8.2/10
An introductory yet ambitious work by Professor Buxton of @universityofbristol , this book analyzes the cultural transformations of several representative Greek myths over time to elucidate their variance as well as impact on modern society.
The chapters that impressed me the most were those on Prometheus, the judgment of Paris, and Orpheus and Eurydice.
Our lives are peppered with Greek mythology references. Take Prometheus, who not only titled a 2012 sci-fi movie I adore and foregrounded Prometheus Bound, an artwork with which I had a serendipitous encounter at the @philamuseum the very day after I saw a replica in the book, he is even emulated by Boris Johnson, who explicitly portrayed himself as the Titan’s modern equivalent. As the book points out, Johnson is lucky that the public nowadays remembers Prometheus for his foresight and heroism rather than trickery and humiliation.
The judgment of Paris and Orpheus and Eurydice were insightful in other ways. The former provoked a discussion on the prevalence of the triad, from Christianity to folklore and from King Lear’s three daughters to the Three Little Pigs. In contrast, my interest in Orpheus and Eurydice lay more in the nebula around the latter’s pixilated identity. As the author notes, Eurydice is the epitome of a character whose name oscillated as freely as her function in the myth remained consistent. Unfortunately, the majority of such figures were women whose story arcs only served those of the male heroes.
In short, this book should be a pleasure to read for both mythology aficionados and beginners just dipping into the ripples of its varied plot. Along with the gems, there were chapters less captivating such as the Labors of Hercules, in which the book was too busy relating the hero’s accomplishments at the sacrifice of cultural analysis. But maybe Hercules is too familiar an icon for dissection; maybe disseminating the myths will prove more contributive towards understanding this heritage.
Thank you @thamesandhudsonusa for the gifted copy.
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