Over the course of the Krakoan Era, which served as Jonathan Hickman’s seismic shift when it comes to the Marvel mutants, whilst it has been praised by many X-fans, but there is a section of the fandom that has been negative towards it. Going all the way back to Hickman’s House of X/Powers of X, it doesn’t feel X-Men in the traditional superhero sense and even when the writer was doing his X-Men run, it already felt different, telling a variety of single-issue storylines, allowing various ideas of sci-fi and politics. With Hickman leaving Krakoa for other creators to continue this initiative, Gerry Duggan takes over the X-Men title.
Duggan has already left his print on the Krakoan age by writing Marauders, in which the titular team was reimagined as a pirate crew captained by the best X-Man Kitty Pryde. While there is a sense of seriousness when Hickman was writing the X-Men, Duggan brings a fun and more traditional superhero approach to his roster. A new treehouse is built in New York, which serves as the base of the newly elected X-Men, whose purpose is to protect the rest of the Earth, not just mutants. Led by the power couple Cyclops and Jean Grey, the team comprises of Sunfire, Synch, Polaris, Rogue and Wolverine (who is actually X-23).
As much as the X-Men have had a long history of not being respected as heroes in the way that the Avengers or the Fantastic Four are, the first issue is about projecting these mutant outcasts in a positive light for the public as they fight off a giant monster in the style of 60s Marvel heroism. However, there are other forces at work, such as Kelvin Heng/Feilong who joins Orchis in their crusade to combat mutantdom, the masked Doctor Stasis with his army of animal chimeras, or Cordyceps Jones, the parasitic ruler of Gameworld.
The Hickman influence still looms, with pages that are just text that documents aspects of the world-building. And whilst the issues almost function as their self-contained narrative with the X-Men facing various threats, Duggan’s witty style fits nicely into a team book that doesn’t have to worry about the larger scope of Krakoa’s dealings with the rest of the world. With the numerous one-off threats that pop up whether they’re Earth-based or cosmic, the most interesting conflict comes from unexpectedly the human journalist Ben Urich. Assigned to write a piece on New York’s new group of mutant heroes, he gets information about Krakoa’s secret act of resurrecting mutants, which if it gets revealed to the world, will cause problems for mutantdom. Considering the X-Men's long history of characters being killed and resurrected again and again, something that Hickman acknowledges and uses it was part of the world-building, Duggan uses this concept as an interesting conflict that could ruin the X-Men's new public image.
Instead of changing the roster in nearly every issue that Hickman was doing, Duggan sticks to his guns with his line-up of seven characters. Duggan brings a playfulness to these heroes, whether it is how they display teamwork in the numerous battles, or the simple banter when relaxing in their treehouse. While some of the issues allow for sole focus on certain X-Men, such as Polaris who is a fun addition, Rogue gets the short end of the stick, despite a fun scene with Gambit. However, the best characterisation goes to Cyclops, who many will dismiss as being the boy scout leader of the team, and yet he’s more interesting when both his leadership and loyalty to the mutant cause are tested.
Establishing the initial look of the Krakoan age when drawing the six issues of House of X, Pepe Larraz leaves an artistic impact to the X-Men that rivals Jim Lee and John Cassaday. Juggling characters, from the colourful spandex-wearing heroes to cosmic creatures of all shapes and sizes, Larraz’s linework is clear and detailed, with ample expressive quality given to each character’s visual design and movement, including Rogue who doesn’t have a lot to do, but Larraz captures her iconic look from the 1992 cartoon. His action sequences are visually spectacular as look no further than the first issue as the X-Men find themselves in a Kaiju battle.
For the casual comic book reader, the X-Men has always been difficult to get into, considering the many X-titles that are out there. However, the first volume of Gerry Duggan’s run is a perfect pickup for anyone wanting to give the mutant superhero team a chance.