I will preface this review by saying I haven't read any of Danielle Steel's other books. This is my first experience with her writing and story-telling style.
*Spoilers ahead*
When I read the summary for Child's Play, I was intrigued - family secrets (almost) always lead to some great narrative twists. However, from the first chapter, I wondered if I actually had the drive to finish the book. This feeling only intensified as I continued reading. I'll address the major issues I had with the plot in general later, but first, my thoughts on the actual writing.
As noted previously, this is my first taste of Steel's writing, so perhaps her other books showcase her talents better. This specific book, though, lacked depth, both in narrative construction and character development. Each sentence reads the same as the one before it. Eventually, they blend into one mass of, "Kate went to work. Then, she met her mother for dinner. Then she told her mother about her disappointing children. Then..." (You get the idea.) I used to teach English as a foreign language in a Korean middle school, and frankly, I read more interesting essays from those students.
The disappointing shallowness of the writing could be overlooked if the story itself had anything to say. Sadly, it does not. There are no big surprises, no intrigue, no nothing. The only thing that had me on the edge of my seat was the unshakable feeling that surely there would be a massive 180 toward the end that erased everything that came before it. Spoiler: there's no 180 in the end. Just borderline-racist statements and characters engaging in strange displays of cultural appropriation (think an "Indian" themed party where literally none of the guests are Indian or have any clue about Indian culture).
At the beginning of this extremely boring journey, I thought Steel, much like method actors, had gotten deep into the mind of her protagonist Kate. She so perfectly captured the character's judgmental and egocentric nature. I am completely convinced now that everything said and thought by "Kate" is really just a reflection of Steel's own opinions and beliefs. The judgment of all things outside the norms of society seemed like such a cliche. The kind of cliche that usually builds up to the character learning, growing, and evolving into a more open-minded, mature person. Steel would have us believe that Kate follows this trajectory, but don't fall for the deception! Despite the veneer of enlightenment that the protagonist is coated with over the course of the plot, scratch the surface just a bit and you'll find the same self-centered personality that was there from the start.
Kate has three children (bless them) who are all grown adults with real lives and minds of their own. You'd never know that from the way she keeps them under her thumb. According to her mother Margaret, Kate always expects too much of them, and her children sometimes second the sentiment. Always broaching self-awareness yet never quite reaching it, Kate concedes that she might be too much of a perfectionist, but then changes literally nothing about the way she interacts with her kids. I don't fault Steel for this part of Kate's character - it's actually pretty realistic.
When everything begins to fall apart in her family (child outside of marriage *gasp*, breaking an engagement, and lesbian-ness), we the readers find out that Kate is only able to show empathy and open-mindedness to two children at a time. Looks like her youngest daughter Claire is out of luck!
Claire finds herself pregnant after only a couple of months dating an older man. She decides that, while the father wants to get married, she is not yet ready for marriage. When she tells Kate about the pregnancy and her desire to stay legally unattached, her mother pitches a fit. Words like "embarrassment" and "disappointment" get thrown around until Claire leaves, rightfully angry and offended that her mother cares more about the opinions of their social circle than she does about her own daughter's happiness. The rest of the book is spent with Kate wallowing in her sadness that her youngest daughter is now cold toward her and the rest of the family blindly hurling insults at a pregnant lady. They have no sympathy for the fact that Claire has major pregnancy hormones and doesn't want to legally bind herself to a man she's only known for a few months. So sue her.
Kate's son Anthony starts out the story engaged to Amanda, a slightly boring woman who just wants a nice wedding. He's only really going through with the marriage because Kate wants it, so when he meets Alicia, an "exotic-looking" model from Spanish Harlem (something that Kate really seems to harp on), he jumps on her both metaphorically and literally. After a few months, Anthony drops Amanda and continues dating Alicia. Considering the way Kate responded to Claire's "disgraceful child out of wedlock" situation, you would think she would absolutely lose it when she finds out about Anthony's affair and broken engagement. You'd think wrong. She says nothing about her son's moral indiscretion, and congratulates him on finding someone he likes, even if she is part Hispanic and part Chinese. The double-standards are strong in this family.
The last nail in the coffin for Kate's "normal" family is the revelation that her oldest daughter Tammy is a lesbian. Strangely, everyone in this quite conservative household is totally fine with this and with her partner of six years. They're even more fine with both the women purposefully getting pregnant at the same time (after getting married, of course, because they want to "do it in the right order.") The whole family makes little jabs like that at Claire's life choices, then pretend she's the brat.
Really, the worst part is the delivery of the three babies in the story. When Claire goes into labor, she's done little-to-no research and is completely unprepared. Unrealistically, she refuses to push when the nurses ask her to, prompting them to tell Kate they've only seen this behavior in "young, ignorant" pregnant teenagers before and not 20-something year-old women. Steel twists the knife further for Claire after the birth. She apparently wants nothing to do with the baby, and no one seems to check on her or her mental well-being. It seems a lot more like trauma and postpartum depression than self-centeredness to me.
When Tammy and her wife give birth, they both do so within a couple of hours and have perfect labors and deliveries. This ease is painted as their reward for being good, mature people. Steel's handling of pregnancy and birth is the most disappointing and disturbing part of the whole book. She treats a mother's labor and post-delivery experience as a direct reflection of the mother's moral state. Ideas like this are so ridiculously outdated and harmful, that even in a work of fiction, they could cause pain for the reader. I can only imagine being a woman who had a difficult and painful birthing experience and reading this morally bombastic ending to an already-questionable story.
This review might seem harsh, but I believe it's well-deserved. For such a popular, prolific writer, Steel seems to have no concept of crafting an engaging narrative. She relies so heavily on cliche and repetition, and the judgmental, self-congratulatory tone of the protagonist actually made me angry at points. I couldn't even enjoy this book as a fluff read.