Sometimes I struggle a bit with the sheer number of characters in this, but the art is so good and the Ainu culture so richly detailed that I continue to get sucked in!
This was a flawless piece of story-telling and art work. I adored every chapter, I was hooked for the whole time. Golden Kamuy is a gift that keeps on giving. The art is beautiful, the scenerary, the characters' faces, the animals. I love.
The story in this volume was a hell of a roller coaster. The serial killer fisherman chapters were top notch, a sudden appearance of old enemies was fun. The casual meeting of Hijikata and our main trio, the fight between Tanigaki vs Ogata & Nikaidou is so well excecuted, the tension, the drama, the stakes. Perfection.
The delightful mix of gory violence, wilderness survival tips, and food porn found in every volume of this Japanese take on the American Western has truly grown on me. Highly recommended for fans of "The Outlaw Josey Wales."
In addition to the dangerous 7th Division, the ruthless squad led by the legendary Shinsengumi Hijikata is now hunting for the missing pieces of the treasure map. And as if that weren't enough, the bloodthirsty murderer Henmi is also close behind Sugimoto's heels.
After 5 volumes of Golden Kamuy, I've decided this series isn't for me. I quickly grew weary of the scenes going into detail about specific techniques (especially culinary ones), it was interesting and fun at first until it just became boring for me. It is definitely impressive how the historical context is so detailed and well researched, but it failed to make me care for it most of the times...
The characters were ok. Not very memorable, but they played their part well enough. The action also became somewhat repetitive, so the humor moments was what truly shined for me. The author draws some of the funniest faces I've ever seen. lol. I'll finish this story in the format of anime.✌️
I appreciate that, while explaining both Ainu and Japanese food preparation and such, Noda also addresses when profitable methods led to overhunting and overfishing. The character Aspira consistently points out aspects of Ainu culture that were meant to keep certain species sustainable.
The backgrounds including scenes of Hokkaido woods in the winter remain beautiful. The sudden and horrific violence, less so, but I do appreciate the manga-ka exploring psychology and why disturbed and violent characters got the way they did. The after effects of the Russo-Japanese War, which I’ve never studied, are also intriguing.
Continues to have plwnty of action and lots of tidbits about Ainu culture, plus beautiful landscapes and the animals are well drawn as well. We get some forward movement on finding the gold in this volume, and a huge clue right ay the end. Shirashi... I don't know what to think about him right now. He is good comedic relief, but can they trust him?
Me: I'm so proud of you for not disemboweling anyone in this volume. Noda: ::has a character carve off another character's ear:: Me: Right. Okay. I'm going to let that go. Because of the character development. And the excellent deployment of an orca as a plot point.
Golden Kamuy is the kind of manga that is hard to dislike. It’s not only beautiful, it also contains a unique historical fiction story that is both cuttingly realistic and willing to take a few chances. It’s also a food porn series in disguise. Sure, it’s filled with interesting facts about living off the land in the early 20th century, but it’s also an exciting adventure series.
Sugimoto and Asirpa’s hunt for the tattooed treasure map has led them to a fishing village on the coast, where a deranged serial killer lies in wait. Lieutenant Tsurumi and his renegade soldiers are also hot on their trail, and if he catches up to them it’s guaranteed that there will be hell to pay. Toshizo Hijikata also closes in, while an old friend shows up with a secret about Asirpa that no one wants to believe–but it just might take them closer to the gold than ever before…
This isn’t a straight action-adventure; instead it’s filled with interesting facts that could keep you alive (especially during the time period). It’s also a manga that revels in the culture of the people, their ways of survival, and by extension its characters. They are realistically rendered in how much they love to eat and live as well as their attempt to find a massive amount of gold.
The last two volumes of this series were seriously worrying me due to their wonky pace and focus on the ancillary characters. This volume brings things into better focus with the main trio of characters (Sugimoto, Asirpa, and the “Escape King”) adding a new twist that makes Aspirpa’s story more personal in regards to Sugimoto’s world. The narrative gets back on track to find the gold, but also continues to flesh out the bonds between the characters nicely.
This volume opens with Asirpa and Sugimoto attempting to get some info out of one of the tattooed soldiers who holds a piece of the map to the gold on his back. The character is strange and at times erotically wishes for Sugimoto to kill him. It’s one of the weirdest story elements I’ve ever come across (he literally daydreams of ways Sugimoto could kill him) and ends up evolving into a wickedly good chase scene.
Midway through this volume, a big chunk of the book revolves around Tanigaki surviving the threat of a sniper associated with the characters chasing Sugimoto for the maps. These scenes are expertly paced and keep you on the edge of your seat as Tanigaki must first escape a hut they have pinned down with a sniper and then flee their tracking. The sequence plays out in surprising ways and takes a closer look at the life of a sniper.
The last chunk of the volume revolves around more of the food porn aspect of the series, focusing on Sugimoto and Asirpa catching some fish. As is customary with the series we learn all about the fish be it flavor, their multiple uses, and how big they could get in the early 20th century. This sequence plays out well because it’s not a distracting clump of factoids but rather actually leads to a major plot development that ends the book on a satisfying cliffhanger.
It’s subtle, but the weirdo who wants Sugimoto to kill him is somewhat uncomfortable to read. He’s sick (at one point he chops a guy’s head off) and yet literally gets an erection at one point due to the thought of being murdered. They blotch that out of course, but this is a subplot that may put some off. I’m not sure how important this character is to the story–maybe he’s simply a strange fetishist that Noda wanted to explore–but it doesn’t add much to the narrative. He serves as a weird character you won’t really ever understand and that ends up being a failing of the writing. He’s almost inhuman in how he acts and maybe the purpose was to show some people in this world are uncompromisingly strange and unsavable, but it ends up coming off as a joke for adults more than anything else.
This is the strongest volume since the very first. This volume’s pacing is on point, it never gets bogged down in facts, and it effectively sets up a new direction for the characters. This is one of the best manga currently on shelves.
Yet another tromp through historic Japan trying to get their hands on the gold. I am enjoying Golden Kamuy, but I feel as if the pacing may be too slow.
Este tomo me hizo arrepentirme completamente de no seguir la serie con empeño cuando salió. Este tomo es una joya de comedia. Cuando concluyó el tomo anterior con Sugimoto rescantando al asesino tatuado que estaban buscando, pensé que tendríamos unos capítulos de enfrentamiento con estrategia entre estos dos personajes; pero el autor nos regala un giro perfecto al cambiar el tono y llevarlo por la comedia. Y es muy interesante porque ambos los lectores sabemos que Sugimoto tiene que ganar, entonces para hacerlo interesante, despliega el enfoque de quién va a morir, y lo mueve a cómo va a morir el asesino tatuado. Nos muestran la obsesión casi enamoramiento del asesino para morir a manos de Sugimoto y eso hace que ese par de capítulos sea sumamente gracioso. De ahí claro que tenemos una pelea de estrategia entre un nuevo personaje y nuestro Matagi favorito. Y de nuevo la tensión está al máximo. Y el volumen concluye con una revelación interesante del pasado de Ashirpa y que va a llevar a nuestros protagonistas a una nueva dirección. Gran volumen. Shiraishi, por Dios, que buen personaje.
The anime adaptation that aired this spring covered these chapters (and beyond), so I knew how the story was going to go but I didn't mind because the manga is so much more information rich compared to the anime. I understand it's harder to insert so much explanation fluidly into anime, so even if you watch it, the manga is absolutely worth reading still! I love how extensive research into Ainu culture and living on Hokkaido has been done for this manga. The reason I gave this volume 4 stars instead of 5 is that I don't care for the fishing village arc so much and having similar, unlikely, events of water creatures attacking people felt a bit lazy writing. But that's fairly minor critique, this is engaging and interesting read, I just enjoyed other volumes a tad more.
As before, the art is great, wildlife and food is extremely detailed and realistic but the characters (or rather, their faces) are a bit more stylized. Noda manages to mash them together well though.
Featuring Henmi Kazuo, who I've found a great new appreciation for upon rereading. (Cartoonish serial killer man gets off on violence and is a slut for Sugimoto. I.e., wants to be killed by him. What more could I want?)
TANIGAKI VS OGATA!!??
Favourite fight in this series so far, but also, now one of my favorites ever?? I'm not a fights subscriber, but goddamn that was satisfying. It was very brief (even counting the hunting sequence after it), but given the series in question and where this fight is placed in the grand scheme of things, I'm in for some treats in the future.
I can only hope to strive for the levels of research Noda has put into this series. The little details, like Ogata putting snow in his mouth to mask his breath condensation in the air just put me right into the story. And I'm also learning a lot!
This entire review has been hidden because of spoilers.
I liked the change in setting! How many more animals can we cook in this story? Surely one has the same meal a few times?
All in all, this series has established a good sense of high adventure, with a constant sense of surprise. The tension in those early serial killer chapters is really well done, and I have no doubt this would continue in almost any setting we can have.
All in all, this story gives me the sense of something like early-2000s thrillers, like Alias. There are a bunch of pieces laid out on the board, and they keep getting remixed and involved in backstabbings to maximum dramatic effect. It's a really fun model, but it does limit the weightiness of the story a bit.
I hope to continue with this story later on, but I would say I'm not in a vast rush.
Another volume, another entertaining romp! The mission stays the same. Art consistent and great as is the story by Satoru Noda. There are some intense moments and razor thin saves that continue to make this a must-read manga series. The pages of this volume seem to move even quicker, but the art and story combined are telling a MUST-READ story! There is always a small sense of humor in this book that is filled with darkness, violence and pain. I actually feel like rarely does anyone scream out even when being mutilated! There is a scene that immediately takes me to Reservoir Dogs and if you have seen the movie, you will know it when it occurs. Another solid entry in a series that shows no signs of slowing down. Sugimoto and Asirpa continue to shine in this series.