This sequential-art nonfiction book has a split focus on various psychological and neuroscience phenomena and on married neuroscientists Uta and Chris Firth. Some topics examined include empathy, how we learn, and thinking about thinking (aka “metacognition”). It’s a book about the brain that engages the brain while still being reader accessible thanks to a lively format that forces condensing. Although each topic is more involved than what’s presented here, the author—Alex Frith, son of Uta and Chris—distills each down to its most pertinent points.
It’s an intellectually stimulating exploration that dives especially deep in chapters on free will, recursive thinking (basically, strategic thinking as used in, for example, chess), and cooperation versus selfishness, to name a few. In one of the most mind-stretching parts, the Friths present some research that seems to indicate that we do not have free will, although further study is needed. As metacognition is concerned, research so far indicates it’s unique to humans.
Two Heads is dense with information, and some parts could have been excluded—namely focus on the personal lives of Uta and Chris. They’re renowned, but I still failed to understand why I should care so much about their lives, including how they met and what their individual offices look like. Alex and illustrator Daniel Locke depicted this couple as friendly, and the cartoon Uta and Chris guide the reader through various lessons and research, a large amount of which is their own. These parts are engaging.
The book is less engaging, though, when it digs into history to spotlight some other prominent scientists and their experiments and discoveries. These parts last for too long, while attention on experiment mechanics is often more technical than is necessary for the everyday, non-neuroscientist reader. Two Heads could probably be half its size, at the very least for pacing reasons. It does slow to a crawl many times.
The most intriguing parts are the straight-up brain information as it relates to our unconscious personal and interpersonal behavior, but the book goes off on tangents throughout. When it’s focused on what’s most interesting, Two Heads is impressively deep for the sequential-art format, dispelling myths, sharing discoveries, examining established truths, and talking about lesser-known aspects of a certain topic. Because of the format I began this expecting an introductory book, just with illustrations; however, with the more unusual territory it covers, Two Heads is actually well suited to readers who already enjoy brain books.