Creeland is a poetry collection concerned with notions of home and the quotidian attachments we feel to those notions, even across great distances. Even in an area such as Treaty Eight (northern Alberta), a geography decimated by resource extraction and development, people are creating, living, laughing, surviving and flourishing—or at least attempting to.
The poems in this collection are preoccupied with the role of Indigenous aesthetics in the creation and nurturing of complex Indigenous lifeworlds. They aim to honour the encounters that everyday Cree economies enable, and the words that try—and ultimately fail—to articulate them. Hunt gestures to the movements, speech acts and relations that exceed available vocabularies, that may be housed within words like joy, but which the words themselves cannot fully convey. This debut collection is vital in the context of a colonial aesthetic designed to perpetually foreclose on Indigenous futures and erase Indigenous existence.
Dallas Hunt is a teacher, writer, and member of Wapisewsipi (Swan River First Nation) in Treaty 8 territory in Northern Alberta, Canada. As a proponent of language revitalization, he wanted his debut book for children, Awâsis and the World-Famous Bannock, to include words in Cree. Dallas lives in Winnipeg and enjoys reading great books to his nieces and nephews.
I really enjoyed this book. It healed part of my little cree heart. The poem “There are no good settlers” was great and made me reflect a lot about my work environment in the government.
Favorite poems are Porcupine I & II, Cree Dictionary, I Almost Had A Mental Breakdown During My Master’s Degree, There Are No Good Settlers, Narrative Trap(Ping), and Tracks.
I had the privilege of hearing Hunt speak about his PhD research at the end of July and thought he was brilliant and wonderfully articulate in his delivery. This collection reaffirms his mastery of words and blends the political and poetic in really interesting ways. I always love a collection that can make me chuckle and tear up - this one did both!
Dallas Hunt's academic prowess shines brightly in this collection, but even so is overshadowed by the irreverent, emotional way he writes about matriarchs and their power, the land and its power. This is a collection everyone should have on their shelf.
A powerful debut collection about Cree culture, Indigeneity, love and loss, family relations, and colonialism and its profoundly negative impact on “ndns.”
Favorite Poems: “No Obvious Signs of Distress” “Wahkohtowin” “I Was Born Blue” “A Crook That Signifies Home” “Spiraling (Fine for Now)” “Spillimacheen” “There Are No Good Settlers” “Even Tombs Die” “Common Spaces”