After her father suddenly passes away, Perley Kelso is left partial ownership of a mill. However, since it was socially unacceptable for a woman to own property or have a company, Perley is kept as a silent partner. Conflicted about her role in the company, Perley struggles to find her own ambition. Despite her limited responsibilities at the mill, Perley is curious about the daily operations, so she decides to visit the mill. There, she meets Sip, a worker. Coming from opposite backgrounds and different classes, the two women initially doubt they have anything in common. But as they unite and grow closer together, Sip and Perley realize that they have similar goals, and are dedicated to helping the other achieve them. After Sip shares her perspective on the dangers and unjust working conditions of the mill workers, Perley becomes devoted to reform, earning the trust of the workers as she treats them with compassion. Though, even as each woman finds her aspiration, the societal standard requires something different from them. When Perley and Sip both receive marriage proposals, the two friends consider how marriage would affect their lives, and the consequences that would ensue if they decline the offers. Featuring topics of women's right to work, industrialization, and domestic life, The Silent Partner by Elizabeth Stuart Phelps is clever and invites critical reflection. Through the realistic portrayal of 19th century working class, Phelps' provides modern day readers with an intimate perspective on American Industrialization and the sexism ingrained in societal norms. With compelling characters and bold drama, The Silent Partner remains to be both thrilling and insightful, upholding Phelps' legacy of advocacy and literary genius. This edition of The Silent Partner by Elizabeth Stuart Phelps features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring The Silent Partner to modern standards while preserving the original intelligence and impact of Elizabeth Stuart Phelps' work.
Elizabeth Stuart Phelps Ward, born Mary Gray Phelps, was an American author.
She was born at Andover, Massachusetts. In most of her writings she used her mother's name "Elizabeth Stuart Phelps" as a pseudonym, both before and after her marriage in 1888 to Herbert Dickinson Ward, a journalist seventeen years younger. She also used the pseudonym Mary Adams. Her father Austin Phelps was pastor of the Pine Street Congregational Church until 1848, when he accepted a position as the Chair of Rhetoric at Andover Theological Seminary and moved the family to Boston.
Ward wrote three Spiritualist novels, The Gates Ajar, Between the Gates and Beyond the Gates, and a novella about animal rights, Loveliness. While writing other popular stories, she was also a great advocate, by lecturing and otherwise, for social reform, temperance, and the emancipation of women. She was also involved in clothing reform for women, urging them to burn their corsets in 1874.
Ward's mother, Elizabeth (Wooster) Stuart Phelps, (August 13, 1815—November 30, 1852) wrote the Kitty Brown books under the pen name H. Trusta.
Elizabeth Stuart Phelps and her husband co-authored two Biblical romances in 1890 and 1891. Her autobiography, Chapters from a Life was published in 1896 after being serialized in McClure's. She also wrote a large number of essays for Harper's
Phelps continued to write short stories and novels into the twentieth century. One work, Trixy (1904), dealt with another cause she supported, anti-vivisection (a topic on which she also addressed the Massachusetts State Legislature). Her last work, Comrades (1911), was published posthumously. Phelps died January 28, 1911, in Newton Center, Massachusetts.
“‘Sometimes,’ added Sip, with a working of the face, ‘it comes over me as if I was like a — a patchwork bed-quilt. I’d like to have been made out of one piece of cloth. It seems as if your kind of folks got made first, and we down here was put together out of what was left.’”
3.75 stars this was a devastating, beautiful, empowering read. it’s unfortunate this book isn’t circulated in print much anymore, and it makes me wonder how many other great pieces of literature have been lost.
“there is something about the relations of rich and poor, of master and man, with which the state of the market has nothing whatever to do. there is something, — a claim, a duty, a puzzle, it is all too new to me to know what to call it, — but I am convinced bed that there is something at which a man cannot lie and twirl his mustache forever”