Lady Rozemyne is a prosperous girl. In ASCENDANCE OF A BOOKWORM v11, she encounters less misfortune, engages fewer villains, and invents more practical wares for the people of Ehrenfest. Sounds good. Except, less misfortune doesn't mean none, fewer villains shouldn't imply harmlessness, and the prospect of more practical wares is hardly a fair predicament for her blessed Gutenbergs, the craftsmen the young noble has charged with remaking the duchy through industry and guile. This volume steers clear of drama, by and large, but offers readers plenty on which to ruminate when it comes to foreshadowing.
Summer is nearing its end, and as is often the case, with the shifting of seasons comes a shifting of priorities. The success of the printing industry forces Benno into a few tough decisions concerning the future of the Gilberta Company (purportedly, a clothing business). If books and literacy really do take off the way Rozemyne thinks they will, then it's time Benno took a long view of his professional partnership with the girl.
Speaking of the print business, what about Illgner, the region to the south? What trees and plants grow upon the mountainous land that could contribute to Rozemyne's papermaking empire? Time for an expedition.
And what about Rozemyne's quest to gather ingredients for her jureve, the elixir said to help her control her Devouring disease? The summertime ingredient is the egg of a massive predatory bird, the riesfalke, which nests inside Mount Lohenberg, an active volcano. Fun.
ASCENDANCE OF A BOOKWORM v11 has a lot going on, and yet it's one of the novel series' more easygoing volumes. The book's numerous splinter plots all flow steadfastly from the three beforementioned tributaries. Readers could be forgiven for having grown used to the more random and chaotic arrangement of side stories that pepper the previous half-dozen novels, but it's honestly neither better nor worse for each chapter to hew so closely and cleverly to the novel's central themes.
For this volume, this revitalized story structure works out quite nicely. For example, the journey to Illgner comes about by way of Rozemyne learning of its active lumber industry from Brigitte, a knight and mednoble. From there, the river of stories branches further: journeying to Illgner, learning of its people and its land; querying a potential romance between Brigitte and Damuel, a knight and laynoble with a good heart; and upon snazzily redesigning a dress for Brigitte during the nobility's Starbind Ceremony, expanding the duchy's high-fashion industry.
The author finesses every subplot the same way, threading minor characters and their goals (or schemes) into one of the three primary story paths, which in turn, pull insight from the greater narrative arc. Previous volumes attempted this structure with less acuity and rhythm, but with higher dramatic effect. ASCENDANCE OF A BOOKWORM v11 removes the action and drama and focuses on character relationships. Brigitte now trusts Rozemyne wholeheartedly, for example, for investing in her rural land.
The volume's lack of action and drama doesn't make for an entirely boring adventure, though. Rozemyne's journey to snare the egg of a massive, volcano-nesting bird is energizing (if dull, compared to her previous jureve exploits). If one were to lodge a continued complaint for this novel series, it would be the author's lack of interest in crafting further compelling magical action based on the series' thorough worldbuilding.
Also, readers should focus on the awkward political developments in the south of the duchy, which could make for a bigger-than-expected climax in the next volume. Sylvester's older sister, Georgine, who was bumped from the position of the aub in favor of a male heir (i.e., Sylvester), has wheedled her way into position as the first wife of the Aub of Arhrensbach. Georgine is a clever, spiteful woman. She can and will do harm. And there's no shortage of supporters, and foes of the Aub of Ehrenfest, willing to see her work done.