The first thing you may have noticed on the front cover of this volume is Spider-Man wearing a whole new costume that is coloured blue and grey and looks more high-tech. Conceived by Norah Winters and J. Jonah Jameson, Spidey will be paid to stream his fights and fans can tip him at the moment to get him to do and say things. No doubt the new suit introduced some interesting ideas, some of which seem relevant to today’s streaming, whilst J.J.J. somewhat out of his depth with the technology, but revels in the success, showing his ego has never changed since 1963.
Often with a new suit, at least with Spider-Man, it sets up a new status quo, but after its introduction, Nick Spencer doesn’t go any further into how it could possibly shape Spider-Man's future, in terms of his relationship with the public. Whilst Patrick Gleason draws the hell out of the action that showcases the technical capabilities of the suit, towards the end of this volume, Spidey reverts back to his classic red-and-blue suit.
From the very beginning of Spencer’s Amazing run, Mayor Wilson Fisk has been a recurring threat to Spidey, especially in light of the latter's relationship with Fred Myers/Boomerang, who just happens to be Peter’s roommate. With this ongoing search for the scattered pieces of Lifeline Tablet, which is really a MacGuffin that we shouldn’t pay too much attention of, Boomerang’s life is truly in jeopardy and since Peter found a greater sense of friendship towards the gimmicky villain, his participation is expected.
Meanwhile, there is a star-crossed romance between Peter’s former roommate Randy Robertson and Janice Lincoln/Beetle, much to the horror from their fathers, who have an ongoing feud. Spencer does have some fun here, exploring the domestic side of these characters, including a funny sequence where their friends give advice about their somewhat troubling romance. If the comic is less concerned about the spectacle and put more focus on the soap drama, which is part of the appeal of Spider-Man, you would have a better book.
Sadly, the clutter and multiple characters and multiple artists is where I kinda lost interest. The final issue, in particular, which is a Giant-Size issue that could’ve served as the climax for the whole run, so much is thrown on every page. Whether it is the Beetle’s Syndicate or the various crime bosses or even a reunion with the New Avengers from the days of Brian Michael Bendis’s run, it’s only when we take a breather and focus on the Spidey/Boomerang relationship, that’s where the characterisation comes in.
What could’ve been the end of Spencer’s run, I would’ve thought it was just a not-so-great finale to a run that had its moments, but because we’ve got more issues coming our way, which will once again set up something big (a recurring problem in this comic), I’m curious to see how this whole thing will pan out.