Beauty, of course, is experienced in many ways. In this gorgeous manga, beauty mysteriously emerges from the quotidian events of everyday life in rural Japan: visiting neighbors, sharing produce you grew in your garden, high school rivalries that stretch into adulthood, sprained ankles, laughter, simply spending time next to someone. Suddenly, as all of these normal, mundane experiences accumulate, through some magical juxtaposition that you can’t quite put your finger on, beauty and emotion shine through and overwhelm you.
This is exactly what I experienced reading “Restarting after Coming Back Home,” about Mitsuomi, a prickly, mouthy, 25 year old son who loses his job in Tokyo and goes back to live with his parents in rural Japan. Once there, he meets Yamato, a gentle giant of a man who’s also 25 and who was adopted by a nearby elderly couple when young. One day a laughing Yamato simply walks into Mitsuomi’s life and they become fast friends. Even on Mitsuomi’s bitterest and crankiest days, Yamato smiles and treasures his new friend’s emotional honesty. Yet Yamato seems to always keep his real, inner self at a distance from everyone, a fact that begins to trouble Mitsuomi after he realizes he’s falling for Yamato.
This isn’t an epic or melodramatic story, yet it’s riveting and intense as the relationship between the two young men takes root. Cocomi, wisely, chooses to focus on what really builds a relationship in this manga, eschewing the sensationalized titillation of naked skin and sex that’s so clearly a sales gimmick, aimed at a certain demographic, that it undermines our belief in the characters. Cocomi shows us what it feels like to simply be with someone, at their side, sharing experiences good and bad, and how, sometimes, love blossoms from this simplest of soils. Not that physical intimacy isn’t important, but it’s much harder to show the invisible connections that make up a living relationship, the way it resonates between two people, but Cocomi succeeds brilliantly.
Many of the pages have a glimmering radiance allowing the white of the page to dance through the artist’s compositions, which are often structured using light mid-tones with just a few darks. While his confident use of line clearly structures the space depicted in many panels, his line changes with the mood of the narrative and can also feel poignant, tenuous and ephemeral on some pages. Combined with the artist’s tendency to sprinkle in panels showing odd angles that keep us just off balance, making us pay close attention to each scene, there’s a sense of energy and motion throughout that speaks to the movement of the characters’ inner emotions and their evolution across chapters. The art on the page becomes the visual analog of these invisible emotions. Thus, artistic form, narrative development, and expressive intent meld perfectly in this jewel of a book.
I bought this in Japanese on a hunch, and read it on a scanlation site. I purchased it from either CD Japan or Manga Republic, I can’t remember, and read it on myreadingmanga.info; unfortunately, this scanlation site has explicit ads (most of which are simply stupid) but the translations are often decent and, having used it extensively to read manga purchased in Japanese in English, so far it hasn’t infected the old Kindle I’ve been using (I’m still not confident enough with the site to use my iPad Pro, though). This manga has also been made into a live action movie, which I’d love to see.
Seven Seas publishing is coming out with an official English translation later this year (which I’ve already pre-ordered; yes, I’ll have two copies but we have to support these artists and especially those who are gifted with the storytelling power of Cocomi). There’s a sequel that I’ve ordered in Japanese, too, that I’m so looking forward to called “Restart wa Onaka wo Sukasete (リスタートはおなかをすかせて)”.