Looking back at my reviews for the first two books in the Lockwood & Co series, I learn that apparently the second book (The Whispering Skull) ended on a massive cliffhanger. But since there was so much time between me finishing the second book and starting the third, I completely forgot what the cliffhanger even was. If it got resolved in any satisfying manner in the beginning of The Hollow Boy, I didn't notice. So that's probably not a great sign.
We're at the third installation of what is at least a four-book series, and Jonathan Stroud is finally starting to deviate just a little bit from his established formula. The book still opens with a minor ghost-fighting mission that won't impact the plot in any way, and we still have a big blow-out ghost hunting scene in an appropriately dramatic setting, with the requisite "Wait! We had it wrong the whole time!" realization. But Stroud appears to be laying the groundwork for something bigger in a later book, teasing us with more information about the "Orpheus Society", hinting that one of the bigger ghost-hunting agencies is up to something nefarious, and also further developing Lucy's unusually strong psychic abilities. Even though this book didn't really blow me away, I'm still going to track down the next one in the series, if only to see how Stroud continues to develop this story.
Honestly, this book isn't bad, overall. There are some great action sequences (including a haunted house with a giant open stairwell that extends from the basement all the way to the attic, and a high-stakes chase scene at a parade - this series is just begging for a film adaptation, and I think it could also make a decent TV series), the ghosts and hauntings remain genuinely scary, and the dialogue is still clever and snarky as hell.
But I think it could have been so much better. Part of the book involves Lucy exploring and developing her ability to talk to ghosts, often by putting her own team at risk and having to learn lessons about keeping her friends safe despite her curiosity etc. I wanted Stroud to take this a little farther - have Lucy become more isolated and withdrawn, and explore how the Lockwood team would deal with one of their members going off the rails a little bit. There are hints here and there that Lucy is starting to lose sight of what's important, and also that Lockwood may not have the team's best interests in mind, but Stroud is either waiting for later books to develop those ideas, or he just couldn't be bothered.
The time/setting is still off-putting - everything feels really steampunk-y, to the point where I had to keep reminding myself that it was taking place in modern day. Stroud even gives us a definitive time period, when he has a character establish that the Victorian era was "over a century ago." Even with this indisputable fact, I remain incapable of picturing any of this happening anywhere other than Victorian or maybe pre-WWI England. Part of this is the little details - Lucy uses the word "chambermaid" once, and also mentions that a character is wearing "petticoats", and nobody ever uses a cellphone or computer. But it's also easy to picture the story happening in some kind of steampunk universe, because the world Stroud has built is entirely devoid of pop culture for our fifteen-year-old heroes to reference. I'm not saying that you have to throw out snarky Ghostbusters jokes every few pages, Stroud, but at least give me something? What kind of music do Lucy and her friends listen to? Are there Reddit pages for ghost-hunting kids? What shows are they watching?
Another big issue: we get a new addition to the Lockwood & Co team when they hire an assistant to help with cases. Her name is Holly, and if you guessed that Lucy is immediately suspicious and jealous of her, you unfortunately guessed right. Lucy, to put it bluntly, is a total asshole in this book. She's constantly rude and dismissive to Holly, who is never anything but nice to her, and even Lucy's narration couldn't make me see the feud as anything but one-sided.
The whole thing is handled very badly for two reasons: first, I'm not saying that Lucy and Holly had to be besties from the moment they met, but "badass heroine who isn't like other girls" is a trope that needed to die twenty years ago, and I'm so mad at Stroud for using it. Lucy Carlisle has definitely uttered the phrase "I just get along better with guys, girls have so much drama" at some point in her life, and I hate her for it. The second reason the Holly plotline misfires is because Stroud's idea of showing us Lucy's dislike is to have her internally gripe, constantly, about how Holly sucks so much because she's so tidy and helpful and well-dressed and her skin is so nice and her hair always looks great and it's just like...Lucy. Babe. You aren't jealous of Holly, you have a crush on her. Sadly, Stroud doesn't even consider this possibility, choosing instead to feebly develop Lucy's dumb crush on Lockwood instead. Yawn. Give me ghost-hunting girlfriends who squabble about dirty socks left on the floor or give me nothing, Stroud!
Also Stroud pulls the same trick he pulled in The Whispering Skull where he seems to kill a character off, prompting me to think "This is upsetting, but it's also a bold storytelling move and I'll be interested to see how the series continues without this character" only to reveal that nope, they didn't die after all! And then I get disappointed because a character didn't die, which is always a weird feeling.