You don’t choose to own Roxborough Hall, the Hall chooses you to be its owner. For two centuries the vast Tudor mansion has been in the Mordaunt family, but not inherited by a conventional process. The property has an entail, a legal device which describes the limits and circumstances by which the property may be passed on. In this case, the owner must pass the property to the person whom they believe will benefit the most and who will ensure its survival. Although the new owner is most likely to be a member of the family this is not requisite, the decision is at the discretion of the current owner who, it is hoped, will pick the person who best fits the criteria. And that person will fit the criteria because of the way the Hall has moulded them.
Cecily, the eighty-five-year-old current owner, is dying, although her scattered family don’t know that yet. Her lifelong companion, Violet, is taking care of all the arrangements, as she has always done. Appointed as Cecily’s maid in 1958, she has grown with her, maturing into a personal assistant, household manager, constant companion, and always a keeper of secrets. And there have been lots of secrets over their nearly sixty-five years together. Violet’s last undertaking for her friend is to oversee the entailment process, after which the lawyers will take over and deal with the routine disposals of the will. The entailment process has become standardised over the years: the current owner writes a letter to each member of the family, plus anyone else who might have some expectations; all but one of the letters explains why the recipient has not been given the Hall, the exception explains to the recipient why they have been chosen. The letters are distributed at the start of a formal dinner, perhaps to give time to think over what has happened. The recipients will be Cecily’s two sons, David and Grant, David’s two daughters by his first wife, his second wife, Grant’s adopted son, a lawyer representing Cecily’s estranged daughter, and Violet, of course. Who will be the chosen one, and how will that effect their future relationships with the others?
A beautifully contrived situation, written in beautiful English, within an expertly structured exposition. Through a series of flashbacks, vignettes, slipped into the forward narrative of the story, we discover the history of all the characters, the role the Hall has played in their lives and their attitude to it, the expectations they have about the entailment, the incidents which have made them the people they are. All are properly developed, believable characters (even the minor ones). It’s a complicated story, but trying to second guess the plot twists (and the twists in the sub-plots), while weighing up the information to try and identify who will be chosen, I found hugely enjoyable.
I would like to thank NetGalley, the publishers and the author for providing me with a draft proof copy for the purpose of this review.