It takes a dedicated reader to appreciate the depth and quality of D.W. Buffa’s novels. Unlike certain mystery writers, he doesn’t count on violence and gore, or gruesome morgue scenes. His violence usually happens off-stage, and any lurid dissections tend to be of ethical or moral issues that influence the verdict innocence or guilt.
A reader must pay close attention to the dialogue. Buffa challenges, as much as he presents a compelling story. Not out to entertain or to make life easy on reviewers or readers, he offers pointed opinions about politics, education and ethics, and he presents them in complicated and highly effective ways.
If he were an NFL Coach, Buffa would incorporate classic plays from old-time innovators like Clark Shaughnessy and Vince Lombardi, freshening them with motion or new formations. As a skilled author of courtroom dramas, he presents moral and ethical principles from Socrates, Plato and Tocqueville, freshened by the insightful humor of a famed Italian maestro and his luscious wife, and the wisdom of a beloved professor.
As in “The 45th”, “The Dark Backward” and “The Evangeline”, Buffa’s novels are unique and complex, taking on subjects that are often considered taboo. But he does take them on, and his characters Joseph Antonelli and Albert Craven help us to understand and enjoy the complexities.
In addition to the main story, if you like courtroom dramas where judges, prosecutors and defenders are as interesting as the witnesses, “The Privilege” will not disappoint. As for his love interest, Tangerine, why not? Fans of Jimmy Dorsey or Chet Baker will enjoy the reference and will understand.
Don McPhail, Author of “The Guest From Johannesburg"