Chica Umino (Jap: 羽海野チカ) is a Japanese mangaka. Her real name is not disclosed, "Umino Chica" is a pen name.
She began work as a product designer and illustrator. Umino has a unique drawing style, listing Studio Ghibli amongst her influences, and her characters are remarkably well-developed.
Her most famous series to date is Hachimitsu to Clover (English name: Honey and Clover), a 'slice of life' manga series which debuted in 2000 in Shueisha's manga magazine, CUTiEcomic. The series won the Kodansha Manga Award in 2003 and was nominated for the Tezuka Culture Prize and an award from the Japan Media Arts Festival. It was also adapted into an animated television series in 2005, a live-action movie in 2006 and two individual live-action TV series in 2008.
Her ongoing recent series is Sangatsu no Lion (English name: March comes in like a lion), which began serialization in 2007. The series won several important prizes including: the Manga Taisho prize and Kodansha Manga Prize (general audience) in 2011, the Tezuka Osamushi Cultural Prize in 2014, and the Bunkacho Media Geijutsusai Manga bumon in 2021.
Umino has also provided the illustration for the 2009 anime series Eden of the East by Kenji Kamiyama, as well as 'Tobira o Akete' and the Glass Heart series, including 'Boukensha-tachi', 'Netsu no Shiro' and 'Love Way'.
I initially started this series with the anime and was afraid that the manga's not going to be as good so I left it for a while, but even in the colorless world of comic book pages this masterpiece still glows gorgeously. These 179 chapters have been like a lengthy argument proving the inextinguishable existence of hope, and it has convinced me like no one ever did. Every story of every character shows just another way that life can be, and there have been so so soooo so many characters (and pets, lots of pets).
Honestly reading the synopsis it does feel like a boring story about a guy playing Japanese chess, but it really doesn't take any knowledge about Japanese chess to cry a million times while reading this. It's just a heartwarming, hilarious, sad, and most importantly, exciting, piece of work, like life itself.
Después de un año esperando el siguiente volumen no he podido esperar y ha saltado toda la pila de pendientes. Echaba mucho de menos a kiriyama y Hina, me he reido mucho con la competición de puzzles. Creo que esta autora tiene un don para sacar petroleo de las pequeñas tradiciones. Y para postre un analisis de la apertura nakabisha y la ibisha rikisen y cómo los kishi viven el año nuevo. Me encantaría que se tradujeran esas revistas de shogi que siempre menciona. Ahora a esperar el siguiente volumen, estudiando shogi para ganar paciencia.
When I first began reading this I was really interested in Kiriyama because the way he described his depression felt so familiar to me, but now that I’ve finally decided to finish it I feel at peace knowing he’s comfortable and happier than before just as I am. It’s weird how even now we still have the same thoughts, I feel so connected with the characters. I don’t think I could ever forget just how beautiful this manga is and how beautiful the writing is.
I love the way that Rei respects the family not wanting to be involved with their super sketchy dad, and there was one page that I found really relatable (don't know how to link them though). I still have weird thoughts about Rei and Hina dating due to the age gap though...
This entire review has been hidden because of spoilers.