“Okay, she’s gone. Voluntarily or under duress? Running away or taken? And, of course, alive or dead? And are we moving towards suspecting a crime has taken place?”
She’s Gone is a stand-alone novel by best-selling British author, Susan Wilkins. Just two weeks after Phoebe Lennox starts university at Cambridge, she is missing. She’s gone out for a run one Friday afternoon and hasn’t returned. The alarm is raised by her distressed mother, Marcia who rushes from London with her husband, Harry.
It’s the guy with whom she’d had a holiday romance, a man Marcia despises, who’s snuck a spyware app on her phone, and has alerted the family that there’s been no activity for twenty-one hours. Phoebe is very active on social media, so something is amiss. Marcia is unimpressed with the cops sent by the station, but DS Jo Boden and DC Prisha Chakravotry will give it their all: each has something to prove.
Harry is annoyingly laid back, convinced that Marcia is overreacting and Phoebe will urn up, but agrees to contact his ex-father-in-law, who still has some government clout and will bring pressure to bear on those in charge of the case.
It’s apparent from the start that many of these characters are being less than honest with each other and the police. Marcia seems to be an over-protective, controlling mother, but does she have valid (if unstated) reasons over and above the obvious to fear for Phoebe’s safety? Is the ex-boyfriend’s stalking merely concern for an innocent, or is he a slick psychopath? Phoebe is clearly spoilt and protected, but is she as naïve and unsophisticated as her mother believes? And just where do the ex-con and the bored teen fit into the scheme of things?
Once again, Wilkins gives the reader a crime thriller that grabs from the first page and doesn’t let go. She manages to include some topical themes and highlights the potential dangers of social media in the hands of the inexperienced. This one is cleverly plotted with some great twists and surprises to keep the reader guessing right up to the final pages. Excellent British crime fiction.
This unbiased review is from an uncorrected proof copy provided by the author.