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ブルーピリオド [Blue Period] #11
ブルーピリオド 11 [Blue Period 11]
高2で絵を描くことの楽しさに目覚めた矢口八虎の新しい生活が始まった。
金欠に悩む八虎がたまたま応募したバイト先は、高校の恩師・佐伯先生が開く絵画教室だった。
佐伯先生のもとで働くことになった八虎は小さな子供たち相手に四苦八苦。
中でも問題児の翔也くんに「ピカソはなぜすごいのか?」と問われるも答えられず…。
躍起になって調べるが、深く理解できない八虎は博識なある人物に相談する…!
TVアニメ化も決定した超話題の美術系青春漫画、早くも最新刊登場!!
金欠に悩む八虎がたまたま応募したバイト先は、高校の恩師・佐伯先生が開く絵画教室だった。
佐伯先生のもとで働くことになった八虎は小さな子供たち相手に四苦八苦。
中でも問題児の翔也くんに「ピカソはなぜすごいのか?」と問われるも答えられず…。
躍起になって調べるが、深く理解できない八虎は博識なある人物に相談する…!
TVアニメ化も決定した超話題の美術系青春漫画、早くも最新刊登場!!
192 pages, Paperback
First published September 22, 2021
27 people are currently reading
980 people want to read
About the author
Tsubasa Yamaguchi
33 books430 followersTsubasa Yamaguchi (山口つばさ, Yamaguchi Tsubasa) is a Japanese mangaka.
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Displaying 1 - 30 of 162 reviews
December 9, 2021
Incredibleeee. I’m completely in love with this manga, and especially so because of my personal relationship with art and the predetermined burnout and frustration that comes along with studying it. As I edge closer to the time when I’ll be busy applying to art universities, it hit all the right spots. The mental strain art school induces, and also how the study of art and culture impacts one’s outlook on life, is vividly and compassionately explored. The first of it’s kind, perhaps.
It’s also a great study of behaviour and human development, the progressions in the characters’ thoughts and attitudes towards art are so convincing that you can almost feel those same changes in you, as though it was you who experienced them. Thought-provoking, entertaining, and a beautiful work of art in itself.
It’s also a great study of behaviour and human development, the progressions in the characters’ thoughts and attitudes towards art are so convincing that you can almost feel those same changes in you, as though it was you who experienced them. Thought-provoking, entertaining, and a beautiful work of art in itself.
September 28, 2021
Whew this volume was pretty intense..... in a good yet gut-wrenching way though. For me, this volume was like a blast from the past. Recently, we've been seeing Yatora with his college life so this volume was really something different. To be honest, when I first started reading this volume, I was a bit wary seeing how this would be kid-centric instead of Yatora, and boy was I semi-wrong. Despite the kids playing a big part in this volume, I still found this volume thoroughly enjoyable. I love how this volume focused on A LOT of people but at the same time still give Yatora's struggles some spotlight. It also felt good seeing a lot of familiar faces we haven't seen for a very long time. Overall, this has been one of the best volumes I've read in recent history. For me the portrayal of characters here, (yes even the kids), the art, and everything else was just completely amazing (and angsty)
December 20, 2022
School’s out, but so’s Yatora. He’s decided to pick up work for the break with his high school art teacher’s class, which brings children into the mix. And if that wasn’t bad enough, parents are coming along for the ride.
Blue Period continues to confound me, as it is a series that I generally really like and have the absolute hardest time reading. Part of it is the sections where it feels like I’m in the middle of an art history class that I never signed up for - this volume’s Picasso section was informative, but also slowed things to a crawl.
If it doesn’t do great at integrating the informational into the narrative at times, and to be fair it occasionally does this very well, it is indeed said narrative that saves the day. I love how there’s always something new for it to say and how it shows the growth and progression of Yatora and the others.
The introduction of children threatens to go too twee or too precocious, but the needle winds up deftly threaded. It’s not the most revelatory thing - this just in, parents can be unintentionally cruel or might be using your very important class as a bonafide day care - but it works anyway because it is so well written.
Bringing Hashida into the mix turns out to be a great idea, as he’s always been a fun character, but we learn a lot more about him via the kids and their interactions. His arc in particular pulls no punches and if the victory for one person feels pretty Pyrhhic, that’s nothing compared to how Hashida judges himself (and the contrast with how Yatora envies him is great).
Yatora’s arc is mostly with the problem kid, and it’s a story about seeing what somebody is good at and channeling them to focus on what they love and do best. It’s a pretty strong arc and also features a super sentai show because reasons. Yatora is a lot more of the nerd than he lets on, but he also sees people in a way others don’t.
And speaking of contrasts, the way both Hashida and Yatora have their mutual struggles but only Yatora, who feels inferior, comes out decisively with the win, is a little brilliant. Hashida has, arguably, the more difficult charge in the form of poor Sae-chan, but try telling him that.
It’s a really interesting way to spend the break and when school does start up again, well, the story closes out with the return of a character I’m not upset to be seeing once more (sadly it’s not Ryuji). I love how the cast keeps circling one another’s lives and dipping in and out.
4 stars - I think some of my issues with this story are me problems, but there’s no getting around the fact that this is a really great manga that feels like a slog at times. But when it’s good, as it is for most of this volume, it’s one of the most interesting books I’m reading.
Blue Period continues to confound me, as it is a series that I generally really like and have the absolute hardest time reading. Part of it is the sections where it feels like I’m in the middle of an art history class that I never signed up for - this volume’s Picasso section was informative, but also slowed things to a crawl.
If it doesn’t do great at integrating the informational into the narrative at times, and to be fair it occasionally does this very well, it is indeed said narrative that saves the day. I love how there’s always something new for it to say and how it shows the growth and progression of Yatora and the others.
The introduction of children threatens to go too twee or too precocious, but the needle winds up deftly threaded. It’s not the most revelatory thing - this just in, parents can be unintentionally cruel or might be using your very important class as a bonafide day care - but it works anyway because it is so well written.
Bringing Hashida into the mix turns out to be a great idea, as he’s always been a fun character, but we learn a lot more about him via the kids and their interactions. His arc in particular pulls no punches and if the victory for one person feels pretty Pyrhhic, that’s nothing compared to how Hashida judges himself (and the contrast with how Yatora envies him is great).
Yatora’s arc is mostly with the problem kid, and it’s a story about seeing what somebody is good at and channeling them to focus on what they love and do best. It’s a pretty strong arc and also features a super sentai show because reasons. Yatora is a lot more of the nerd than he lets on, but he also sees people in a way others don’t.
And speaking of contrasts, the way both Hashida and Yatora have their mutual struggles but only Yatora, who feels inferior, comes out decisively with the win, is a little brilliant. Hashida has, arguably, the more difficult charge in the form of poor Sae-chan, but try telling him that.
It’s a really interesting way to spend the break and when school does start up again, well, the story closes out with the return of a character I’m not upset to be seeing once more (sadly it’s not Ryuji). I love how the cast keeps circling one another’s lives and dipping in and out.
4 stars - I think some of my issues with this story are me problems, but there’s no getting around the fact that this is a really great manga that feels like a slog at times. But when it’s good, as it is for most of this volume, it’s one of the most interesting books I’m reading.
October 2, 2022
Aviso: esta reseña contiene spoilers del resto de tomos de Blue Period. En este apasionante manga acompañamos a Yaguchi, quién descubre tardíamente su amor por el arte y sueña con convertirse en artista. Junto a un variado elenco de personajes, en el manga se exploran temas variados al tiempo que profundiza en lo complicado que es el mundo del arte.
Entre trabajos y evaluaciones, ha sido un duro primer año en la Universidad . A pesar de no tener claro su rumbo, Yatora se ha enfrentado a sí mismo y se ha dado cuenta de sus progresos en la exposición de trabajos. Aun así, se siente inquieto y con poca autoconfianza, por lo que dirige su mirada hacia alguna actividad extracurricular y se presenta a una oferta de trabajo a tiempo parcial en una academia de dibujo. Quien se pone al teléfono es la profesora Saeki, quien guio sus primeros pasos en el club de arte del instituto.
Este tomo toma un rumbo bastante diferente de los anteriores, alejándonos de la Universidad y de las dificultades de Yatora en ella (aunque siempre permanece de fondo) para ver las problemáticas de unos jóvenes artistas. En la academia, Yatora conoce a un elenco de pequeños que conquistan tu corazón desde el principio, cada uno con una personalidad muy diferente, pero conservando una inocencia infantil muy bien reflejada.
A pesar de que podría parecer que este tomo es más ligero que otros, la realidad es que en el se abordan temas difíciles de tragar. Así, gracias a este cambio de perspectiva es capaz de reflejar otro tipo de situaciones y complicaciones que no se habrían podido tocar de otro modo. Es impresionante como la mangaka logra llevar tal variedad de temas, todos muy importantes, de forma tan orgánica a su obra.
Como siempre, Blue Period no decepciona y es capaz de hacerte reír y llorar al mismo tiempo. Con cada tomo, Yamaguchi se supera y sorprende, abarcando temáticas inesperadas pero con una gran importancia. Nunca dejaré de recomendar esta historia.
Irbis.
Entre trabajos y evaluaciones, ha sido un duro primer año en la Universidad . A pesar de no tener claro su rumbo, Yatora se ha enfrentado a sí mismo y se ha dado cuenta de sus progresos en la exposición de trabajos. Aun así, se siente inquieto y con poca autoconfianza, por lo que dirige su mirada hacia alguna actividad extracurricular y se presenta a una oferta de trabajo a tiempo parcial en una academia de dibujo. Quien se pone al teléfono es la profesora Saeki, quien guio sus primeros pasos en el club de arte del instituto.
Este tomo toma un rumbo bastante diferente de los anteriores, alejándonos de la Universidad y de las dificultades de Yatora en ella (aunque siempre permanece de fondo) para ver las problemáticas de unos jóvenes artistas. En la academia, Yatora conoce a un elenco de pequeños que conquistan tu corazón desde el principio, cada uno con una personalidad muy diferente, pero conservando una inocencia infantil muy bien reflejada.
A pesar de que podría parecer que este tomo es más ligero que otros, la realidad es que en el se abordan temas difíciles de tragar. Así, gracias a este cambio de perspectiva es capaz de reflejar otro tipo de situaciones y complicaciones que no se habrían podido tocar de otro modo. Es impresionante como la mangaka logra llevar tal variedad de temas, todos muy importantes, de forma tan orgánica a su obra.
Como siempre, Blue Period no decepciona y es capaz de hacerte reír y llorar al mismo tiempo. Con cada tomo, Yamaguchi se supera y sorprende, abarcando temáticas inesperadas pero con una gran importancia. Nunca dejaré de recomendar esta historia.
Irbis.
February 4, 2024
this one hurt more than usual. very cathartic 10/10
December 12, 2023
Cada tomo que leo pienso que es mi favorito. En este Yatora se convierte en profesor y ayuda a dar clases de dibujo a niños pequeños. Ver a Yatora en otro entorno, lejos de la universidad y la presión se agradece. Igual que todos los debates que hay, sobretodo el cómo afecta e influye la relación de los niños con el arte, oa creación y su entorno.
Este tomo me ha roto un poquito el corazón, pero me ha encantado. Yo sigo sin entender del todo al personaje de Hashida... A veces me perturba y otras me gusta mucho jajajajaj
Este tomo me ha roto un poquito el corazón, pero me ha encantado. Yo sigo sin entender del todo al personaje de Hashida... A veces me perturba y otras me gusta mucho jajajajaj
June 11, 2022
20/10
ME HA ENCANTADOOOOOOO. Ay, este tomo puede leerse casi como un oneshot, salvo un par de paneles que no tienes por qué conocer qué personajes salen en él. Empieza tiernísimo, arrancando carcajadas por cómo Yatora y Hashida lidian con los peques y acaba con una lección de vida que emociona y saca lágrimas. Menudo viaje.
ME HA ENCANTADOOOOOOO. Ay, este tomo puede leerse casi como un oneshot, salvo un par de paneles que no tienes por qué conocer qué personajes salen en él. Empieza tiernísimo, arrancando carcajadas por cómo Yatora y Hashida lidian con los peques y acaba con una lección de vida que emociona y saca lágrimas. Menudo viaje.
October 19, 2022
Bon. J’ai aimé ce tome dans son ensemble, même si je lui ai trouvé quelques longueurs, notamment sur toute la partie concernant Picasso et les réflexions sur l’artiste par notre héros et son ami Hashida.
Si on comprend bien les remises en question de Yatora concernant son avenir artistique, le reste et tout ce « blabla » m’ont un peu perdue (je ne suis pas une grande amatrice de Picasso, c’est vrai). Enfin bon, par contre ensuite, quand Yatora commence son travail en tant que maître pour donner des cours de dessin pour les enfants, j’ai vraiment aimé. Notamment avec Hashida qui est un personnage dont j’aimerais en connaitre davantage.
Grâce à ces chapitres et par le biais d’une petite fille et d’un petit garçon aux difficultés différentes, Yatora va une nouvelle fois se retrouver confronté à bien des problèmes existentiels. Si tout semble plus simple pour Hashida, on se rend compte que ce n’est pas forcément si facile que Yatora semble le croire.
À travers l’œil du héros, ce dernier a tendance à se sous-estimer en mettant sur un piédestal ceux évoluant dans le même milieu que lui. Sauf qu’il oublie qu’il est encore novice et qu’il a gravi les échelons jusqu’à Geidai très rapidement. J’ai apprécié les pensées de son ancienne prof de lycée sur ce sujet le concernant et qui sonne une nouvelle fois très juste.
Yatora est un personnage dans lequel je me reconnais beaucoup avec ses doutes, ses envies de tout lâcher et cette impression de toujours être à côté de la plaque sur tout.
Blue Period a ce côté intéressant d’amener les lecteurs à réfléchir sur les personnages qui évoluent au sein de l’histoire et qui peuvent renvoyer à certaines parties d’eux-mêmes. J’ai eu beaucoup d’empathie pour les deux enfants, Sae et Shôya.
Encore une fois, malgré les longueurs du début, j’ai été plus que convaincue par la suite et par tout ce travail intérieur que doivent faire les personnages pour avancer et gagner en maturité autant intellectuelle qu’artistique.
Toujours très bien !
Si on comprend bien les remises en question de Yatora concernant son avenir artistique, le reste et tout ce « blabla » m’ont un peu perdue (je ne suis pas une grande amatrice de Picasso, c’est vrai). Enfin bon, par contre ensuite, quand Yatora commence son travail en tant que maître pour donner des cours de dessin pour les enfants, j’ai vraiment aimé. Notamment avec Hashida qui est un personnage dont j’aimerais en connaitre davantage.
Grâce à ces chapitres et par le biais d’une petite fille et d’un petit garçon aux difficultés différentes, Yatora va une nouvelle fois se retrouver confronté à bien des problèmes existentiels. Si tout semble plus simple pour Hashida, on se rend compte que ce n’est pas forcément si facile que Yatora semble le croire.
À travers l’œil du héros, ce dernier a tendance à se sous-estimer en mettant sur un piédestal ceux évoluant dans le même milieu que lui. Sauf qu’il oublie qu’il est encore novice et qu’il a gravi les échelons jusqu’à Geidai très rapidement. J’ai apprécié les pensées de son ancienne prof de lycée sur ce sujet le concernant et qui sonne une nouvelle fois très juste.
Yatora est un personnage dans lequel je me reconnais beaucoup avec ses doutes, ses envies de tout lâcher et cette impression de toujours être à côté de la plaque sur tout.
Blue Period a ce côté intéressant d’amener les lecteurs à réfléchir sur les personnages qui évoluent au sein de l’histoire et qui peuvent renvoyer à certaines parties d’eux-mêmes. J’ai eu beaucoup d’empathie pour les deux enfants, Sae et Shôya.
Encore une fois, malgré les longueurs du début, j’ai été plus que convaincue par la suite et par tout ce travail intérieur que doivent faire les personnages pour avancer et gagner en maturité autant intellectuelle qu’artistique.
Toujours très bien !
March 29, 2023
Not what I was expecting.
When I started this book and saw Yatora would be helping out with community art classes for kids I was disappointed. After two really strong volumes I didn't want the focus to be a little kids. I wanted Yatora to get back to painting, to loving art and learning new techniques. Art with kids sounded boring.
Man was I wrong.
The first part dealing Shoya-kun was a little lackluster with a predictable plot. Then the volume focuses more on Hashida, Yatora's friend from prep school who loves looking at art. Hashida starts working at the art community center too. His observations on the art teachers and students give more insight into his own character. There's one student, Sae-chan, who has a powerful impact on Hashida. Chapter 47 sucker-punched me emotionally.
When I started this book and saw Yatora would be helping out with community art classes for kids I was disappointed. After two really strong volumes I didn't want the focus to be a little kids. I wanted Yatora to get back to painting, to loving art and learning new techniques. Art with kids sounded boring.
Man was I wrong.
The first part dealing Shoya-kun was a little lackluster with a predictable plot. Then the volume focuses more on Hashida, Yatora's friend from prep school who loves looking at art. Hashida starts working at the art community center too. His observations on the art teachers and students give more insight into his own character. There's one student, Sae-chan, who has a powerful impact on Hashida. Chapter 47 sucker-punched me emotionally.
September 21, 2022
J'ai beaucoup aimé ce tome, les interrogations de Yotaro sur la peinture mais aussi sur pourquoi il n'a jamais continué le dessin après l'école primaire alors qu'il se rappelle avoir aimé ça.. j'aime beaucoup comment ce personnage est nourri de tout ce qu'il se passe autour de lui, son honnêté sur ses doutes et son désir de bien faire auprès des autres, surtout ici alors qu'il prend un petit boulot comme prof de dessin et s'intéresse aux enfants. J'ai adoré comment ce tome parlait des parents, qu'ils soient toxiques au premier abord ou au contraire bien vus mais malgré tout loin d'être des parents parfaits.
October 18, 2024
20241018 2nd read
--
20220425 1st read
東立這部的電子書倒出挺快，可惡
佐伯老師又登場啦
日本的高中教師讓我好迷惑啊
公立學校教師應該算是公務員吧?
可以主業開兒童繪畫班，兼差高中美術老師嗎?
不過書裡也沒說八虎的高中是公立的就是了
這集看著兩大配角小朋友的家長
一個看似不關心小孩，卻在提點之後能夠欣賞小孩的創意
另一個表面上看起來很尊重小孩意願
卻填鴨似的塞了一堆課外才藝補習班，最後弄到小孩崩潰
外在眼光和期待真的是很沉重的枷鎖啊
--
20220425 1st read
東立這部的電子書倒出挺快，可惡
佐伯老師又登場啦
日本的高中教師讓我好迷惑啊
公立學校教師應該算是公務員吧?
可以主業開兒童繪畫班，兼差高中美術老師嗎?
不過書裡也沒說八虎的高中是公立的就是了
這集看著兩大配角小朋友的家長
一個看似不關心小孩，卻在提點之後能夠欣賞小孩的創意
另一個表面上看起來很尊重小孩意願
卻填鴨似的塞了一堆課外才藝補習班，最後弄到小孩崩潰
外在眼光和期待真的是很沉重的枷鎖啊
This entire review has been hidden because of spoilers.
September 8, 2024
This was a great break from the school storyline and gave Yatora a chance to breath a little. I really liked having so much Hashira this volume, he is one of my favorites with his informative and interesting takes on art
December 4, 2021
HASHIDA NATION... HOLY SHIT
February 4, 2026
Really fucking beautiful! The curse is necessary because of how this volume is both uncomfortable and touching. It beautifully expands its exploration of art by stepping outside the university setting and focusing on Yatora and Hashida teaching in Saeki-sensei's children's art class.
I really had fun reading through this one especially how it shows how children approach art with raw observation and honesty, while emphasizing how fragile artistic confidence can be. Even small words of praise or criticism can leave lasting impressions during such a formative stage.
Also really love Hashida in this volume. He's emotionally aware but prefers detachment. His observational approach contrasts Yatora’s emotional intensity, reinforcing the idea that art is not only personal expression but also something deeply influenced by community and nurturing environments. I wish for him to be more explored in the succeeding times!
I really had fun reading through this one especially how it shows how children approach art with raw observation and honesty, while emphasizing how fragile artistic confidence can be. Even small words of praise or criticism can leave lasting impressions during such a formative stage.
Also really love Hashida in this volume. He's emotionally aware but prefers detachment. His observational approach contrasts Yatora’s emotional intensity, reinforcing the idea that art is not only personal expression but also something deeply influenced by community and nurturing environments. I wish for him to be more explored in the succeeding times!
June 17, 2022
this one was pretty intense considering yatora and hashida helping part time at a drawing class for young kids. that’s probably why it was so heart-wrenching because it still addressed serious topics of inadequacy but this time in children. so sad how kids are so easily molded and people almost always unintentionally damage their esteem. also hashida is climbing up to be one of my favorites
March 17, 2023
This continues to be a really good series, and we see how children really feel pressure to live up to expectations and have trouble expressing that. I love seeing how Yatora grows each volume as well.
We end with year two of college starting!
Check out my YouTube channel for bookish videos and monthly wrap ups!
We end with year two of college starting!
Check out my YouTube channel for bookish videos and monthly wrap ups!
May 11, 2023
Apart from the Picasso worship (which is hardly unexpected, but I'm with Hannah Gadsby on that), this is a very strong volume. Yatora may take a backseat, but he - and we - can see so much of him in the children he works with that it still serves to develop him impressively. And it's awfully nice to get a break from his awful professors for a volume.
September 27, 2024
This was another beautiful volume that truly examines what it means to love art - this time through the lens of children that Yaguchi and Hashida teach part time during their break. Shoya and Sae were both great examples of the extreme pressures that kids face to grow beyond things they actually like and to conform to what’s expected of them. It’s heartbreaking.
May 11, 2023
another great volume of Blue Period. it's amazing how each time i wonder if the new one will be better than the last, and then i'm in awe. i loce blue period so much, it fills me with hope and doubt and inspiration
November 12, 2021
Gucci.
October 27, 2024
無關劇情
第44話開頭的僅此一頁是彩頁，書不是印在大張的紙，然後折疊再裁切嗎，
實體書要怎樣製作出來啊，還是實體書其實是印成黑白？
第44話開頭的僅此一頁是彩頁，書不是印在大張的紙，然後折疊再裁切嗎，
實體書要怎樣製作出來啊，還是實體書其實是印成黑白？
November 23, 2024
oh my god the poor kids ....
December 6, 2024
this means so so so much to me. hashida and sae-chan… ahhh
February 9, 2025
Love the glass calligraphy quill!
January 2, 2023
This volume was more in depth in emotions and Hashida which i found SUPER interesting!!
February 8, 2023
Probablement l’un de mes tomes favoris de la série 😍
August 25, 2023
Yatora comienza a trabajar en la escuela de arte de la Maestra Saeki y aunque le cuesta un poco relacionarse con los niños logra entender un poco mas de como entendemos el arte desde pequeños.
También entra a trabajar Hashida y la verdad me sorprendió verlo dejar salir so oscuridad. Quién sabe qué pasará con él y su camino en el arte
También entra a trabajar Hashida y la verdad me sorprendió verlo dejar salir so oscuridad. Quién sabe qué pasará con él y su camino en el arte
January 10, 2022
This manga broke me. it's beautiful and scary and i like it. Menyentil kita yang suka insecure dan gak percaya sama diri sendiri. Art style-nya unik (in a good way). I love seeing everyone in the story. They are all have important role.
Di volume ini Yaguchi Yatora banyak memposisikan dirinya jika menjadi orang lain dan berani terjun langsung buat bantuin masalah orang di sekitarnya. Hal itu tentu membuka pikirannya jadi orang yang lebih baik.
aduh bagus banget ga ngerti lagi
ANYWAYS HARUKA HASHIDA IS SO FINE
Di volume ini Yaguchi Yatora banyak memposisikan dirinya jika menjadi orang lain dan berani terjun langsung buat bantuin masalah orang di sekitarnya. Hal itu tentu membuka pikirannya jadi orang yang lebih baik.
aduh bagus banget ga ngerti lagi
ANYWAYS HARUKA HASHIDA IS SO FINE
January 3, 2022
YEPPPPP, ITS OFFICIAL. BLUE PERIOD HAS ME IN A CHOKEHOLD. APOLOGIES TO THE PEOPLE WHO KNOW ME IN PERSON AND WILL HAVE TO DEAL WITH THE PERSON IM ABOUT TO BECOME!
As a pre-med failure who’s first job immediately after graduating college was an elementary school tutor? As someone still very much working with children and seriously considering a future in teaching despite it not factoring into my life plans at all before????
Yeaaaaa this volume hit. Hard. Embarrassingly so. Oh, the terrible ordeal of being known!!!!
Yes I just said yesterday that the previous volume was the best in the series, but I’m changing my mind now, a day later. THIS is it! Tsubasa Yamaguchi continues to set the bar higher and higher, what an icon!!!!
This arc was so important and such a needed breather for everyone involved.
HASIDA, MY BELOVED 🥰🥰🥰 If anyone starts catching me wearing braids in my day to day life, keep it to yourselves!!!!
As a pre-med failure who’s first job immediately after graduating college was an elementary school tutor? As someone still very much working with children and seriously considering a future in teaching despite it not factoring into my life plans at all before????
Yeaaaaa this volume hit. Hard. Embarrassingly so. Oh, the terrible ordeal of being known!!!!
Yes I just said yesterday that the previous volume was the best in the series, but I’m changing my mind now, a day later. THIS is it! Tsubasa Yamaguchi continues to set the bar higher and higher, what an icon!!!!
This arc was so important and such a needed breather for everyone involved.
HASIDA, MY BELOVED 🥰🥰🥰 If anyone starts catching me wearing braids in my day to day life, keep it to yourselves!!!!
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