Thank you to NetGalley and Zauberfalls Publishing for gifting me with an eARC in exchange for an honest review.
In a fantasy world where at one's death it is known whether your soul has ascended or splintered, a huge cast of characters from different backgrounds is trying to do their best. We have a physicist queen who suffers from hallucinations, a teen peasant attempting to start a revolution, a bunch of orc college students who are trying to get their families to accept them, and a few more.
I struggled through this book; that summarizes my feelings about this pretty well. While there were some interesting ideas in here, the execution just was not there for me. I'll start with the things I appreciated. There were a ton of queer characters (trans, nonbinary, gay, lesbian, polyamorous) that were well integrated into this fantasy world; it's not a queernorm world, but people have been openly queer for a couple of generations. There were also a few different Tolkein style fantasy races of our characters, which I think is frankly underutilized in everything but DnD nowadays. I really liked Ally as a character, she's sort of a Cassandra character.
Onto what I wasn't a fan of. The word I'd use to describe this book would be "underdeveloped". We have so much going on; there are three time periods we go into, a GRRM level amount of characters to follow (including Robert, Reginald, and Richard, which, why in the world would you pick so many similar names of important characters. I could not keep them straight for so long), and a good amount of settings that we are in including a magical one a the end. There really wasn't a central plot to this, which is why my synopsis was so vague, so I'm assuming the author intended for this to be a character-focused narrative. Truly, there wasn't enough worldbuilding to truly understand their surroundings anyway. However, to get attached to characters, you need to understand their backgrounds, basic desires, personality traits, and motivations. Other than wanting to be with their significant others, few characters had those motivations (with the great exception of Vana, the teen revolutionary who is very much a YA protagonist hothead). What were the goals of these characters? And therefore, what was the point? If we're not going to ask big philosophical questions about the world and politics, we need to have that small-scale goal. A good way to do this might have been to fix the timeline situation. With no flashbacks, we are given an ancient times chapter, then several "ten years ago" chapters, and then the rest in the "now". The second section felt pointless to me. Show me these characters, reflect on what they've been through with their current actions and situations, and give them some drive. If you're not sure what their drive is, maybe don't make them a perspective character if you can help it.
Rest assured, I believe there is an audience for this book. I'm not really sure who that is, and it, unfortunately, does not include me. If you love found family, I think this series might be something to check out. This is a debut novel, so I think with some more experience the author may be able to find her footing in future works.