Little Mexican and Other Stories

by Aldous Huxley

SOME people I know can look back over the long series of their childish holidays and see in their memory always a different landscape—chalk downs or Swiss mountains; a blue and sunny sea or the grey, ever-troubled fringe of the ocean; heathery moors under the cloud with far away a patch of sunlight on the hills, golden as happiness and, like happiness, remote, precarious, impermanent, or the untroubled waters of Como, the cypresses and the Easter roses. I envy them the variety of their impressions. For it is good to have seen something of the world with childish eyes, disinterestedly and uncritically, observing not what is useful or beautiful and interesting, but only such things as, to a being less than four feet high and having no knowledge of life or art, seem immediately significant. It is the beggars, it is the green umbrellas under which the cabmen sit when it rains, not Brunelleschi’s dome, not the extortions of the hotel-keeper, not the tombs of the Medici that impress the childish traveller. Such impressions, it is true, are of no particular value to us when we are grown up. (The famous wisdom of babes, with those childish intimations of immortality and all the rest, never really amounted to very much; and the man who studies the souls of children in the hope of finding out something about the souls of men is about as likely to discover something important as the man who thinks he can explain Beethoven by referring him to the savage origins of music or religion by referring it to the sexual instincts.) None the less, it is good to have had such childish impressions, if only for the sake of comparing (so that we may draw the philosophic moral) what we saw of a place when we were six or seven with what we see again at thirty. My holidays had no variety. From the time when I first went to my preparatory school to the time when my parents came back for good from India—I was sixteen or seventeen then, I suppose—they were all passed with my Uncle Spencer. For years the only places on the earth’s surface of which I had any knowledge were Eastbourne, where I was at school; Dover (and that reduced itself to the harbour and station), where I embarked; Ostend, where Uncle Spencer met me; Brussels, where we changed trains; and finally Longres in Limburg, where my Uncle Spencer owned the sugar factory, which his mother, my grandmother, had inherited in her turn from her Belgian father, and had his home. Hanging over the rail of the steamer as it moved slowly, stern foremost, through the narrow gullet of Ostend harbour, I used to strain my eyes, trying to pick out from among the crowd at the quay’s edge the small, familiar figure. And always there he was, waving his coloured silk handkerchief, shouting inaudible greetings and advice, getting in the way of the porters and ticket-collectors, fidgeting with a hardly controllable impatience behind the barrier, until at last, squeezed and almost suffocated amongst the grown men and women—whom the process of disembarkation transformed as though by some malevolent Circean magic into brute beasts, reasonless and snarling—I struggled to shore, clutching in one hand my little bag and with the other holding to my head, if it was summer, a speckled straw, gaudy with the school colours; if winter, a preposterous bowler, whose eclipsing melon crammed over my ears made me look like a child in a comic paper pretending to be grown up.

137 pages, Kindle Edition

Published February 21, 2021

About the author

Aldous Leonard Huxley was an English writer and philosopher. His bibliography spans nearly 50 books, including non-fiction works, as well as essays, narratives, and poems.
Born into the prominent Huxley family, he graduated from Balliol College, Oxford, with a degree in English literature. Early in his career, he published short stories and poetry and edited the literary magazine Oxford Poetry, before going on to publish travel writing, satire, and screenplays. He spent the latter part of his life in the United States, living in Los Angeles from 1937 until his death. By the end of his life, Huxley was widely acknowledged as one of the foremost intellectuals of his time. He was nominated for the Nobel Prize in Literature nine times, and was elected Companion of Literature by the Royal Society of Literature in 1962.
Huxley was a pacifist. He grew interested in philosophical mysticism, as well as universalism, addressing these subjects in his works such as The Perennial Philosophy (1945), which illustrates commonalities between Western and Eastern mysticism, and The Doors of Perception (1954), which interprets his own psychedelic experience with mescaline. In his most famous novel Brave New World (1932) and his final novel Island (1962), he presented his visions of dystopia and utopia, respectively.