It took me a long time to get through, and by the end I was doing a lot of skimming, just dying to clear it off my currently reading shelf but too far in to DNF. I should have just let myself DNF but what's done is done.
I had to pretend this was someone's fever dream, perhaps an alternate dimension, perhaps a tale existing outside of time and space to accept that Chris likes sewing, creates a private, unknown, unreleased fashion line, has a single model (Shelby), and is able to secure a spot in New York Fashion Week because his designs are just *that* good and Shelby is just *that* alluring. Petty, but I almost DNF immediately because of this absolutely insane situation.
Can someone explain to me how literally the most insecure woman to have ever been dreamed up in a book is destined to be the #1 model in the entire world when she has absolutely no confidence?
At one point, Shelby thinks, "No. I pushed the doubt monster away." She absolutely did not in any way push the doubt monster away. She also says, "I'm finally doing a job that I really like." Shelby, where is the evidence that you in any way like this job?
Oh, and did y'all know Shelby used to be poor? Very, very poor? Extremely poor? I don't think there's a single page in Shelby's POV chapters that doesn't mention this. It's probably mentioned in every single chapter that's not from her POV either. One of their internal dialogues even refers to her as a "lowly waitress" at one point.
Despite there being another pregnant character in this book, the sister of the twins, none of the men in this book seem to have heard of a pregnant woman before, and they literally act like Shelby is as delicate as a tiny kitten, barely letting her do anything, not even knowing if pregnant people can have sex or take baths. And why did we get SO much information and involvement with the pregnant sister? Honestly I don't know what all that was for except to absolutely enrage and terrify all of the men that pregnancy can be tough/uncomfortable etc.
This entire book was just Shelby freakout, Chris freakout, Shelby freakout, Chris freakout, the other guys may suddenly be in a scene even though they weren't mentioned before, then another Shelby freakout, Chris freakout, rinse and repeat. Each and every character makes wild assumption after wild assumption and the men damn near turn into walking, talking storm clouds if perfect Shelby is having any emotion but glee or horniness.
These men have known Shelby what, two weeks? A month? And these twins are prepared to cut their mother out of their life because Shelby thinks the mom glanced at her wrong. Shelby, of course, finds this very comforting and reassuring that they're willing to not have their mom in their lives anymore. Also, I know this was instalove but there's something quite sinister and jarring about letting your kids call men you've known for an INCREDIBLY short amount of time daddy.
We get Everett's backstory of poverty a bit in this book, and it turns out Chris has been helping and funding his friends' lives since Chris himself was six or seven years old (???) with his allowance and selling a watch (???) Again, where is the logic?
Almost every single scene in this book that has all five of the adults is like the "and my axe" scene from Lord of the Rings. The author constantly reminds us what each guy is good for in a very two-dimensional way. "And my money." "And my paternal instincts." "And my lawyer capabilities." "And my protectiveness." Ugh. I really should have DNFd this book.
Also Chris's wedding ring from Shelby has their "Four Blakeley Brothers" company logo on it? What the hell?
Anyways, if you like books where the FMC has no personality beyond insecurity and the MMCs have no personality beyond overprotectiveness, then this one is for you.