It was after I wrote a book with flashbacks that I was told to avoid flashbacks like the plague because readers had trouble following them. So here is a book that includes flashbacks right to the end. IMO, that's too much--they became tiresome after about 2/3 of the way through, and the back story should have been revealed by then. In addition, they hold redundancies to the main story. But I didn't once have trouble following the changes.
The story line is unusual, and that helps the reader to become engaged in the action immediately. For those who are a little nervous about reading a non-Regency, don't be. There is little difference in this historical with the exception of some technology advances, which the author handles well.
As for characters, I found Elizabeth was perhaps a little too fretful about her position when discovered, though I'll be the first to defend the author's choice of using a portion of her canon character. Austen's Lizzy wasn't always courageous, and did run from her troubles. Darcy was wonderful as her protector, serious as ever, yet he had a take-charge attitude that worked well. The shock midway through was halfway expected if the reader was savvy, and the characterization was handled well given the circumstances as well--no spoilers.
The romance was beautifully bittersweet, developed with care I've seen in few novels. No one could deny the depth of affection on these pages, as it was held back for so long and became disproportionately deep. I don't recall reading a JAFF lately that was so successful at describing profound hidden affection so well.
The dramatic tension carried to the very last minute, and we see one of those truly evil Wickhams that some readers hate to read. I don't mind, however, and this one's character was well-drawn and utilized appropriately for the subject matter. In fact, compared to the final plot twists, the early part of the book was a bit slow. One criticism is that Wickham was slow to show, and perhaps should have been more of an "issue" earlier on in the book.
Editing was fairly good. I noticed some Americanisms such as "we will" and "I would" where British speakers would have said "we shall" and "I should." A number of words were used in a way that I think the author misunderstood their meaning, as it didn't quite make sense in the context of the sentence. I believe she should have said stablemaster when she said coachman in two cases. A lot of the prose lent itself well to painting a scene in the reader's head, though, so the author used language well.
The cover art speaks volumes about the story, particularly in the pose of the models. I would have preferred to have seen the moustache, though!
This book was long, and like most long books, included some redundancy, particularly as it related to the back story. A bit of thinning out would have tightened up the earlier story pacing a great deal. I enjoyed reading the full length of it, repeats and all, just the same.
As I now complete this review, I get a tight feeling in my chest as I recall the emotions I felt while reading this novel--it gave plenty of excitement through and through, while demonstrating one of the most heart wrenching applications of a love story I've read in a long time. Bravo, Ms. Clarkston. You are truly one of the top authors in JAFF.
Disclaimer: Because I am a JAFF author, some might say my reviews could be a conflict of interest. My reviews are honest and impartial. I am friends with Nicole Clarkston.