Re-read for my “The Rise of the Gothic” class
Unlike gothic fiction where terror comes from the supernatural, Gilman’s the yellow wallpaper shows us a type of haunting that comes from within. In this case, from the narrator’s mind.
There is no sense of agency, and perhaps that is the cause of the narrator’s own ghost.
I see the shadow on the wallpaper as some sort of reflection of the narrator. There is this part where she was protective over the interpretation of the wallpaper:
“I caught Jennie with her hand on it once. She didn't know I was in the room, and when I asked her in a quiet, a very quiet voice, with the most restrained manner possible, what she was doing with the paper—she turned around as if she had been caught stealing, and looked quite angry—asked me why I should frighten her so! Then she said that the paper stained everything it touched, that she had found yellow smooches on all my clothes and John's, and she wished we would be more careful! Did not that sound innocent? But I know she was studying that pattern, and I am determined that nobody shall find it out but myself!”
And I feel like this could reflect the wrong evaluation of her illness. She seemed fine in the beginning, just a woman who is anxious perhaps— isolated and treated wrong, she does grow mad as the story progress. I feel like she was trying to claim her agency by claiming the mystery of the wallpaper as her own to solve.
In addition, we learn this from “why I wrote the yellow wallpaper”:
“I was told that the great specialist had admitted to friends of his that he had altered his treatment of neurasthenia since reading The Yellow Wallpaper.”
It is truly fascinating to know that it took this story to change a real medical practice.