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Apis
A whimsical girl meets bee meets boy adventure.
196 pages, Paperback
Published August 31, 2020
1 person want to read
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Displaying 1 of 1 review
March 13, 2025
Hope isn’t a thing with feathers in this universe, but it does have wings.
The world building left plenty to the imagination which fit Astrid’s personality and backstory nicely. She wasn’t the sort of person who would ever stick her nose where it didn’t belong, and she appreciated the same treatment from others. Her fierce desire for independence coloured everything she said and did, including her limited interest in what was happening around her unless it personally affected her in some way. This was a slightly unusual choice, so I commend Ms. Boysha for taking that risk in writing a character who, in a different set of hands, could come across in a much harsher light. There is something to be said for characters who have strong boundaries and aren’t afraid to enforce them, and I hope to meet more characters like this in the future.
One of the things I struggled with as I read part one was how many different traumatic things kept happening to the characters, particularly the protagonist Astrid. Including one to a few of them would have been enough to keep the storyline moving forward, but to have wave after wave of awful experiences that were shared but generally never resolved was too much for my tastes. This is something I’m saying as someone who reads horror and is accustomed to a decent level of scary and disturbing scenes. Other readers may disagree, of course, but I think this would have been a stronger work if Astrid had been given time to process and heal from a smaller number of painful experiences.
With that being said, I was intrigued by how Ms. Boysha used these scenes as possible fodder for the metaphor she was exploring. (I say possible because I believe there are other explanations that could also be just as valid). Trauma of any form can resurface months, years, or decades later in ways that may not make immediate sense to someone who isn’t aware of the backstory. Yes, I’m being vague here, but the details are best teased out by other readers for themselves so you can form your own theories about what this tale means. I found it meaningful to draw parallels between Astrid’s early life experiences and how her life unfolded after the events of the first scene.
Apis filled me with questions.
The world building left plenty to the imagination which fit Astrid’s personality and backstory nicely. She wasn’t the sort of person who would ever stick her nose where it didn’t belong, and she appreciated the same treatment from others. Her fierce desire for independence coloured everything she said and did, including her limited interest in what was happening around her unless it personally affected her in some way. This was a slightly unusual choice, so I commend Ms. Boysha for taking that risk in writing a character who, in a different set of hands, could come across in a much harsher light. There is something to be said for characters who have strong boundaries and aren’t afraid to enforce them, and I hope to meet more characters like this in the future.
One of the things I struggled with as I read part one was how many different traumatic things kept happening to the characters, particularly the protagonist Astrid. Including one to a few of them would have been enough to keep the storyline moving forward, but to have wave after wave of awful experiences that were shared but generally never resolved was too much for my tastes. This is something I’m saying as someone who reads horror and is accustomed to a decent level of scary and disturbing scenes. Other readers may disagree, of course, but I think this would have been a stronger work if Astrid had been given time to process and heal from a smaller number of painful experiences.
With that being said, I was intrigued by how Ms. Boysha used these scenes as possible fodder for the metaphor she was exploring. (I say possible because I believe there are other explanations that could also be just as valid). Trauma of any form can resurface months, years, or decades later in ways that may not make immediate sense to someone who isn’t aware of the backstory. Yes, I’m being vague here, but the details are best teased out by other readers for themselves so you can form your own theories about what this tale means. I found it meaningful to draw parallels between Astrid’s early life experiences and how her life unfolded after the events of the first scene.
Apis filled me with questions.
Displaying 1 of 1 review