming the father he spent years resenting. That's why he keeps rationalizing his feelings for Liang Sizhe, dating women, convincing himself that the "normal" path is the right one, and refusing to examine why Liang Sizhe occupies such an irreplaceable place in his life. Once the documentary helps him untangle his understanding of his parents, he also begins untangling the shame he unknowingly attached to love itself. Watching him realize that loving Liang Sizhe doesn't mean repeating Cao Xiuyuan's mistakes was one of the most quietly beautiful emotional arcs in the entire novel. It was so well done.
And that, to me, is also what makes Liang Sizhe and Cao Ye's relationship so extraordinary. They never try to fix one another, they just patiently help each other heal. Liang Sizhe never pressures Cao Ye to reconcile with Cao Xiuyuan, he simply wants Cao Ye to reconcile with himself. Cao Ye, meanwhile, gently reminds Liang Sizhe that his parents' ending doesn't have to become theirs. They spend the novel quietly saving each other from fears that have followed them for years. Everything they do comes from wanting the other person to hurt a little less and smile a little more. They love differently, yet their love languages fit together perfectly! Cao Ye loves through instinct, rushing toward Liang Sizhe without fully understanding why. Liang Sizhe loves through restraint, filtering every emotion through one question: "Will this hurt Cao Ye?" Neither of them loves the other more, they simply express it in different ways.
The ending could not have been more perfect. After ten years of quietly loving each other through distance, fear, misunderstandings, and longing, Liang Sizhe stands on that stage and publicly says, “. . . Yes, I’m in love.” He was choosing Cao Ye over fear, over cameras, over public scrutiny, and over everything that had once convinced him to remain silent. When he continues with, “From now on, my successes and failures, my trophies and my life, are all shared with you.” I completely fell apart. The novel begins with Cao Ye trying to hand Liang Sizhe a future through Thirteen Days, and Liang Sizhe refusing because he wanted Cao Ye to keep that future for himself. But still, Liang Sizhe had a future he couldn't imagine because of Cao Ye's boundless kindness. Liang Sizhe is so right, how can Cao Ye be so adorable? My heart is getting squeezed every time. And years later, Liang Sizhe gives Cao Ye something even greater. Not a trophy, not fame, not success, but a place beside every success and every failure he will ever have. Everything that once belonged only to Liang Sizhe becomes theirs. I'm so, so, on the floor!
Also before my yapping ends, I want to acknowledge Uncle Zheng Yin, Caesar, Xiao Bai, Xiao Xiao Bai, Little Caesar, and Li You, and many other side characters. I liked them all a lot, even cried for them. I was really shipping Zheng Yin and Cao Xiuyuan and had a mini celebration for them, but it was all for nothing. I lowkey hate Cao Xiuyuan, but I can also appreciate how genuinely brilliant he is. This novel was really amazing. I don't even know how to end this. It was just so good. ദ്ദി╥ ᴗ ╥)
One of the things I admired most was Tan Shi's writing itself. The story constantly moves between the past and the present, but the transitions are so seamless that I never felt like I was reading two separate timelines. Every flashback arrives exactly when it's needed, answering an emotional question raised in the present, and every return to the present carries a completely different weight because of what we've just learned. It feels very cinematic, fittingly so for a novel centered around filmmaking. The past never exists simply to explain events because it breathes life into the present, allowing every revelation to land at exactly the right moment. It reminded me that memories don't appear in chronological order; they surface when our hearts are finally ready to confront them. It's just so good.
What amazed me even more was how intimate this novel feels despite having so little physical intimacy (they only got together very much later, and they're so HOT). There are head pats, quiet conversations, shared meals, running lines together, watching movies side by side, greeting each other, and simply existing in each other's presence. Somehow those moments feel far more romantic than countless kisses in other stories. Every interaction is built on understanding rather than possession, on remembering rather than demanding. Their relationship convinced me that intimacy isn't measured by how often two people touch each other, but by how completely they see one another. My bones were aching from so much feelings! And reading this honestly felt like I was courting Liang Sizhe and Cao Ye while, somehow, they were also courting me. I don't even know how to explain that feeling properly, it was as if every chapter quietly invited me to fall in love with them alongside each other.
“He hadn’t had a drink, yet he felt a bit drunk. He had to try his best to stay sober. Quit smoking, quit drinking, quit you. It was too hard.”
The yearning throughout this novel is almost UNBEARABLE. The slowburn was really burning for ten whole years! Every missed opportunity, every preserved photograph, every hidden birthday message, every unsent confession, every remembered sentence, every lingering glance slowly accumulates until the confession feels less like the beginning of their love and more like permission to finally say aloud what had always existed. Even the people around them was surprised because they thought that they've been just breaking up and getting back together over and over again, they love each other so much everyone knows it except themselves. But I never found those years frustrating because the novel carefully shows why they couldn't have been together any earlier. They were becoming people capable of loving each other without destroying themselves first. Those ten years really hurt, but every second of that waiting made the eventual reunion infinitely more heart-wrenching to me.
“That cloud has drifted over.”
I didn't know a simple line could make me cry so hard! The symbolism throughout the novel is equally breathtaking. I especially loved the recurring imagery of clouds. How they both wait for it to drift over; for each other to meet. Likewise, birthdays become much more than celebrations. Every birthday reminds them that time continues moving forward, but love quietly waits until both people are finally ready. And Yinsi Street completely broke me. It isn't simply the place where they met, it becomes another character in the story, holding the happiest parts of their youth and everything they shared before life pulled them apart.
“If he took another step forward, would even this last bit of warmth in his life be taken away by the heavens because of his greed? Cao Ye said he would help him win another Best Actor award, but even if he won ten more, what meaning would it have for him?”
I also adored how filmmaking itself becomes another language of love. Liang Sizhe and Cao Ye don't simply work in cinema, it shapes the way they understand each other. Liang Sizhe expresses truths through documentaries when words aren't enough. Cao Ye records memories because he cannot bear the thought of losing them. Acting, directing, scripts, cameras, and films become extensions of their emotions. And honestly, every film here (Thirteen Days; Ren Men, Red Women; River of No Return; The Darkest Choice; Liang Sheng's Dream of Zhu, etc.) created had their own wonderful and convincing plot, that adds significant to the story. I feel like Tan Shi is a genius like Cao Xiuyuan, everything pulls you inside the novel.
“Happy 17th birthday, to the other Xiao Man in the world. You will always be the most beautiful boy.”
This book is ultimately a story about healing, remembrance, forgiveness, and choosing someone over and over again despite fear, trauma, distance, and time. Everything about this book is just so beautifully done, I am torned between wishing for more or letting my tear ducts rest. I'm so affected! Somehow, this book reminds us that sometimes the greatest act of love isn't changing someone's past, but gently changing the story they've been telling themselves about it. Liang Sizhe loves Cao Ye with such quiet, unwavering devotion that he reshapes the way Cao Ye understands his own existence, while Cao Ye, with all his warmth and sincerity, becomes the one person who finally teaches Liang Sizhe that success no longer has to be lonely. Ten years, bro!!! So much yearning!! So much love! And every single second of that journey was so worth it. I feel like a proud parent. Their love languages to each other is so amazing to me, especially Liang Sizhe's! My god! I can't help but cry, they deserve to be happy together.
⊹₊ ⋆˚ ༘ ೀ⋆｡˚
.·°՞(っ-ᯅ-ς)՞°·.
Spoilers below! Beware! I want to explore some things I've noticed about the story, so there will be spoilers below. Not really big spoilers but still, read at your own risk.
⊹₊ ⋆˚ ༘ ೀ⋆｡˚
“Liang Sizhe had no idea that Cao Ye had filmed so much back then—Caesar, Xiao Bai, the fruit shop across the street, Old Du’s Noodle House, and Xiao Ke’s Video Hall down the street were all captured by his lens. Besides that, it was all Liang Sizhe.”
Liang Sizhe has easily become one of my favorite male leads of all time. On the surface, he's calm, composed, talented, and effortlessly mature, but underneath that composure is someone who has quietly carried loneliness, longing, and restraint for years. What makes him unforgettable isn't simply how deeply he loves Cao Ye, but the way he chooses to love him. Nearly everything Liang Sizhe does is ultimately for Cao Ye's sake. He spends years creating a documentary, interviewing people and piecing together memories, not to redeem Cao Ye's father, but to free Cao Ye from the guilt he has carried since childhood. He worries about paparazzi because he wants Cao Ye to continue living freely. He notices every insecurity before Cao Ye ever voices it and gently reassures him without asking for recognition. Even when Cao Ye offers him the script of Thirteen Days—something that transformed Liang Sizhe's career—he quietly places it back into Cao Ye's hands because protecting Cao Ye's innocence matters more to him than his own success. Liang Sizhe never tries to possess Cao Ye or rush him toward answers. His love is patient, observant, and incredibly selfless. He remembers birthdays for ten years, carries hard drives filled with memories, preserves DVDs, learns absinthe tricks, and quietly builds bridges back to Cao Ye even while believing Cao Ye may never cross them. He even stopped acting for two years and directed a film for Cao Ye and his own salvation! His patience isn't passive; it's an active expression of unwavering love.
“The way you’ve grown up now is what proves how precious this day was 26 years ago.”
And then there's Cao Ye, my precious boy, who completely stole my heart. He spends so much of the novel believing that his very existence was a mistake, carrying shame and guilt that never belonged to him, yet despite everything, he remains unbelievably warm, sincere, optimistic, and kind. He loves instinctively, giving without calculating what he'll receive in return. He remembers other people's happiness while forgetting his own birthday, preserves Yinsi Street because he believes memories deserve somewhere to live, and quietly carries Liang Sizhe in his heart long before he understands what those feelings truly mean. Watching him gradually realize that he was born from love rather than regret absolutely shattered me. Liang Sizhe doesn't simply tell him that his mother loved him, he spends years gathering proof because he knows Cao Ye would never believe empty reassurance. The documentary Liang Sizhe gave him redeems his existence. It gives him permission to stop apologizing for being born. One of my favorite aspects of his development is that he slowly stops defining himself by what he's trying to escape. At the beginning, every important decision he makes comes from avoidance: avoiding Liang Sizhe, avoiding Yinsi Street, avoiding memories, avoiding birthdays, avoiding cameras, avoiding his feelings, and avoiding becoming like his father. By the end, he's finally choosing what he wants instead. He wants to stay beside Liang Sizhe, make films together, grow old together, and build a future instead of running from the past. That growth felt so deeply earned. My precious boy!
“That was the most vivid and vibrant scene of his youth.”
Also, Cao Ye preserving a part of Yinsi Street by creating Burn there felt also like one of the purest expressions of love I've ever read. He wasn't preserving buildings; he was preserving the place where Liang Sizhe existed beside him, where their happiest memories were born. It feels so unmistakably like Cao Ye: to quietly protect a place because it once held someone precious. The novel constantly reminds us that places themselves aren't what we miss. We miss who we were and who we loved when we stood there.
I also appreciated how the novel handled Cao Ye's internalized homophobia and hints of compulsory heterosexuality with remarkable nuance. It never portrays him as someone who believes loving another man is inherently wrong. Instead, his feelings are deeply intertwined with childhood trauma. The only same-sex relationship he ever witnessed was through Cao Xiuyuan, and in Cao Ye's mind, loving a man became inseparable from betrayal, scandal, and the destruction of his family. His fear isn't really about being gay, it is about becoming the father he spent years resenting. That's why he keeps rationalizing his feelings for Liang Sizhe, dating women, convincing himself that the "normal" path is the right one, and refusing to examine why Liang Sizhe occupies such an irreplaceable place in his life. Once the documentary helps him untangle his understanding of his parents, he also begins untangling the shame he unknowingly attached to love itself. Watching him realize that loving Liang Sizhe doesn't mean repeating Cao Xiuyuan's mistakes was one of the most quietly beautiful emotional arcs in the entire novel. It was so well done.
And that, to me, is also what makes Liang Sizhe and Cao Ye's relationship so extraordinary. They never try to fix one another, they just patiently help each other heal. Liang Sizhe never pressures Cao Ye to reconcile with Cao Xiuyuan, he simply wants Cao Ye to reconcile with himself. Cao Ye, meanwhile, gently reminds Liang Sizhe that his parents' ending doesn't have to become theirs. They spend the novel quietly saving each other from fears that have followed them for years. Everything they do comes from wanting the other person to hurt a little less and smile a little more. They love differently, yet their love languages fit together perfectly! Cao Ye loves through instinct, rushing toward Liang Sizhe without fully understanding why. Liang Sizhe loves through restraint, filtering every emotion through one question: "Will this hurt Cao Ye?" Neither of them loves the other more, they simply express it in different ways.
The ending could not have been more perfect. After ten years of quietly loving each other through distance, fear, misunderstandings, and longing, Liang Sizhe stands on that stage and publicly says, “. . . Yes, I’m in love.” He was choosing Cao Ye over fear, over cameras, over public scrutiny, and over everything that had once convinced him to remain silent. When he continues with, “From now on, my successes and failures, my trophies and my life, are all shared with you.” I completely fell apart. The novel begins with Cao Ye trying to hand Liang Sizhe a future through Thirteen Days, and Liang Sizhe refusing because he wanted Cao Ye to keep that future for himself. But still, Liang Sizhe had a future he couldn't imagine because of Cao Ye's boundless kindness. Liang Sizhe is so right, how can Cao Ye be so adorable? My heart is getting squeezed every time. And years later, Liang Sizhe gives Cao Ye something even greater. Not a trophy, not fame, not success, but a place beside every success and every failure he will ever have. Everything that once belonged only to Liang Sizhe becomes theirs. I'm so, so, on the floor!
Also before my yapping ends, I want to acknowledge Uncle Zheng Yin, Caesar, Xiao Bai, Xiao Xiao Bai, Little Caesar, and Li You, and many other side characters. I liked them all a lot, even cried for them. I was really shipping Zheng Yin and Cao Xiuyuan and had a mini celebration for them, but it was all for nothing. I lowkey hate Cao Xiuyuan, but I can also appreciate how genuinely brilliant he is. This novel was really amazing. I don't even know how to end this. It was just so good. ദ്ദി╥ ᴗ ╥)
December 22, 2021
Mắt Bão - Đàm Thạch
Bạn biết vì sao mọi người luôn yêu thích kết cục viên mãn không? Bởi vì dừng ở đó là vừa vặn, nếu tiếp tục sẽ có những mâu thuẫn, những chuyện lông gà vỏ tỏi không lường trước được. Cuộc sống là vậy, không ai ngoại lệ.
Lương Tư Triết đột ngột nhận lời đóng thế cho ngôi sao mới bị hất cẳng vì chơi mai thúy, nói là muốn báo ơn cho ân nhân năm xưa, việc này gây ra làn sóng dư luận không nhỏ. Nhưng không mấy ai biết ân nhân trong miệng ảnh đế Lương không phải đạo diễn lừng danh Tào Tu Viễn đã nâng đỡ anh nhiều năm, mà là con trai của ông ấy - Tào Diệp.
Quét mìn : trước khi quen nhau hai anh có yêu đương với gái, Tào Diệp còn lên giường với gái nữa, hỗ công
Kể chuyện xen kẽ quá khứ - hiện tại, gây tò mò chuyện gì đã xảy ra giữa Lương Tư Triết và Tào Diệp, vì sao sau 10 năm hai người lại trở mặt, tính cách cũng thay đổi nhiều tới thế. Ở Nhân Tứ 10 năm trước, cậu bé Lương Tư Triết ảm đạm sau tai nạn mất đi người thân, mất luôn khả năng chơi đàn violin gặp gỡ và cạnh tranh vai diễn với Tào Diệp, khi ấy vẫn là thiếu niên dương quang, bị ánh sáng của ba mình làm chói mắt.
Ở đoạn quá khứ thấy kể Lương Tư Triết thảm quá tui nghĩ Tào Diệp cũng phải thảm y chang mới được, nếu ẻm mãi là công tử bột vô lo vô nghĩ thì sẽ không thể nào hiểu được LTT. Sau đó thì biến cố bắt cả hai phải lựa chọn, gia đình của Tào Diệp cũng vỡ làm đôi.
Con người thật sự tham lam, Lương Tư Triết nghĩ, có củi khô bốc lửa, lại bắt đầu chờ mong khe nhỏ sông dài và thiên trường địa cửu.
Bộ này nêu quan điểm về hôn nhân và tình yêu khá sâu sắc , lý do Lương Tư Triết quay Lương sinh Chúc mộng , tại sao mẹ Lê Du không nói cho con trai biết sự thật về hôn nhân của mình và Tào Tu Viễn, . Ám ảnh tâm lý của Tào Diệp khiến cậu ngắc ngoải suốt mấy năm ròng, yêu qua đường, làm bạn giường, nhưng ánh mắt thật ra luôn hướng về Lương Tư Triết.
"Anh ấy nói xem cái tốt thì kiêu ngạo, xem cái xấu thì bực mình."
Thật ra tui cũng không tin tình yêu vĩnh cửu lắm, người ta có thể lấy nhau vì tình, nhưng sẽ ngày càng phai nhạt dần, cuối cùng chỉ sống với nhau vì nghĩa mà thôi. Với lại tình yêu cũng là do hormone trong cơ thể, tới lúc hormone mệt rồi thì hết yêu. Nhiều đoạn đọc mà thấy khổ cho hai người quá trời, đoạn em chó mất cũng xúc động nữa.
"Cách để tình yêu luôn vĩnh hằng, một là không bao giờ có được, hai là đánh mất ngay khi có được."
Điểm trừ: không thích cách Tào Diệp làm bạn giường với gái, không thấy thuyết phục với char dev của ẻm lắm.
Hỗ công nhưng tui mặc định Tư Triết mới là 1 nha :))) ngầu đét còn gì, khoái nhất cảnh giơ ngón giữa đeo nhẫn vào mặt phóng viên :))) truyện hỗ công ai có tinh thần vững hơn thì người đó là 1 , chấp nhận quan điểm này :> Tư Triết nhượng bộ em quá chứ không gì :))
' Lương Tư Triết giơ ngón giữa này lên, sự im lặng mang nhiều ý nghĩa hơn là lời nói, anh không nói gì, nhưng những người có mặt đều biết anh muốn nói gì…
“Biến, chúng tôi đang yêu nhau cuồng nhiệt.” '
"Sau này đắc ý và ngã lòng, cúp thưởng và cuộc đời, anh đều chia sẻ cùng em."
"Em mãi mãi là thiếu niên tốt đẹp nhất."
Bạn biết vì sao mọi người luôn yêu thích kết cục viên mãn không? Bởi vì dừng ở đó là vừa vặn, nếu tiếp tục sẽ có những mâu thuẫn, những chuyện lông gà vỏ tỏi không lường trước được. Cuộc sống là vậy, không ai ngoại lệ.
Lương Tư Triết đột ngột nhận lời đóng thế cho ngôi sao mới bị hất cẳng vì chơi mai thúy, nói là muốn báo ơn cho ân nhân năm xưa, việc này gây ra làn sóng dư luận không nhỏ. Nhưng không mấy ai biết ân nhân trong miệng ảnh đế Lương không phải đạo diễn lừng danh Tào Tu Viễn đã nâng đỡ anh nhiều năm, mà là con trai của ông ấy - Tào Diệp.
Quét mìn : trước khi quen nhau hai anh có yêu đương với gái, Tào Diệp còn lên giường với gái nữa, hỗ công
Kể chuyện xen kẽ quá khứ - hiện tại, gây tò mò chuyện gì đã xảy ra giữa Lương Tư Triết và Tào Diệp, vì sao sau 10 năm hai người lại trở mặt, tính cách cũng thay đổi nhiều tới thế. Ở Nhân Tứ 10 năm trước, cậu bé Lương Tư Triết ảm đạm sau tai nạn mất đi người thân, mất luôn khả năng chơi đàn violin gặp gỡ và cạnh tranh vai diễn với Tào Diệp, khi ấy vẫn là thiếu niên dương quang, bị ánh sáng của ba mình làm chói mắt.
Ở đoạn quá khứ thấy kể Lương Tư Triết thảm quá tui nghĩ Tào Diệp cũng phải thảm y chang mới được, nếu ẻm mãi là công tử bột vô lo vô nghĩ thì sẽ không thể nào hiểu được LTT. Sau đó thì biến cố bắt cả hai phải lựa chọn, gia đình của Tào Diệp cũng vỡ làm đôi.
Con người thật sự tham lam, Lương Tư Triết nghĩ, có củi khô bốc lửa, lại bắt đầu chờ mong khe nhỏ sông dài và thiên trường địa cửu.
Bộ này nêu quan điểm về hôn nhân và tình yêu khá sâu sắc , lý do Lương Tư Triết quay Lương sinh Chúc mộng , tại sao mẹ Lê Du không nói cho con trai biết sự thật về hôn nhân của mình và Tào Tu Viễn, . Ám ảnh tâm lý của Tào Diệp khiến cậu ngắc ngoải suốt mấy năm ròng, yêu qua đường, làm bạn giường, nhưng ánh mắt thật ra luôn hướng về Lương Tư Triết.
"Anh ấy nói xem cái tốt thì kiêu ngạo, xem cái xấu thì bực mình."
Thật ra tui cũng không tin tình yêu vĩnh cửu lắm, người ta có thể lấy nhau vì tình, nhưng sẽ ngày càng phai nhạt dần, cuối cùng chỉ sống với nhau vì nghĩa mà thôi. Với lại tình yêu cũng là do hormone trong cơ thể, tới lúc hormone mệt rồi thì hết yêu. Nhiều đoạn đọc mà thấy khổ cho hai người quá trời, đoạn em chó mất cũng xúc động nữa.
"Cách để tình yêu luôn vĩnh hằng, một là không bao giờ có được, hai là đánh mất ngay khi có được."
Điểm trừ: không thích cách Tào Diệp làm bạn giường với gái, không thấy thuyết phục với char dev của ẻm lắm.
Hỗ công nhưng tui mặc định Tư Triết mới là 1 nha :))) ngầu đét còn gì, khoái nhất cảnh giơ ngón giữa đeo nhẫn vào mặt phóng viên :))) truyện hỗ công ai có tinh thần vững hơn thì người đó là 1 , chấp nhận quan điểm này :> Tư Triết nhượng bộ em quá chứ không gì :))
' Lương Tư Triết giơ ngón giữa này lên, sự im lặng mang nhiều ý nghĩa hơn là lời nói, anh không nói gì, nhưng những người có mặt đều biết anh muốn nói gì…
“Biến, chúng tôi đang yêu nhau cuồng nhiệt.” '
"Sau này đắc ý và ngã lòng, cúp thưởng và cuộc đời, anh đều chia sẻ cùng em."
"Em mãi mãi là thiếu niên tốt đẹp nhất."
May 16, 2026
Liang Sizhe is a violin prodigy who, because of a tragic accident, can no longer play. Violin was his entire life, and without it he has no idea what his future is supposed to look like. Lost and hopeless, he is suddenly scouted by a film director for an upcoming movie. To prepare for the audition, he is moved into a shabby room in a rundown neighborhood, where he ends up sharing a space with the director’s son, Cao Ye, who is also preparing for a role.
I was completely immersed in this novel. The story alternates seamlessly between the past and present, with the present timeline taking place ten years after Liang Sizhe was first scouted. From the beginning, the reader knows there was a falling out between them, but the novel only offers vague clues about what happened. It creates this constant sense of anticipation that made the story feel incredibly hard to put down. I was equally invested in uncovering the past and seeing how things unfolded in the present, and I never found myself preferring one timeline over the other.
The novel has a deeply melancholic tone, and I also found it surprisingly unpredictable. Every reveal felt carefully placed, and the emotional moments hit even harder because of it. The writing itself was very lyrical, especially in Liang Sizhe’s introspective POV. His thoughts are restrained but emotionally heavy, and the prose captures his grief and loneliness beautifully.
I also loved how well both characters were portrayed and how naturally they grew over the years. Liang Sizhe is closed off and introspective, yet noticeably more open around Cao Ye. In contrast, Cao Ye is naive, outgoing, and wears his emotions on his sleeve, which made him incredibly lovable.
I was completely immersed in this novel. The story alternates seamlessly between the past and present, with the present timeline taking place ten years after Liang Sizhe was first scouted. From the beginning, the reader knows there was a falling out between them, but the novel only offers vague clues about what happened. It creates this constant sense of anticipation that made the story feel incredibly hard to put down. I was equally invested in uncovering the past and seeing how things unfolded in the present, and I never found myself preferring one timeline over the other.
The novel has a deeply melancholic tone, and I also found it surprisingly unpredictable. Every reveal felt carefully placed, and the emotional moments hit even harder because of it. The writing itself was very lyrical, especially in Liang Sizhe’s introspective POV. His thoughts are restrained but emotionally heavy, and the prose captures his grief and loneliness beautifully.
I also loved how well both characters were portrayed and how naturally they grew over the years. Liang Sizhe is closed off and introspective, yet noticeably more open around Cao Ye. In contrast, Cao Ye is naive, outgoing, and wears his emotions on his sleeve, which made him incredibly lovable.
Want to Read
January 29, 2026Eye of the storm -
April 20, 2023
The story is set in the film industry, about a movie star and a producer. It alternates between flashbacks and present day, from when they first meet to their lives now. I like the leads a lot: they are flawed, yet still so lovable and human. They have tons of chemistry and understand each other much more than anybody else. You can't help but root for them.
What I love most about this book is how grounded it feels. There are no easy way out for these characters' predicaments; for the sake of their careers, they have to make difficult decisions that cause their relationship to deteriorate even more. You can't really get mad at either of them, more so at the awful circumstances they are in. Their fallout is devastating yet still makes sense, which makes their reconciliation all the more cathartic. I was fully bawling towards the end because of how invested I was.
Definitely one of my all-time favorites. It's a delicious story with lots to sink your teeth into! Now that I read it, I can say it's totally worth the hype and I completely understand why it's so beloved.
What I love most about this book is how grounded it feels. There are no easy way out for these characters' predicaments; for the sake of their careers, they have to make difficult decisions that cause their relationship to deteriorate even more. You can't really get mad at either of them, more so at the awful circumstances they are in. Their fallout is devastating yet still makes sense, which makes their reconciliation all the more cathartic. I was fully bawling towards the end because of how invested I was.
Definitely one of my all-time favorites. It's a delicious story with lots to sink your teeth into! Now that I read it, I can say it's totally worth the hype and I completely understand why it's so beloved.
July 18, 2025
耽美就是开始了就停不下来…虽然剧情不咋地，但是长情双向美好的爱情谁不要呢
December 31, 2025
Fantastic slow burn romance between film producer Cao Ye, living in the shadow of his famous, award-winning film director father, and movie star Liang Sizhe. We learn about their sweet, complicated past through long flashbacks, while in the present day they’re brought back together when Cao Ye calls Liang Sizhe in to take over a role in a troubled film he’s producing. In close proximity for the first time in years, they reach levels of yearning that are frankly emotionally unhealthy (specifically for us, the readers!) before finally getting their happily ever after.
This novel is sort of a masterpiece of character work, especially in how the story unfurls across a (very intense) decade without their characterizations ever feeling rushed or inconsistent. They know each other better than they know anyone else, for example, which is clear even before you know the full backstory, and yet when Cao Ye’s cousin early on is like “omg I heard my celebrity crush Liang Sizhe is bi” Cao Ye legitimately can’t even say if he knows whether that’s the case. The way the tension between Cao Ye and Liang Sizhe just gets ratcheted up and up and up and up, as the events of the past are slowly revealed and as they tentatively advance and retreat and advance again in the present - PERFECT pacing.
I didn’t expect the level of nuance the book brought to its depiction of queerness, particularly the way in which the possibility of queerness surrounds Cao Ye - his friends (one after another!), his dad and Zheng Yin (!), Liang Sizhe’s filmography with Cao Xiuyuan (the slow reveal of what those films are actually about is WILDly good), his cousin, and the list goes on - and yet he is so committed to ignoring it, for reasons that are... maybe childish, but extremely understandable. In particular this kind of intergenerational trauma that Cao Ye has with regard to his dad which is in fact intergenerational queer trauma, in a way that is very specific to the characters and the story but also felt very universal.
Especially when it comes to the parallels between Cao Xiuyuan’s relationship with his son (straightforward emotional neglect) versus his relationship with Liang Sizhe, who he plucked from obscurity at 17 (mentorship, guidance, general respect and good/professional vibes), versus his relationship with Zhang Minghan, who he also plucked from obscurity at 17 (where the very BEST case scenario is a totally inappropriate sexual relationship between an adult director and his underage lead actor)… versus his relationship with Zheng Yin, frankly! As the story began to wrap up I kept trying to imagine how the author could possibly resolve things with Cao Ye and his dad, and I think the choice to sort of reconcile with Zheng Yin but to NOT resolve things with his dad was really well done. Without ever hitting you over the head with it, this story says - is Cao Xiuyuan, in the universe of the novel, a groundbreaking, generational talent in queer cinema, making films that are undeniably meaningful for the people, especially other queer men, who see them? Yes. Does Cao Xiuyuan treat the people around him, especially other queer men, with respect? No, absolutely not. And the solution to those two facts isn’t to try to pave over one by focusing on the other - it’s to focus on having good relationships AND making good art in your OWN life, actually. (And watch the great queer cinema but don’t stay in touch with your dad who sucks and will never change lol.)
So now we all get why Cao Ye is a little bit iffy about the whole “gay” thing! ;)
Cao Ye was obviously a very meaty, fraught character - but I was also really impressed by how the author pulled off Liang Sizhe’s characterization. When you have a character like that, someone who is so sort of emotionally self-sufficient (in a way which fwiw meant the most accurate-feeling “movie star” character characterization I can think of - it was totally clear why this guy could work productively with a director like Cao Xiuyuan without a second thought, and why he could make it as a major celebrity without psychologically disintegrating), it might be hard to give him any kind of likable fallibility - especially where, as here, his main problem is “oops, I’ve been secretly pining over the MC for a decade.” But Liang Sizhe always worked and always felt fully realized. I think the protective element of his character really humanized him in a believable, sympathetic, occasionally very funny way. (There was a moment when he’s bottoming for the first time where I legit cracked up because I was like…. only THIS guy would have THIS reaction…)
I could definitely feel the serialization of it all in how certain (admittedly boring) plotlines dropped out at the end, while the story hit pretty much every conceivable (admittedly adorable) HEA stage in the last few chapters. I say, as usual - it coulda been an epilogue!
But overall - a really excellent book. I’m looking forward to reading something else by this author at some point!
This novel is sort of a masterpiece of character work, especially in how the story unfurls across a (very intense) decade without their characterizations ever feeling rushed or inconsistent. They know each other better than they know anyone else, for example, which is clear even before you know the full backstory, and yet when Cao Ye’s cousin early on is like “omg I heard my celebrity crush Liang Sizhe is bi” Cao Ye legitimately can’t even say if he knows whether that’s the case. The way the tension between Cao Ye and Liang Sizhe just gets ratcheted up and up and up and up, as the events of the past are slowly revealed and as they tentatively advance and retreat and advance again in the present - PERFECT pacing.
I didn’t expect the level of nuance the book brought to its depiction of queerness, particularly the way in which the possibility of queerness surrounds Cao Ye - his friends (one after another!), his dad and Zheng Yin (!), Liang Sizhe’s filmography with Cao Xiuyuan (the slow reveal of what those films are actually about is WILDly good), his cousin, and the list goes on - and yet he is so committed to ignoring it, for reasons that are... maybe childish, but extremely understandable. In particular this kind of intergenerational trauma that Cao Ye has with regard to his dad which is in fact intergenerational queer trauma, in a way that is very specific to the characters and the story but also felt very universal.
Especially when it comes to the parallels between Cao Xiuyuan’s relationship with his son (straightforward emotional neglect) versus his relationship with Liang Sizhe, who he plucked from obscurity at 17 (mentorship, guidance, general respect and good/professional vibes), versus his relationship with Zhang Minghan, who he also plucked from obscurity at 17 (where the very BEST case scenario is a totally inappropriate sexual relationship between an adult director and his underage lead actor)… versus his relationship with Zheng Yin, frankly! As the story began to wrap up I kept trying to imagine how the author could possibly resolve things with Cao Ye and his dad, and I think the choice to sort of reconcile with Zheng Yin but to NOT resolve things with his dad was really well done. Without ever hitting you over the head with it, this story says - is Cao Xiuyuan, in the universe of the novel, a groundbreaking, generational talent in queer cinema, making films that are undeniably meaningful for the people, especially other queer men, who see them? Yes. Does Cao Xiuyuan treat the people around him, especially other queer men, with respect? No, absolutely not. And the solution to those two facts isn’t to try to pave over one by focusing on the other - it’s to focus on having good relationships AND making good art in your OWN life, actually. (And watch the great queer cinema but don’t stay in touch with your dad who sucks and will never change lol.)
So now we all get why Cao Ye is a little bit iffy about the whole “gay” thing! ;)
Cao Ye was obviously a very meaty, fraught character - but I was also really impressed by how the author pulled off Liang Sizhe’s characterization. When you have a character like that, someone who is so sort of emotionally self-sufficient (in a way which fwiw meant the most accurate-feeling “movie star” character characterization I can think of - it was totally clear why this guy could work productively with a director like Cao Xiuyuan without a second thought, and why he could make it as a major celebrity without psychologically disintegrating), it might be hard to give him any kind of likable fallibility - especially where, as here, his main problem is “oops, I’ve been secretly pining over the MC for a decade.” But Liang Sizhe always worked and always felt fully realized. I think the protective element of his character really humanized him in a believable, sympathetic, occasionally very funny way. (There was a moment when he’s bottoming for the first time where I legit cracked up because I was like…. only THIS guy would have THIS reaction…)
I could definitely feel the serialization of it all in how certain (admittedly boring) plotlines dropped out at the end, while the story hit pretty much every conceivable (admittedly adorable) HEA stage in the last few chapters. I say, as usual - it coulda been an epilogue!
But overall - a really excellent book. I’m looking forward to reading something else by this author at some point!
This entire review has been hidden because of spoilers.
February 23, 2024
我最後還是去看了網絡版本，因為出版書刪減了太多。
November 28, 2023
Después de mucho tiempo terminé de leerla y debo decir que fue lo más bello que leí 🤧🤧...
A decir verdad no suelo leer este tipo de novelas ( me refiero al contenido de entretenimiento, no suelen gustarme) perooo esta novela está tan bellamente escrita... los sentimientos de los personajes son tan ,tan , tan hermosos ( no se como decirlo ) que te hacen sentir todo lo que ellos sienten , había sido un tiempo en el que sentí tanto , fueron muchas emociones encontradas 😭...
Nos relata la historia de Cao Ye y Liang Sizhe, uno es inversionista/ productor( de películas) y el otro actor, ambos se conocían anteriormente( tienen un pasado) , peroo hubo algo que los separo, y entonces por cosas de el destino ( sip llamemoslo DESTINO) ellos tienen que trabajar juntos , y pam pues los sentimientos que ellos tienen pues regresan nuevamente... la novela nos narra el presente y obviamente el pasado ( el pasado es tan hermoso y tan doloroso al mismo tiempo, el presente igual) y a través de ello vamos descubriendo como era su relacion antes, es una novela con un romance muy lentoooo, pero vale la pena, la escritura de la autora es tan bella , tan detallada y hermosa, ay no se como decirlo tienen que leerla... nuestros protagonistas también son tan bellos 🤧( esque si son bellos) en todoo ...
"还有，谢谢小满，你永远是最美好的少年"
En fin lean 台风眼 es vidaaa 💕💕💕
A decir verdad no suelo leer este tipo de novelas ( me refiero al contenido de entretenimiento, no suelen gustarme) perooo esta novela está tan bellamente escrita... los sentimientos de los personajes son tan ,tan , tan hermosos ( no se como decirlo ) que te hacen sentir todo lo que ellos sienten , había sido un tiempo en el que sentí tanto , fueron muchas emociones encontradas 😭...
Nos relata la historia de Cao Ye y Liang Sizhe, uno es inversionista/ productor( de películas) y el otro actor, ambos se conocían anteriormente( tienen un pasado) , peroo hubo algo que los separo, y entonces por cosas de el destino ( sip llamemoslo DESTINO) ellos tienen que trabajar juntos , y pam pues los sentimientos que ellos tienen pues regresan nuevamente... la novela nos narra el presente y obviamente el pasado ( el pasado es tan hermoso y tan doloroso al mismo tiempo, el presente igual) y a través de ello vamos descubriendo como era su relacion antes, es una novela con un romance muy lentoooo, pero vale la pena, la escritura de la autora es tan bella , tan detallada y hermosa, ay no se como decirlo tienen que leerla... nuestros protagonistas también son tan bellos 🤧( esque si son bellos) en todoo ...
"还有，谢谢小满，你永远是最美好的少年"
En fin lean 台风眼 es vidaaa 💕💕💕
February 11, 2025
"Nhưng người với người khác nhau, chính vì thế mới có thể bị thu hút bởi nhau, cũng bởi vậy mới không ai có thể thật sự cô đơn.
Bạn biết vì sao mọi người luôn yêu thích kết cục viên mãn không? Bởi vì dừng ở đó là vừa vặn, nếu tiếp tục sẽ có những mâu thuẫn, những chuyện lông gà vỏ tỏi không lường trước được. Cuộc sống là vậy, không ai ngoại lệ.
Cách để tình yêu luôn vĩnh hằng, một là không bao giờ có được, hai là đánh mất ngay khi có được."
Một tình yêu thầm kín, một tình yêu không thể nói thành lời, một tình yêu kìm nén đến mức phải cố lừa dối bản thân mình rằng có được rồi chưa chắc đã tốt. Phải gặp Tào Diệp của năm mười lăm tuổi, thì mới hiểu được 10 năm yêu thầm của Lương Tư Triết.
"Tại sao lại muốn cai rượu?"
"Nếu không cai sẽ mất kiểm soát."
"Cai rượu, cai thuốc, cai em."
best giới giải trí lòng mình, một bộ rất đúng, rất thực về giới giải trí. Từ Máy bay giấy tới Mắt bão phải công nhận Đàm Thạch viết quá tốt, rất chắc tay, +1 tác giả yêu thích 🙌🏻
Bạn biết vì sao mọi người luôn yêu thích kết cục viên mãn không? Bởi vì dừng ở đó là vừa vặn, nếu tiếp tục sẽ có những mâu thuẫn, những chuyện lông gà vỏ tỏi không lường trước được. Cuộc sống là vậy, không ai ngoại lệ.
Cách để tình yêu luôn vĩnh hằng, một là không bao giờ có được, hai là đánh mất ngay khi có được."
Một tình yêu thầm kín, một tình yêu không thể nói thành lời, một tình yêu kìm nén đến mức phải cố lừa dối bản thân mình rằng có được rồi chưa chắc đã tốt. Phải gặp Tào Diệp của năm mười lăm tuổi, thì mới hiểu được 10 năm yêu thầm của Lương Tư Triết.
"Tại sao lại muốn cai rượu?"
"Nếu không cai sẽ mất kiểm soát."
"Cai rượu, cai thuốc, cai em."
best giới giải trí lòng mình, một bộ rất đúng, rất thực về giới giải trí. Từ Máy bay giấy tới Mắt bão phải công nhận Đàm Thạch viết quá tốt, rất chắc tay, +1 tác giả yêu thích 🙌🏻
July 30, 2022
Mắt bão- Đàm Thạch
Đọc nửa đầu thương anh Tư Triết, đọc nửa sau thương bé Diệp. Đây có lẽ là một cuốn favorite của mình, lần đầu mình đọc kiểu quá khứ và hiện tại đan xen mà không thấy chán. Nhưng chắc là mình sẽ không đọc lại đâu, vì nó khá là nặng nề đối với mình.
“Lương sinh Chúc mộng: Cách để tình yêu luôn vĩnh hằng, một là không bao giờ có được, hai là đánh mất ngay khi có được.”
Cai rượu, cai thuốc, và cai em…
Đọc nửa đầu thương anh Tư Triết, đọc nửa sau thương bé Diệp. Đây có lẽ là một cuốn favorite của mình, lần đầu mình đọc kiểu quá khứ và hiện tại đan xen mà không thấy chán. Nhưng chắc là mình sẽ không đọc lại đâu, vì nó khá là nặng nề đối với mình.
“Lương sinh Chúc mộng: Cách để tình yêu luôn vĩnh hằng, một là không bao giờ có được, hai là đánh mất ngay khi có được.”
Cai rượu, cai thuốc, và cai em…
October 25, 2025
3.5* I liked a lot about it, but at the same time I had multiple issues with it, there were parts and tropes that really annoyed me.
April 30, 2026
Eye of the Storm
4.5 ⭐️
4.5 ⭐️
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