This conclusion to Geoff Johns and Gary Frank’s Batman origin brings everything to an approximation of their familiar appearances. It does so by affirming everything its preceding two volumes did so well.
In superhero comics familiar elements can calcify until they would look like a flat parody in any other context, accepted because they’re never even questioned. Bruce Wayne, for instance, had parents who were murdered in an alley, and that’s basically all anyone ever really bothered to write about them. Johns, in the first Batman Earth One volume, decided to dig deeper. He gave Martha Wayne the maiden name Arkham, familiar from Batman lore as an asylum in Gotham City where all the colorful criminals go once captured (and recaptured).
In this third volume we meet a man posing as Bruce Wayne’s grandfather, Martha’s father. Though there are twists to this part of the story, it’s still a welcome added depth to the Batman mythology, even the fear that madness runs in the family. Among the many other things reading this theoretical final volume leaves readers with is the prospect of another story, where Bruce grapples with the psychology of, well, dressing up as a bat.
Two-Face receives a fantastic twist. Catwoman officially debuts. A big face appears on the final page.
The draw of the Earth One line, as sporadic as installments have been, is that familiar characters can have a self-contained spotlight for fresh imaginings. If it were done in any other format there probably wouldn’t be the same results. The multiple volumes themselves, even the slow pacing that has developed over the decade it’s existed, none of this would have happened. There would have been one-shots, and maybe a sequel or two, and yet now we have three volumes each for Superman, Batman and Wonder Woman, and two each for the Teen Titans and Green Lantern. It’s a legacy that hopefully has an increase in appreciation over time.
And it’s full of great material. This Batman trilogy might be the most traditional and yet most radical. We’ve easily seen the most retellings of the Batman origin, so on the surface it looks like just another version. But it isn’t. It builds on that tradition in a knowing and deliberate manner. Three volumes still doesn’t seem like enough space to give it justice. And yet, for its purposes, building the world of Batman, tweaking things in minor and significant ways, a conclusion has been reached. Johns, and Frank, once again achieving a monumental work.