Barcelona. 20 cm. 296 p. 3 h. Encuadernación en tapa dura de editorial. Mauriac, François 1885-1970. Versión de M. Simón, Antonio Ribera. Simon, M. Ribera, Antonio. 1920-2001 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario.
François Charles Mauriac was a French writer and a member of the Académie française. He was awarded the 1952 Nobel Prize in Literature "for the deep spiritual insight and the artistic intensity with which he has in his novels penetrated the drama of human life." Mauriac is acknowledged to be one of the greatest Roman Catholic writers of the 20th century.
This book could also be entitled "Desire and Disgust." Marie and Gilles are madly in love, Gilles convinces his friend, Nicolas, to succumb to the desires of older Madame Agathe, Marie's governess, who can help Gilles to meet with Marie whose mother, Madame Julia Dubernet, does not approve of Gilles Sloan, the local physician's son. Madame Agathe is Count Comblane's daughter (although the old/ailing count has financial trouble with his Belmonte vineyard). Nicolas reluctantly complies with the wishes of Gilles, but the forceful and manipulative Madame Agathe disgusts him even though he proceed with their engagement (reluctantly and with a desire to end it, somehow). This relationship is dysfunctional as our most in the novel (even Marie and Gilles). Finally, Nicolas breaks off the engagement and also his long friendship with Gilles (whom he admires too much) and enjoys being alone with his thoughts (and his Maker). Shortly after Madame Julia Dubernet dies from a lingering ailment, Marie is free to marry Gilles, because Armond, her father, agrees to it. Armond, then, has aspirations to marry Madame Agathe (soon after his wife's death) with the hopes of gaining the Belmonte, the wine vineyard of Agathe's old/ailing father. The author Mauriac focuses on the fallen humans of this half-dead town of Dorthe (near Bordeaux} with all the guilt and despair that result from bad choices connected to wrong or selfish desires. Working at his craft with skillful artistry, Mauriac provides a gift and service to humanity which (he admits)tell us about Mauriac and his views of life than perhaps it does about "real life" situations as they are lived out in the modern world.
Mauriac's writing has this feeling that is so distinctly his. His characters are just average country people, but their circumstances and interactions teach volumes despite the novels' short lengths. I found this one particularly meaty. Mauriac's postscript in the edition I bought is highly instructive about his intent. His comments about being an artist, but religious nonetheless really resonated with me. I'll bet he would have LOVED My Name is Asher Lev. What a pity it was published two years after his death.
Not Mauriac's best, in my opinion. It is harsh where it should be subtle, and too subtle where it should be obvious. His intention was to show the call of God, but it came off so subtle it was barely recognizable. That is indeed true, that the call is quiet, but in the context of a novel, I don't know if it works.
This was a used book that hadn't sold for some years. I picked it up and immediately wanted to read the provincial French story. Mauriac was a Nobel prize winner and he absorbed. The frank love of one young man for the other, the problem of the women in their lives, one for love and the other for money and property, must have been courageous in Mauriac's time. The story is told with lyricism and with strong dialogue, totally convincing. I've enjoyed French literature for its social realism and this satisfied. The author had the ability to draw characters to life.
Novela entretenida como para perder el rato, ya que se lee en un par de horas. Nada trascendental ni genial; decente nomás. Me recordó un poco a la tía Tula.
I am confused… somehow i liked it and somehow i am still figuring out what i was reading… the main idea was bänger but I wish it would have been written differently, with more passion, more details…