En morders bekjendelser

by Alexandre Dumas fils, Alexander Dumas den yngre, Fr. Winkel Horn (Translator)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Genres: Fiction

349 pages, Hardcover

First published January 1, 1866

About the author

Alexandre Dumas (fils) (son) was born in Paris, France, the illegitimate child of Marie-Laure-Catherine Labay (1794-1868), a dressmaker, and novelist Alexandre Dumas. During 1831 his father legally recognized him and ensured that the young Dumas received the best education possible at the Institution Goubaux and the Collège Bourbon. At that time, the law allowed the elder Dumas to take the child away from his mother. Her agony inspired Dumas fils to write about tragic female characters. In almost all of his writings, he emphasized the moral purpose of literature and in his play The Illegitimate Son (1858) he espoused the belief that if a man fathers an illegitimate child then he has an obligation to legitimize the child and marry the woman.

Dumas' paternal great-grandparents were a French nobleman and a Haitian woman. In boarding schools, Dumas fils was constantly taunted by his classmates. These issues all profoundly influenced his thoughts, behaviour, and writing.

During 1844 Dumas moved to Saint-Germain-en-Laye to live with his father. There, he met Marie Duplessis, a young courtesan who would be the inspiration for his romantic novel The Lady of the Camellias. Adapted into a play, it was titled in English (especially in the United States) as Camille and is the basis for Verdi's 1853 opera, La Traviata. Although he admitted that he had done the adaptation because he needed the money, he had a great success with the play. Thus began the career of Dumas fils as a dramatist, which was not only more renowned than that of his father during his lifetime but also dominated the serious French stage for most of the second half of the 19th century. After this, he virtually abandoned writing novels (though his semi-autobiographical L'Affaire Clemenceau (1867) achieved some success).

On 31 December 1864, in Moscow, Dumas married Nadjeschda von Knorring (1826 – April 1895), daughter of Johan Reinhold von Knorring and wife, and widow of Alexander, Prince Naryschkine. The couple had two daughters: Marie-Alexandrine-Henriette Dumas, born 20 November 1860, who married Maurice Lippmann and was the mother of Serge Napoléon Lippmann (1886–1975) and Auguste Alexandre Lippmann (1881–1960); and Jeanine Dumas (3 May 1867–), who married Ernest d' Hauterive (1864–1957), son of George Lecourt d' Hauterive and wife (married in 1861) Léontine de Leusse. After Naryschkine's death, he married in June 1895 Henriette Régnier de La Brière (1851–1934), without issue.

During 1874, he was admitted to the Académie française, and in 1894 he was awarded the Légion d'honneur.

Alexandre Dumas fils died at Marly-le-Roi, Yvelines, on November 27, 1895 and was interred in the Cimetière de Montmartre in Paris. His grave is, perhaps coincidentally, only some 100 metres away from that of Marie Duplessis.

Reviews

[Celestis · Rating 5 out of 5]

Tak jak Dama Kameliowa oraz Dama w Perłach klimatycznie były do siebie podobne (obie książki gorąco polecam), tak Sprawa Clemenceau wyjątkowo zaskoczyła mnie, szczególnie zakończeniem odbiegając od reszty. Dumas znany z przedstawiania nietypowych (i niezwykle tragicznych) historii miłosnych i tym razem stanął na wysokości zadania. Podobnie jak wcześniej ukazał do czego może doprowadzić owo gorące uczucie, lecz, co wyróżnia tę książkę od innych dzieł autora, pokazuje również do jak skrajnych czynów zdolny jest człowiek prawdziwie zakochany. W tle przewija się również kwestia moralności oraz psychologii skupiona na głównym bohaterze, która może z początku nużąca, rozwija się w ciekawy wątek i przejmującą, osobistą narrację.
Nie zdradzając więcej, zachęcam do przeczytania. Zdecydowanie warto

[Marcin Pieczewski · Rating 5 out of 5]

Niezwykła historia przedstawiona w niespotkanej przeze mnie jeszcze formie i napisana wirtuozyjnym, prawie poetyckim językiem - zakochałem się.
Dawno nie czytałem czegoś tak dobrego i w parze z Damą kameliową (takie mam wydanie) z pewnością stanowi perłę tego roku.

[Panna · Rating 2 out of 5]

Più che la storia in sé, sono molto interessanti le riflessioni sulla figura dell'artista e l'estetica nella francia dell'800. Didattico