DNF. I made it to the start of Chapter 15 and realized I just didn't want to force myself through it any longer. I wanted to like this book, but I just couldn't do it.
Since I did not finish this story, I cannot rate it in its entirety. Maybe things really took off after Chapter 15. Maybe it got better and I threw in the towel too early. Maybe my review isn't really worth anything since it's not complete, but I still feel the need to share a review of the things I did manage to make it through and give a reason as to why I ultimately gave up on this story.
Spoilers below.
The good parts:
1. The basic concept of the world, while not entirely original, was still interesting enough. Eva has lived underground as long as she can remember, in a small subterranean city called Subterra which is owned and operated by The Government (I don't believe it was ever given an actual name). The residents have all been told that the surface is not a habitable place to live, and that their underground city is the only viable option. Meanwhile, Eli lives above ground (gasp) in some kind of military-run base that forces local residents to work for Eider's Regime while war rages across the land. It reminds me of The Giver with bits of Hunger Games and Divergent thrown in.
2. There are elements of an unsolved mystery, and I love a good mystery. It keeps the reader guessing while the plot is driven forward.
The not so good parts:
1. I didn't care about Eva or Eli's characters at all. These are the book's two main perspective characters, and it's good for main characters to be flawed individuals with misconceptions about the world that they are forced to confront and change throughout the story's progression. However, these two were just downright unrelatable and unlikeable.
Eva has only ever known a government-run subterranean world, so she should probably be pretty desensitized to the way things operate within their little Petri dish of a society, right? No. From the very beginning, everything that happens is introduced through her eyes as though it's happening for the very first time, and then she repeats her newest revelation and questions it to herself again, and again, and again, and again. Every single Eva chapter essentially features a "previously on" segment where she rehashes everything that just happened in the prior chapter. It's boring. She is a boring person that doesn't make sense in her surroundings, which are also described as being very boring. And by the time she stumbles into her inciting incident, it falls flat for the reader because it's just as surprising to Eva as anything else that's happened so far, rendering it forgettable. But don't worry, you won't actually forget it, because Eva will bring it up 5,000 more times in the next chapter, and the one after that, and the one after that, without ever really doing anything about it.
Meanwhile, Eli has spent some length of time (I think a few years) infiltrating Eider's military under the guise of a dedicated super solider in order to get revenge on The Government for hurting his family. He is supposed to be one of the best soldiers the military has for no particular reason other than he just is. Like Eva, Eli is a broken record. Every single Eli chapter features a paragraph or five about how he's doing this all for his family, how The Government killed his mom, and how much he hates being one of The Governments tools even though he has no choice. He has no interesting qualities, no plan for how he will actually go about getting revenge for his mom, no emotional ties to his past that make the reader really sympathize with him, no friends, no one to help him drive the plot forward. He just sucks.
2. The dystopian world that these characters live in is so poorly fleshed out that it feels completely empty. It's fine if the author chooses to set her characters in a sterile government building or a dark, shadowy cave, but there has to be more than just bland descriptions of white walls and single light bulbs in order to make it feel real. What is the society like? Do they have classes of wealth or power? What do the characters think they know about their government? It is always watching them through cameras or enforcers? For the love of the stars, what is the weather like? Give me something! Anything!
3. This scene which reads like a joke but I'm pretty sure the author intended for it to be very serious:
My breath catches in my throat. Traced all over the paper in swirling ink is an image, depicting...something. I don't know exactly what it is. There is nothing like this in Subterra.
It has a smooth, curved back and coarse hair hanging down over its side. The two front legs are reared up into the air, and it balances on its two muscular back ones. Beneath the sketch is a word, or maybe it's a name. Horse.
"Horse." I say the word out loud and listen to the way it echoes in the room. The word feels strange on my tongue, but I like it. A thrill of excitement runs through me. "Horse."
4. All interactions with secondary characters were painfully awkward. Eva and Eli have no chemistry with anyone. Eva progresses through some of the strangest interactions with her own mother and Aaden, her best friend/crush/surrogate brother. Eli interacts with other people like he's an alien from another planet attempting to convince the local population that he is in fact a fellow human being, and a very cool nonchalant definitely-not-still-brooding-about-his-family one at that. A lot of this is due to the fact that these characters are not fleshed out properly. Their actions and reactions feel impulsive, unpredictable, and disjointed. Too much telling, not enough showing.
Overall, this wasn't the story for me. Writing a book is hard. It's even harder to come up with a completely unique idea in a very well-known genre. Finding the balance between new and familiar while dancing around tropes, cliches, and plot holes is tough. I struggled to see where this book succeeded in that dance.
Books are like music, everyone has their own tastes and preferences. A life-changing album for one person might be an absolute headache for another. That's what makes the world so diverse and exciting. This book has lots of positive reviews and has clearly reached an audience that enjoys and appreciates it for what it is. I'm sad I couldn't make it through to the end, but happy that other people have found this author's work and discovered a book that lights that fire of excitement that we all look for when picking up a new story.