Read for SPSFC Semifinalists!
Overall Thoughts
Throwing comedy and a teenager into the mix with planetary invasion, talk of genocide, and grievous bodily harm might sound like a tall order, but Daros manages to give us laughs and thrills throughout the story. While a lot of the tale is concerned with small objectives—getting to safety, not starving, getting a loved one back—it does evolve into a much larger story by the end. My only issue was that it took a long time getting there, especially for a comedic book, which are generally shorter. I really enjoyed the ending, but felt it dragged a bit during the beginning and there were a few parts that could have been cut. But there is still a lot to like in Daros…
Plot
I feel like the plot was the weakest part of the book, mainly because there was a lot of moving around at the beginning and not really getting to a certain objective until much later. Once that happened, though, things really pick up! The story is also told from two points of view, and while I was pretty sure they would come together at some point, it happened later than I wanted. There was an entire section early in the book with a spaceship crash, getting separated from crew, and a cave of refugees, which while interesting, didn’t really add much to the overall story, and I felt it could have been shortened to give more room for the more exciting events at the end. Some of the characters early on were never onscreen again, which added to my feeling of dragging through the early sections. By the end, though, we get some really exciting events for the larger universe, while still focusing on the excellent characters and worldbuilding.
Setting
Again, much of this came later in the book, but there is a well-thought-out universe here with a lot of potential for more stories. And, because I’m a sucker for a good appendix, I really enjoyed the tour through future human history at the back, even though it really doesn’t affect the story. We gradually learn of events the teenage character is not at first aware of, and the other, alien POV might know, but has no reason to think about. This means that as the story spirals to the end, there are a lot of Big Facts laid on us about alien species, history, and intergalactic relations, some of which I think could have been doled out a little earlier to let the reader start guessing about the final conclusion.
Character
This is where the book really shines, as we start with a teenager, Brecca, who’s traveling with her father and crew. They quickly become separated, and while that was the part I thought was slow, it’s great to see the world through her eyes. Her character really comes into focus when she starts communicating with a ship AI, however, learning how to ask the right questions and make good decisions. By the end, we see how much Brecca has grown in this time.
The other viewpoint is of a relatively young alien, in a society where workers are quickly grown and implanted with knowledge. This gives us an excellent look into their culture as the alien discovers new aspects, some forbidden. Once again, it takes a little too long for me for these two viewpoints to come together with the knowledge they’d gained, and I would have loved a wider peek behind the curtain of the two cultures. Instead, there is a lot of time spent developing with smaller challenges of escape and rescue, which while fun, didn’t in the end contribute that much to the exciting ending.
Score out of 10 (My personal score, not the final contest score)
A comedic space opera with a fun teenage point of view. It takes a little too long to reach the larger issues, but the final events are worth it. 7.5/10.