“We called them Thieves; they called themselves God’s Children. We called ourselves Stolen; they called us niggas.” -- William
Cannonball Greene is a self-professed “academic” planter who seeks notoriety as an expert in the field of chattel slavery management. He concocts various experiments involving the Stolen and documents the outcome in hopes of publishing his work to shed light on the enigmas surrounding the handling, behavior, and mindset of the enslaved/Stolen. As with many of the time, he incorrectly believed the African/Negro was not human and therefore did not reason, feel, or possess the same aptitude for learning, advanced thinking, emotional bonding, etc. as Whites. He believed their behavior was controllable and predictable; that they possessed an innate inclination of deference toward a superior being (Whites).
It is in this flawed, cruel universe where Yonder dwells. While the author does not spare the reader the brutality and ugliness of the era, it is nonetheless a beautifully demonstrative tale set in the antebellum South across three neighboring plantations. It shows how families were built from the orphaned, the widowed, the broken-hearted, and the lost. It reveals how bonds formed under duress and desperate circumstances rival those formed by blood.
For example, at one point in the novel, an emotionally damaged, heartless Stolen man ironically named Cupid spews, “Lovesick niggas don’t do nobody no good. Love will spoil a nigga for certain.” Asim’s characters witness and endure atrocities such that it is totally understandable why some would opt to guard their hearts by choosing not to care because loved ones could be sold, killed, or removed at the whim of the Thieves/Owners at any time without warning. However, many opted to love regardless of the circumstances. Asim layers the various facets of love in the inner and inter-relationships of the characters - we see that love is a balm; it heals. Love is patient; it waits and endures. Love inspires, motivates, and propels. Love is kind and thoughtful. Love is magical.
I enjoyed my time with William, a naturally fearless, reserved leader, and his outgoing, outspoken soulmate, Margaret. Cato, “brother” to William, a stoic thinker who craves freedom and a chance at love with Pandora, a courageous dreamer in her own right. The supporting characters were well-crafted with backstories steeped in folklore and history -- Zander, a boy who sees angels and believes he will grow wings and fly; Ransom, a freedman preacher who visits the plantations to openly spread the “Good Word” from the Thieves’ god, yet clandestinely calls for inspiration and hope from their Ancestors. He talks of freedom over yonder for those brave and strong enough to pursue it.
There are aspects of magical realism (some readers may not care for it; I didn’t mind), use of the “n-word,” and as mentioned before emotional abuse, graphic violence, including mention and references of sexual abuse/rape.
A heartfelt thanks to NetGalley and the publisher for the opportunity to review in exchange for a review.