‘Judith: Women Making Visual Poetry is a stunningly edited anthology by Amanda Earl: if you have no idea of what visual poetry is at the outset you will by the time you close this book, with its dynamic selection of twenty three poets' works, each of which speaks to an exuberance and delight in language, as a tactile and material practice. I loved every page of it, rippling with energy and a sense of a contemporary moment and movement. This is a book that will touch your heart and make you wonder where it has been all along.’
Bronac Ferran
‘Judith: Women Making Visual Poetry finally gathers female visual poets from all corners of the world in a beautiful anthology dedicated to highlighting the excellence and abundance of visual poetry made by women. Judith: Women Making Visual Poetry is the anthology I wish I had growing up.’
Silje Ree, Creative Director, Mellom Press
'JUDITH is an incredibly important – and long overdue - addition to our understanding of Concrete Poetry. Essays, reflections, and statements join samples of exceptional work of concrete poetry by women from around the world. This volume is indispensable. Every page exposes a new vocabulary, a new perspective, and a new history. You gotta have this book. You gotta learn.'
Derek Beaulieu
‘Judith is a fantastic and welcome insight into visual poetry from women around the globe. Its varied pages are a delight to behold, and the work revels in the materiality of language. Dynamic visuals are interspersed with critical essays, thoughtful reflections, and insightful statements. With each re-reading you will find something new.’
Rachel Smith.
'From bold, chunky Letrasets, to delicate 3D poems literally hanging by a thread, everything is represented in this gorgeous full-colour anthology. JUDITH is a truly stunning and exciting celebration of the full breadth and depth of visual poetry created by women.' Clara Daneri, Penteract Press
'Judith is a woman and a book. As a woman, Judith appears when she might have been invisible or ignored, and with her, she brings many women, as text-images, image-texts, weaving in and across and through time, the warp and the weft of language configurations that occur under various names. As a book, Judith may be read as a text and as an image, or as a text-image, appearing as a history and a possibility, however partial. It is a generous location, inclusive and extensive, necessary and inviting.'
Sharon Kivland
'We really need to thank Amanda Earl for compiling a spectacular anthology about women and visual poetry. Judith: Woman Making Visual Poetry is a must have book. Beautifully written and visually represented, it expands our understanding and knowledge of visual poetry and the important, yet commonly overlooked role, women have played, and are still playing, in creating visual work. It is fascinating from so many aspects: historically, visually, as a record, and also for recognising women's innovation.'
Trini Decombe and Nikki Dudley - streetcake magazine.
'Judith: Women Making Visual Poetry is a necessary intervention into and resource against the monopositional cultural baggage which has collected around 'visual poetry'. Beautifully featuring a wide variety of visual writing techniques and traditions in which women are working, Judith not only shows us what visual poetry actually is, but gives us hope for what it could be.'
Ava Hofmann, SPORAZINE
‘Judith is a collective masterwork of WOMEN WHO MAKE the most exciting visual poetry in our contemporary. It is an international, polyphonic love letter to the diverse and vibrant materiality of poetry, and a call to action with enough electricity to power our touch-starved digital lives.
Judith is a call to action with enough electricity to power a Hitachi. Witness this vibrant involution of poetry as material, as code, as sculpture, as dream, as cinema, as dissent... A who's who of women who are sculpting poetics as we know it. A must read/watch/see!’
Chloё Proctor, The Babel Tower Notice Board