As the writer of books which have two of my favourite TV female detectives, Scott and Bailey, I was really excited to read 'Running Out Of Road'. It is a very cinematic experience, with the use of short, sharp sentences reinforcing the notion that the principle characters, on both sides of the law, are running to beat the devil.
On the one hand is Detective Sergeant Laura O'Neil, married to Hector who is the househusband to her overworked, overtired householder provider. Their son, Mateo is putting both through the ringer as he won't sleep through the night and both parents are struggling to make time, and put energy aside, for each other.
A call out of the blue from work detours Laura from the bedtime routine as she recognises the name of the missing 11 year old Scarlett instantly-her mother was murdered in 2014 and since then, her father, Gregory Martin, has gone on the run and been untraceable. Until now. Scarlett doesn't make it home from her friend's house and, frantic with worry, her grandmother calls on Laura to find her.
Running a parallel to the search for the Land Drover which Scarlett was seen being bundled into, is the narrative of PC Ahmed Ali, a young determined copper who longs to make his parents proud. He acts on instinct, and finds himself stumbling into the search for Scarlett after finding a crime scene tied to an ongoing county lines investigation.His murder victim has been taken out, gangland style, and his son, Dylan, is on the run.
Making up the triangle of stories against which Scarlett and Dylan are lined is Ron, a gay ex-fireman who has been discharged on mental health grounds (but it is really much more complex than that) and is trying to find his feet in a world where status and routine are everything.
It sounds entirely unlikely that 3 such disparate characters would be thrown together, however, you land, feet first at the very start of the night everything goes wrong, courtesy of extreme weather . This literally and metaphorically pulls the rug out from under all 3 and leaves them facing unintended consequences of fate, karma, coincidence-whichever force you would care to pit against the best laid plans.
The interjection of Ali and Laura for which criminals Dylan, and Gregory had not anticipated, highlights that the best laid plans do not account for the interference of naturally occurring variables over which no person has control. The intensity of the need to escape, for Dylan, Ron and Scarlett is emphasised by Scarlett and Dylan's vulnerability. Both are victims of people who have exploited them, and there is the assumption from the very start, that the murder of Scarlett's mum, Jeanette, is a forgone conclusion, laid at the feet of Gregory.
Dylan is seen as a victim of the current political situation wherein desperation has driven criminals to use and exploit young people and see them as disposable aspects.
Ron is the victim of homophobia which has dented his sense of self, his personal integrity and left him feeling lost and without an identity.
This sense of who you are, the bits of your personality which come into play when in danger (resourcefulness, quick thinking, resilience) are subtly layered in a masterful police procedural which is nothing less than I would expect from Cath. Quickly flowing chapters, multiple narratives and characters which could be inhabiting the same street as the reader are what she is so very good at. Her villains are very rarely two dimensional, she rounds out and challenges your misconceptions of who, and what is behind a uniform, a label, a skin colour, a perceived gender identity.
She leaves the reader to make the moral judgements, the leaps from supposition to actual facts, the gap between truthfulness and the consequences of lies. A quick paced crime novel with relatable characters, I would recommend this to fans of modern fiction with an authentic, real life feel.