My appreciation to Blackstone Publishing, NetGalley, and indirectly to Orson Scott Card for an early-access digital copy in return for an unbiased review.
Like many of my generation, I was floored by Ender's Game in the mid 1980s. It was a story about an exceptional child doing exceptional things and understanding that with those powers comes exceptional responsibility.
Two concepts remained with me. First, that Card went into great detail to explain what it was inside Ender that made him who he was. It was very easy to identify with Ender, even though I was never a candidate to become a genius military strategist. And second, the story of his two siblings was an idealized snapshot of what, eventually, has turned into places like Reddit and local message boards. The only pieces Card missed were that anonymity invariably turns people into narcissistic jerks and no one seems to read anything written with nuance or longer than 280 characters.
Point Dorsey. Sadly.
But here we are 36 years after the publication of the full version of Ender's Game. Card is still writing young adult novels - there have been 19 in the Ender series alone, along with dozens of short stories. I haven't kept up. I tried in the '80s and didn't find the subsequent work as interesting.
This isn't a review of the Ender series, however. Card has written a lot of other young adult fiction. Duplex, which will be released in September, is apparently part of a new fantasy world. I don't know if Card is planning other novels for this series or whether it will catch on.
Duplex begins as a 15-year-old boy, Ryan Burke, comes down to breakfast one morning and finds his father dividing the family home into two. Dad's moving out and a new family will move into the new half-house.
Later, at school, Ryan meets a new student, Bizzy Horvat, and it's clear to him and everyone around him that he is in love. Inevitably, it seems, because two such notable events must be intricately connected (it's not like we're delving into James Joyce style stream-of-consciousness here), Ryan comes home from school to find Bizzy and her family moving into the freshly walled side of his home. Bizzy's parents are from Slovenia, though she was born in the US.
Soon, we learn something important about Ryan and Bizzy. They are both "Micropotents", which means they have one unusual superpower. If you've seen the first season of the television series Heroes - yes, precisely that. Bizzy's power attracts a lot of attention, which connects them to a group of Micropotents led by a local professor.
An element of danger is added in the form of Bizzy's mother, who has her own power and claims people are trying to kill her because those with unusual powers are considered witches in Slovenia and have been trying to track her down for decades.
That's how the novel is set up. Ryan and his parents' marital difficulties. Ryan and his crush on the girl next door. The potential life-threatening danger facing Bizzy. And this group of heroes with unusual powers.
I found two themes within the novel notable.
First, from a stylistic perspective, dialogue in this novel is not typical high-school dialogue. Characters speak without superfluous thoughts. They are extraordinarily eloquent. Adults and teens speak with the same voice. Everyone is similarly mildly sarcastic and somewhat self-deprecating. You can almost hear a faint fake British accent as they verbally joust with each other. Tally-Ho.
They instantly understand situations with a maturity far beyond their years. When the Micropotents assemble to discuss their powers, they solve problems efficiently with deductions and insights that reminded me of Sherlock Holmes and Dr. Watson working a difficult puzzle based on arcane knowledge and lightning-fast reasoning.
You, as the reader, cannot possibly track this or even understand it. In this sense, I didn't enjoy Duplex the way I enjoyed Ender's tale. It is very well written, but Card works too hard to stay ahead of us. Even Ryan's younger sister, Dianne, understands small details in her parents' behavior and makes deductions that should require many years of relationship experience.
Vasco de Gama High School is not a high school you or I would ever attend. Not that most high schools are named after 15th Century explorers most notable for amazing cruelty in their conquests.
Second, I found Ryan's development during the course of the novel more interesting than his story. When the novel begins, he is simply an eloquent valedictorian-level student who is mildly sarcastic to friends, teachers and parents alike. His love for Bizzy transforms him into someone with far greater depth. And the challenges he faces in learning about his own power teach him, as similar circumstances taught Ender, that power creates extraordinary responsibility. We feel for Ryan in a way that we wouldn't if he didn't distinguish himself from his monotonous collection of glib and scarily intelligent peers.
In that sense, Ryan's unusual and impossible challenge becomes something else. Readers can gain inspiration from the way he tries to better himself. We all have micropowers, it seems, and we all are responsible for making the world just a little bit better. This is what makes Duplex far better than the average young adult novel, though it doesn't have the depth (well, nothing else does in this genre) of the Harry Potter series.
While I liked Duplex, I didn't love it. I'm not sure I would want the Micropotents to assemble once again, with new challenges awaiting. Young Dahlia's power to make anyone yawn might, then, become Card's own special ability. But I'm giving Duplex a thumbs up.