A lot of stuff happens in this book!
- Robin-on-Robin: Jason Todd throws a hissy fit and beats up on Tim Drake in the Titans Tower.
- Raven and Gar free Kid Eternity to close the Door of Life and Death and take down a bunch of zombies, which is cooler than it sounds.
- Superboy Prime shows up in Smallville where Kon is sulking about being a Luthor clone,
-- and there's an all-Titans throw-down,
-- and Speedy locks him in the Phantom Zone, which he then punches to retcon anything anyone likes,
-- and the Flashes all disappear to haul him away,
-- and Robin, Speedy, Wonder Girl, and Beast Boy have to break into a Luthor lab to save Kon,
-- and Wonder Girl's powers break down,
-- and Lex gets all talky about his relationship with Kon.
- The Titans run to the rescue of Bludhaven, where Chemo just dropped, and Superman leaves Robin in charge.
- Cassie and Kon head back to Smallville to prevent anyone from calling Cassie "the virgin goddess" again.
- Superboy is the only one to answer Nightwing's rally call to fight the Crisis Thingamajig, so off they go, adorably, while Cassie becomes her brother Ares' mortal champion and catches up with Superboy and Nightwing at the Crisis Thingamajig.
- After a big fight scene (here's the Psycho-Pirate's end), Superboy Prime reappears, smacks down Wonder Girl, and gets fatally (for both of them) smacked down by Kon.
So that's kind of a lot for one book! This is all Crisis stuff and I'm generally "meh" about the Crisis, so, you know, meh. Important plot, etc.
As for the art, did you know that Todd Nauck did an issue of Teen Titans, too? Unfortunately, he seems to have been trying so hard not to make them look like Young Justice that they ended up looking like nothing much at all. Only a few chins here and there gave him away. Scott McDaniel did the Robin issues that I liked in this book -- I really like the cartoonish style, although it was a bit jarring next to the semi-realistic style of the rest of the book. The final battle was from the Infinite Crisis mini itself, and the art was incredibly, overwhelmingly detailed, which worked really well for the emotional tone. (I can't track down who did the art, but it was probably Phil Jimenez.)